Описание: At the beginning of the Victorian period, most of England's population lived in the countryside; by its end, the balance had tipped towards living in urban and suburban spaces. In the context of this rapidly changing world, Rachel Worth explores the ways in which the clothing of the rural working classes was represented visually in paintings and photographs and by the literary sources of documentary, autobiography and fiction, as well as by the collection and conservation of garments of rural provenance by museums.
Worth explores the ways in which clothing and its representations throw light on wider social and cultural issues, as well as how 'traditional' styles of dress, like men's smock-frocks or women's sun-bonnets, came to be replaced by 'fashion'. Her compelling study adds breadth to the history of dress by considering it within its social and cultural contexts, and shows how clothing enriches our understanding of Victorian social history.
Автор: Jane Davison Название: Kate O`Brien and Spanish Literary Culture ISBN: 0815635478 ISBN-13(EAN): 9780815635475 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 6897.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: One of the most important Irish novelists of the twentieth century, Kate O’Brien (1897–1974) was also a pioneer of women’s writing. In a career that spanned almost fifty years, nine novels, nine plays, two travelogues, and copious criticism, O’Brien rebelled against the narrow nationalism andrestrictive Catholicism prevalent in independent Ireland. In this highly original approach to O’Brien’s work, Davison traces the influence of three leading Spanish writers—Jacinto Benavente, Miguel deCervantes, and Teresa of Avila. O’Brien’s lifelong fascination with Spanish literature and culture offered an oblique way of resisting the Catholic and conservative imperatives of the Irish Free State. In a series of close comparative readings, Davison identifies the origin of O’Brien’s creative disinhibition and ultimately situates her within a tradition of dissident Irish women writers.
Описание: While the image of bourgeois Victorian women as 'angels in the house' isolated from the world in private domesticity has long been dismissed as an unrealistic ideal, women have remained marginalised in many recent accounts of the public culture of the middle class. Simon Morgan aims to redress the balance, by drawing on a variety of sources including private documents, he argues that women actually played an important role in the formation of the public identity of the Victorian middle class. Through their support for cultural and philanthropic associations and their engagement in political campaigns, women developed a nascent civic identity, which for some informed their later demands for political rights. "Middle Class Women and Victorian Public Culture" offers numerous insights for the reader into the public lives of women in this fascinating period.
Описание: Previous studies of tombstones and inscriptions dedicated to divinities have focused on methods of assigning names in Roman society, the age at marriage and death of demographic populations across the Roman Empire, relations of kinship, marriage, amity and dependence among elite and sub-altern families and communities, and the performance of acts in accordance with traditional forms of belief and custom. The present volume wishes to ask what conclusions can be drawn from the corpus of private Latin inscriptions from Roman Italy about the identity, social condition and cultural activity of men and women participating in the process of epigraphic commemoration and dedication. In particular, this study hopes to demonstrate that women participated as significantly as men in the process in a variety of ways and contexts usually regarded as prominently or exclusively male, and in certain circumstances left behind the trace or residue of a uniquely female perspective on their world
Описание: "Meticulously researched, impressively documented, and engrossingly written, . . . [it] contributes to a long-overdue reconception of the New Economic Policy (NEP). . . ." —Choice " . . . a well-organized, sophisticated analysis of the difficulties involved in attempting to reconcile ideology with political, economic, and cultural realities.: —The Russian Review " . . . a highly persuasive, revealing, and well-documented account of early Bolshevik policy, practice, and language pertaining to the 'baba problem' and the unexpected ways female and male comrades responded to the party-state's tutelary role toward women." —Slavic Review "This is a rich and densely argued study that embeds the story of the zhenotdel in the context of the political struggles and institutional structures of this formative period of the Russian Revolution. Wood demonstrates clearly the dilemma of whether women party activists should serve the party or their constituents." —American Historical Review "Wood's convincing work is a welcome addition to the growing literature on the gender-role traditionalism the Communists reinstitutionalized with their revolution." —The Women's Review of Books How could the baba—traditionally, the "backward" Russian woman—be mobilized as a "comrade" in the construction of a new state and society? Drawing on recently opened archives, Elizabeth A. Wood explains why the Bolsheviks proved unable and ultimately unwilling to realize their ideological notions of a gender-neutral society. Focusing on the creation and activities of the zhenotdel, a special women's section within the Russian Communist Party, Wood reconstructs the ways in which notions of gender sameness and difference both facilitated and complicated Bolshevik efforts at state building during the Civil War and the New Economic Policy.
University commitments to diversity and inclusivity have yet to translate into support for women of color graduate students. Sexism, classism, homophobia, racial microaggressions, alienation, disillusionment, a lack of institutional and departmental support, limited help from family and partners, imposter syndrome, narrow reading lists—all remain commonplace. Indifference to the struggles of women of color in graduate school and widespread dismissal of their work further poisons an atmosphere that suffocates not only ambition but a person's quality of life.
