Описание: A revised and expanded edition of Ali`s important history of how African Americans have created independent and third-party movements to expand democracy.
Автор: Bertram D. Ashe, Ilka Saal Название: Slavery and the Post-Black Imagination ISBN: 0295746645 ISBN-13(EAN): 9780295746647 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 13794.00 р. Наличие на складе: Нет в наличии.
Описание:
From Kara Walker’s hellscape antebellum silhouettes to Paul Beatty’s bizarre twist on slavery in The Sellout and from Colson Whitehead’s literal Underground Railroad to Jordan Peele’s body-snatching Get Out, this volume offers commentary on contemporary artistic works that present, like musical deep cuts, some challenging “alternate takes” on American slavery. These artists deliberately confront and negotiate the psychic and representational legacies of slavery to imagine possibilities and change. The essays in this volume explore the conceptions of freedom and blackness that undergird these narratives, critically examining how artists growing up in the post–Civil Rights era have nuanced slavery in a way that is distinctly different from the first wave of neo-slave narratives that emerged from the Civil Rights and Black Power Movements.
Slavery and the Post-Black Imagination positions post-blackness as a productive category of analysis that brings into sharp focus recent developments in black cultural productions across various media. These ten essays investigate how millennial black cultural productions trouble long-held notions of blackness by challenging limiting scripts. They interrogate political as well as formal interventions into established discourses to demonstrate how explorations of black identities frequently go hand in hand with the purposeful refiguring of slavery’s prevailing tropes, narratives, and images.
Описание: The rise of black radicalism in the 1960s was a result of both the successes and the failures of the civil rights movement. The movement's victories were inspirational, but its failures to bring about structural political and economic change pushed many to look elsewhere for new strategies. During this era of intellectual ferment, the writers, editors, and activists behind the monthly magazine Liberator (1960–71) were essential contributors to the debate. In the first full-length history of the organization that produced the magazine, Christopher M. Tinson locates Liberator as a touchstone of U.S.-based black radical thought and organizing in the 1960s. Combining radical journalism with on-the-ground activism, the magazine was dedicated to the dissemination of a range of cultural criticism aimed at spurring political activism, and became the publishing home to many notable radical intellectual-activists of the period, such as Ossie Davis, Ruby Dee, Harold Cruse, and Askia Toure.By mapping the history and intellectual trajectory of the Liberator and its thinkers, Tinson traces black intellectual history beyond black power and black nationalism into an internationalism that would shape radical thought for decades to come.
Автор: Dossett, Kate Название: Radical black theatre in the new deal ISBN: 1469654423 ISBN-13(EAN): 9781469654423 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4703.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Between 1935 and 1939, the United States government paid out-of-work artists to write, act, and stage theatre as part of the Federal Theatre Project (FTP), a New Deal job relief program. In segregated "Negro Units" set up under the FTP, African American artists took on theatre work usually reserved for whites, staged black versions of "white" classics, and developed radical new dramas. In this fresh history of the FTP Negro Units, Kate Dossett examines what she calls the black performance community-a broad network of actors, dramatists, audiences, critics, and community activists-who made and remade black theatre manuscripts for the Negro Units and other theatre companies from New York to Seattle.
Tracing how African American playwrights and troupes developed these manuscripts and how they were then contested, revised, and reinterpreted, Dossett argues that these texts constitute an archive of black agency, and understanding their history allows us to consider black dramas on their own terms. The cultural and intellectual labor of black theatre artists was at the heart of radical politics in 1930s America, and their work became an important battleground in a turbulent decade.
Описание: “Hold tight. The way to go mad without losing your mind is sometimes unruly.” So begins La Marr Jurelle Bruce's urgent provocation and poignant meditation on madness in black radical art. Bruce theorizes four overlapping meanings of madness: the lived experience of an unruly mind, the psychiatric category of serious mental illness, the emotional state also known as “rage,” and any drastic deviation from psychosocial norms. With care and verve, he explores the mad in the literature of Amiri Baraka, Gayl Jones, and Ntozake Shange; in the jazz repertoires of Buddy Bolden, Sun Ra, and Charles Mingus; in the comedic performances of Richard Pryor and Dave Chappelle; in the protest music of Nina Simone, Lauryn Hill, and Kendrick Lamar, and beyond. These artists activate madness as content, form, aesthetic, strategy, philosophy, and energy in an enduring black radical tradition. Joining this tradition, Bruce mobilizes a set of interpretive practices, affective dispositions, political principles, and existential orientations that he calls “mad methodology.” Ultimately, How to Go Mad without Losing Your Mind is both a study and an act of critical, ethical, radical madness.
