Imagining the Audience in Early Modern Drama, 1558-1642, Low J., Myhill N.
Автор: Cox John D. Название: The Devil and the Sacred in English Drama, 1350-1642 ISBN: 0521790905 ISBN-13(EAN): 9780521790901 Издательство: Cambridge Academ Цена: 14256.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: John Cox tells the intriguing story of stage devils from their earliest appearance in English plays to the closing of the theatres by parliamentary order in 1642. First published in 2000, the book spans both medieval and Renaissance drama from the Mystery cycles through to plays by Greene, Marlowe, Shakespeare, Jonson, Middleton and Davenant.
Автор: King T. J. Название: Shakespearean Staging, 1599-1642 ISBN: 067449833X ISBN-13(EAN): 9780674498334 Издательство: Harvard University Press Рейтинг: Цена: 8966.00 р. Наличие на складе: Нет в наличии.
Автор: Ramachandran Ayesha Название: The Worldmakers: Global Imagining in Early Modern Europe ISBN: 022659887X ISBN-13(EAN): 9780226598871 Издательство: Wiley Рейтинг: Цена: 4118.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: From Dutch cartographers and French philosophers to Portuguese and English poets, Ramachandran describes a history of firsts: the first world atlas, the first global epic, the first modern attempt to develop a systematic natural philosophy-all part of an effort by early modern thinkers to capture "the world" on the page.
Автор: Kalpin Smith, Kathleen Название: Gender, speech, and audience reception in early modern england ISBN: 1138206059 ISBN-13(EAN): 9781138206052 Издательство: Taylor&Francis Рейтинг: Цена: 25265.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book makes a significant contribution to recent scholarship on the ways in which women responded to the regulation of their behavior by focusing on representations of women speakers and their audiences in moments Smith identifies as "scenes of speech." This new approach, examining speech exchanges between a speaker and audience in which both anticipate, interact with, and respond to each other and each other's expectations, demonstrates that the prescriptive process involves a dynamic exchange in which each side plays a role in establishing and contesting the boundaries of acceptable speech for women. Drawing from a wide range of evidence, including pamphlets, diaries, illustrations, and plays, the book interprets the various and at times contradictory representations and reception of women’s speech that circulated in early modern England. Speech scenes examined within include wives' speech to their husbands in private, private speech between women, public speech before death, and the speech of witches. Looking at scenes of women’s speech from male and female authors, Smith argues that these early modern texts illustrate a means through which societal regulations were negotiated and modified. This book will appeal to those with an interest in early modern drama, including the playwrights Shakespeare, Cary, Webster, Fletcher, and Middleton, as well as readers of non-dramatic early modern literary texts. The volume is of particular use for scholars working in the areas of early modern literature and culture, women’s history, gender studies, and performance studies.
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