In Degrees of Difference, women of color from diverse backgrounds give frank, unapologetic accounts of their battles—both internal and external—to navigate grad school and fulfill their ambitions. At the same time, the authors offer strategies for surviving the grind via stories of their own hard-won successes with self-care, building supportive communities, finding like-minded mentors, and resisting racism and unsupportive faculty and colleagues.
Contributors: Aeriel A. Ashlee, Denise A. Delgado, Nwadiogo I. Ejiogu, Delia Fern?ndez, Regina Emily Idoate, Karen J. Leong, Kimberly D. McKee, D?lice Mugabo, Carrie Sampson, Arianna Taboada, Jenny Heijun Wills, and Soha Youssef
For much of the 20th century, Catholics in Ireland spent significant amounts of time engaged in religious activities. This book documents their experience in Limerick city between the 1920s and 1960s, exploring the connections between that experience and the wider culture of an expanding and modernising urban environment.
S le de Cl ir discusses topics including ritual activities in many contexts: the church, the home, the school, the neighbourhood and the workplace. The supernatural belief underpinning these activities is also important, along with creative forms of resistance to the high levels of social control exercised by the clergy in this environment. De Cl ir uses a combination of in-depth interviews and historical ethnographic sources to reconstruct the day-to-day religious experience of Limerick city people during the period studied. This material is enriched by ideas drawn from anthropological studies of religion, while perspectives from both history and ethnology also help to contextualise the discussion.
With its unique focus on everyday experience, and combination of a traditional worldview with the modernising city of Limerick - all set against the backdrop of a newly-independent Ireland - Popular Catholicism in 20th-century Ireland presents a fascinating new perspective on 20th-century Irish social and religious history.
Описание: This wide-ranging new analysis of national sentiment and national identity in fourteenth-century England places this important but sometimes controversial topic in the context of late medieval English political culture for the first time, using not only familiar literary sources but also previously neglected official records.
In Transnational Nationalism and Collective Identity among the American Irish, Howard Lune considers the development and mobilization of different nationalisms over 125 years of Irish diasporic history (1791–1920) and how these campaigns defined the Irish nation and Irish citizenship.
Lune takes a collective approach to exploring identity, concentrating on social identities in which organizations are the primary creative agent to understand who we are and how we come to define ourselves. As exiled Irishmen moved to the United States, they sought to create a new Irish republic following the American model. Lune traces the construction of Irish American identity through the establishment and development of Irish nationalist organizations in the United States. He looks at how networks—such as societies, clubs, and private organizations—can influence and foster diaspora, nationalism, and nationalist movements.
By separating nationalism from the physical nation, Transnational Nationalism and Collective Identity among the American Irish uniquely captures the processes and mechanisms by which collective identities are constructed, negotiated, and disseminated. Inevitably, this work tackles the question of what it means to be Irish—to have a nationality, a community, or a shared history.
In the first half of the twentieth century, many writers and artists turnedto the art and received example of the Elizabethans as a means ofarticulating an emphatic (and anti-Victorian) modernity. By the middleof that century, this cultural neo-Elizabethanism had become absorbedwithin a broader mainstream discourse of national identity, heritage andcultural performance. Taking strength from the Coronation of a new, youngQueen named Elizabeth, the New Elizabethanism of the 1950s heralded anation that would now see its 'modern', televised monarch preside over animminently glorious and artistic age.This book provides the first in-depth investigation of New Elizabethanismand its legacy. With contributions from leading cultural practitioners andscholars, its essays explore New Elizabethanism as variously manifestin ballet and opera, the Coronation broadcast and festivities, nationalhistoriography and myth, the idea of the 'Young Elizabethan', celebrations ofair travel and new technologies, and the New Shakespeareanism of theatreand television. As these essays expose, New Elizabethanism was muchmore than a brief moment of optimistic hyperbole. Indeed, from moderndrama and film to the reinternment of Richard III, from the London Olympicsto the funeral of Margaret Thatcher, it continues to pervade contemporaryartistic expression, politics, and key moments of national pageantry.
Описание: Uncovers the life of Jane Cumming, who scandalized her contemporaries with tales of sexual deviancy but also defied cultural norms, standing up to male authority figures and showing resilience.
For much of the 20th century, Catholics in Ireland spent significant amounts of time engaged in religious activities. This book documents their experience in Limerick city between the 1920s and 1960s, exploring the connections between that experience and the wider culture of an expanding and modernising urban environment.
Sile de Cleir discusses topics including ritual activities in many contexts: the church, the home, the school, the neighbourhood and the workplace. The supernatural belief underpinning these activities is also important, along with creative forms of resistance to the high levels of social control exercised by the clergy in this environment. De Cleir uses a combination of in-depth interviews and historical ethnographic sources to reconstruct the day-to-day religious experience of Limerick city people during the period studied. This material is enriched by ideas drawn from anthropological studies of religion, while perspectives from both history and ethnology also help to contextualise the discussion.
With its unique focus on everyday experience, and combination of a traditional worldview with the modernising city of Limerick - all set against the backdrop of a newly-independent Ireland - Popular Catholicism in 20th-century Ireland presents a fascinating new perspective on 20th-century Irish social and religious history.
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