Описание: “Hold tight. The way to go mad without losing your mind is sometimes unruly.” So begins La Marr Jurelle Bruce's urgent provocation and poignant meditation on madness in black radical art. Bruce theorizes four overlapping meanings of madness: the lived experience of an unruly mind, the psychiatric category of serious mental illness, the emotional state also known as “rage,” and any drastic deviation from psychosocial norms. With care and verve, he explores the mad in the literature of Amiri Baraka, Gayl Jones, and Ntozake Shange; in the jazz repertoires of Buddy Bolden, Sun Ra, and Charles Mingus; in the comedic performances of Richard Pryor and Dave Chappelle; in the protest music of Nina Simone, Lauryn Hill, and Kendrick Lamar, and beyond. These artists activate madness as content, form, aesthetic, strategy, philosophy, and energy in an enduring black radical tradition. Joining this tradition, Bruce mobilizes a set of interpretive practices, affective dispositions, political principles, and existential orientations that he calls “mad methodology.” Ultimately, How to Go Mad without Losing Your Mind is both a study and an act of critical, ethical, radical madness.
Описание: "Untwines the aesthetic, sociohistorical, and spiritual ties that bind and unbind the first black republic to the African continent."--Gina Athena Ulysse, author of Why Haiti Needs New Narratives: A Post-Quake Chronicle "A nonlinear, creative, powerful reflection on history and the stories we tell about ourselves. What was disconnected is now remembered using the very tools and methodologies employed by Haitians themselves."--Patrick Bellegarde-Smith, author of Haiti: The Breached Citadel "Pressley-Sanon's important book demonstrates that Haitian Vodou is a serious enterprise with its own phenomenology and epistemologies, and that the religion's unique pragmatic dimensions offer initiatory answers to otherwise unanswerable questions about Haiti's past, present, and future. A must-read."--Claudine Michel, editor, Journal of Haitian Studies "Reveals an impressively rich cultural landscape inhabited by women and men whose legendary resilience in the face of adversity clothes a ferocious dedication to their identity as free people."--LeGrace Benson, author of Arts and Religions of Haiti: How the Sun Illuminates Under Cover of Darkness
Gathering oral stories and visual art from Haiti and two of its "motherlands" in Africa, Istwa across the Water recovers the submerged histories of the island through methods drawn from its deep spiritual and cultural traditions.
Toni Pressley-Sanon employs three theoretical anchors to bring together parts of the African diaspora that are profoundly fractured because of the slave trade. The first is the Vodou concept of marasa, or twinned entities, which she uses to identify parts of Dahomey (the present-day Benin Republic) and the Kongo region as Haiti's twinned sites of cultural production. Second, she draws on poet Kamau Brathwaite's idea of tidalectics--the back-and-forth movement of ocean waves--as a way to look at the cultural exchange set in motion by the transatlantic movement of captives. Finally, Pressley-Sanon searches out the places where history and memory intersect in story, expressed by the Kreyol term istwa.
Challenging the tendency to read history linearly, this volume offers a bold new approach for understanding Haitian histories and imagining Haitian futures.
Автор: Ashe Bertram D., Saal Ilka Название: Slavery and the Post-Black Imagination ISBN: 0295746637 ISBN-13(EAN): 9780295746630 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 3762.00 р. Наличие на складе: Нет в наличии.
Описание:
From Kara Walker's hellscape antebellum silhouettes to Paul Beatty's bizarre twist on slavery in The Sellout and from Colson Whitehead's literal Underground Railroad to Jordan Peele's body-snatching Get Out, this volume offers commentary on contemporary artistic works that present, like musical deep cuts, some challenging "alternate takes" on American slavery. These artists deliberately confront and negotiate the psychic and representational legacies of slavery to imagine possibilities and change. The essays in this volume explore the conceptions of freedom and blackness that undergird these narratives, critically examining how artists growing up in the post-Civil Rights era have nuanced slavery in a way that is distinctly different from the first wave of neo-slave narratives that emerged from the Civil Rights and Black Power Movements.
Slavery and the Post-Black Imagination positions post-blackness as a productive category of analysis that brings into sharp focus recent developments in black cultural productions across various media. These ten essays investigate how millennial black cultural productions trouble long-held notions of blackness by challenging limiting scripts. They interrogate political as well as formal interventions into established discourses to demonstrate how explorations of black identities frequently go hand in hand with the purposeful refiguring of slavery's prevailing tropes, narratives, and images.
A V Ethel Willis White Book
Автор: Kate Dossett Название: Radical Black Theatre in the New Deal ISBN: 1469654415 ISBN-13(EAN): 9781469654416 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 12415.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Between 1935 and 1939, the United States government paid out-of-work artists to write, act, and stage theatre as part of the Federal Theatre Project (FTP), a New Deal job relief program. In segregated "Negro Units" set up under the FTP, African American artists took on theatre work usually reserved for whites, staged black versions of "white" classics, and developed radical new dramas. In this fresh history of the FTP Negro Units, Kate Dossett examines what she calls the black performance community-a broad network of actors, dramatists, audiences, critics, and community activists-who made and remade black theatre manuscripts for the Negro Units and other theatre companies from New York to Seattle.
Tracing how African American playwrights and troupes developed these manuscripts and how they were then contested, revised, and reinterpreted, Dossett argues that these texts constitute an archive of black agency, and understanding their history allows us to consider black dramas on their own terms. The cultural and intellectual labor of black theatre artists was at the heart of radical politics in 1930s America, and their work became an important battleground in a turbulent decade.
Автор: Burris Greg Название: The Palestinian Idea: Film, Media, and the Radical Imagination ISBN: 1439916748 ISBN-13(EAN): 9781439916742 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4383.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Is there a link between the colonization of Palestinian lands and the enclosing of Palestinian minds? The Palestinian Idea argues that it is precisely through film and media that hope can occasionally emerge amidst hopelessness, emancipation amidst oppression, freedom amidst apartheid. Greg Burris employs the work of Edward W. Said, Jacques Rancière, and Cedric J. Robinson in order to locate Palestinian utopia in the heart of the Zionist present.
He analyzes the films of prominent directors Annemarie Jacir (Salt of This Sea, When I Saw You) and Hany Abu-Assad (Paradise Now) to investigate the emergence and formation of Palestinian identity. Looking at Mais Darwazah’s documentary My Love Awaits Me By the Sea, Burris considers the counterhistories that make up the Palestinian experience—stories and memories that have otherwise been obscured or denied. He also examines Palestinian (in)visibility in the global media landscape, and how issues of Black-Palestinian transnational solidarity are illustrated through social media, staged news spectacles, and hip hop music.
Автор: Ronald E. Goodwin, Michael Hucles Название: African American History: The Development of a People ISBN: 1516529340 ISBN-13(EAN): 9781516529346 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 14039.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: African American History: The Development of a People provides students with diverse, concise essays that explore the experiences, traditions, and culture of African Americans in the United States from the nation’s early years to today. The readings center on the collective and individual experiences of African Americans and explore the cultural and historical contexts in which they live their lives.Part I of the anthology features readings that correspond to America’s Antebellum Era. The selections speak to slavery, politics, family life, survival, and indomitable will. Part II explores issues of the post-Civil War and Reconstruction eras, including reimagining life after slavery, Jim Crow, the Civil Rights Movement, boycotts, the emergence of black power, and more. The final part contains readings from influential figures and political bodies—including former presidents Abraham Lincoln and Barack Obama, civil rights leader Booker T. Washington, civil rights activist W.E.B. DuBois, and Supreme Court decisions—that demonstrate how African Americans have challenged and continue to challenge political and social systems through activism.A powerful and engaging anthology, African American History is well-suited for undergraduate and graduate courses in U.S. history, African American history, urban sociology, and black political thought.
Описание: Accounts of Jewish immigrants usually describe the role of education in helping youngsters earn a higher social position than their parents. Melissa F. Weiner argues that New York City schools did not serve as pathways to mobility for Jewish or African American students. Instead, at different points in the city's history, politicians and administrators erected similar racial barriers to social advancement by marginalizing and denying resources that other students enjoyed. Power, Protest, and the Public Schools explores how activists, particularly parents and children, responded to inequality; the short-term effects of their involvement; and the long-term benefits that would spearhead future activism. Weiner concludes by considering how today's Hispanic and Arab children face similar inequalities within public schools.
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