Описание: Since the second half of the twentieth century various routes, including history and literature, are offered in dealing with the catastrophe of World War II and the Holocaust. Historiographies and novels are of course written with words; how can they bear witness to and reverberate with traumatic experience that escapes or resists language? In search for an alternative mode of expression and representation, this volume focuses on postwar German and Austrian writers who made use of music in their exploration of the National Socialist past. Their works invoke, however, new questions: What happens when we cross the line between narration and documentation, and between memory and a musical piece? How does identification and fascination affect our reading of the text? What kind of ethical issues do these testimonies raise? As this volume shows, reading these musical biographies is both troubling and compelling since they ‘fail’ to come to terms with the past. In playing the haunting music that does not let us put the matter to rest, they call into question not only the exclusion of personal stories by official narratives, but also challenge writers’ and readers’ most intimate perspectives on an unmasterable past.
Автор: Tobias Taddeo Hermans Название: Robert Schumann and Richard Wagner as Music Critics: n.a. ISBN: 311057733X ISBN-13(EAN): 9783110577334 Издательство: Walter de Gruyter Рейтинг: Цена: 18586.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The series publishes monographs and edited volumes that showcase significant scholarly work at the various intersections that currently motivate interdisciplinary inquiry in German cultural studies. Topics span German-speaking lands and cultures from the 18th to the 21st century, with a special focus on demonstrating how various disciplines and new theoretical and methodological paradigms work across disciplinary boundaries to create knowledge and add to critical understanding in German studies. The series editor is a renowned professor of German studies in the United States who penned one of the foundational texts for understanding what interdisciplinary German cultural studies can be. All works are peer-reviewed and in English. Three new titles will be published annually. About the series editor: Irene Kacandes is the Dartmouth Professor of German Studies and Comparative Literature at Dartmouth College, Hanover, New Hampshire. She received three degrees from Harvard University and also studied at the Free University of Berlin and Aristotle University in Thessaloniki, Greece. She publishes on a wide range of interdisciplinary topics including secondary orality, rhetoric, aesthetics, trauma, witnessing, family and generational memory, experimental life writing, Holocaust testimony, and narrative theory. She has lectured widely in the United States and Europe and currently serves as President of the International Society for the Study of Narrative and Vice President of the German Studies Association.
Описание: With the ascendancy of neoliberalism in American culture beginning in the 1960s, the political structures governing private lives became more opaque and obscure. This book argues that a new style of documentary art emerged to articulate the fissures between individual experience and reality in the era of finance capitalism.
Описание: With the ascendancy of neoliberalism in American culture beginning in the 1960s, the political structures governing private lives became more opaque and obscure. This book argues that a new style of documentary art emerged to articulate the fissures between individual experience and reality in the era of finance capitalism.
Contemporary historians have transformed our understanding of the German military in World War II, debunking the "clean Wehrmacht" myth that held most soldiers innocent of wartime atrocities. Considerably less attention has been paid to those soldiers at the end of hostilities. In Postwar Soldiers, J rg Echternkamp analyzes three themes in the early history of West Germany: interpretations of the war during its conclusion and the occupation period; military veteran communities' self-perceptions; and the public rehabilitation of the image of the German soldier. As Echternkamp shows, public controversies around these topics helped to drive the social processes that legitimized the democratic postwar order.
Описание: Revolutionary Subjects explores the literary and cultural significance of Cold War solidarities and offers insight into a substantial and under-analyzed body of German literature concerned with Latin American thought and action. It shows how literary interest in Latin America was vital for understanding oppositional agency and engaged literature in East and West Germany, where authors developed aesthetic solidarities that anticipated conceptual reorganizations of the world connoted by the transnational or the global. Through a combination of close readings, contextual analysis, and careful theoretical work, Revolutionary Subjects traces the historicity and contingency of aesthetic practices, as well as the geocultural grounds against which they unfolded, in case studies of Volker Braun, F.C. Delius, Hans Magnus Enzensberger and Heiner Muller. The book’s cultural and comparative approach offers an antidote to imprecise engagements with the transnational, historicizing critical impulses that accompany the production of disciplinary boundaries. It paves the way for more reflexive debate on the content and method of German Studies as part of a broader landscape of world literature, comparative literature and Latin American Studies.
Описание: Revolutionary Subjects demonstrates that East and West German literary interests in Latin America coincided with debates about the political relevance of literature in the Cold War.
Автор: Krimmer Elisabeth Название: German Women`s Life Writing and the Holocaust ISBN: 1108472826 ISBN-13(EAN): 9781108472821 Издательство: Cambridge Academ Рейтинг: Цена: 14256.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book examines women`s life writing from the Second World War and the Holocaust. Chapters on army auxiliaries, nurses, refugees, rape victims, and Holocaust survivors allow insights into the nature of complicity itself, the emergence of violence in civil society, and the possibility of social justice.
Автор: Elisabeth Krimmer, Katja Herges Название: Contested Selves: Life Writing and German Culture ISBN: 1640141057 ISBN-13(EAN): 9781640141056 Издательство: Boydell & Brewer Рейтинг: Цена: 12672.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Investigates the field of German life writing, from Rahel Levin Varnhagen around 1800 to Carmen Sylva a century later, from Doeblin, Becher, women`s WWII diaries, German-Jewish memoirs, and East German women`s interview literatureto the autofiction of Lena Gorelik.
Название: Poverty and Welfare in Modern German History ISBN: 1785333569 ISBN-13(EAN): 9781785333569 Издательство: Berghahn Рейтинг: Цена: 16988.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
For many, the history of German social policy is defined primarily by that nation’s postwar emergence as a model of the European welfare state. As this comprehensive volume demonstrates, however, the question of how to care for the poor has had significant implications for German history throughout the modern era. Here, eight leading historians provide essential case studies and syntheses of current research into German welfare, from the Holy Roman Empire to the present day. Along the way, they trace the parallel historical dynamics that have continued to shape German society, including religious diversity, political exclusion and inclusion, and concepts of race and gender.
Название: French feminisms 1975 and after ISBN: 3034322097 ISBN-13(EAN): 9783034322096 Издательство: Peter Lang Рейтинг: Цена: 11807.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
This volume explores contemporary French women’s writing through the prism of one of the defining moments of modern feminism: the writings of the 1970s that came to be known as «French feminism». With their exhilarating renewal of the rules of fiction, and a sophisticated theoretical approach to gender, representation and textuality, H?l?ne Cixous and others became internationally recognised for their work, at a time when the women’s movement was also a driving force for social change. Taking its cue from Les Femmes s’ent?tent, a multi-authored analysis of the situation of women and a celebration of women’s creativity, this collection offers new readings of Monique Wittig, Emma Santos and H?l?ne Cixous, followed by essays on Nina Bouraoui, Mich?le Perrein and Ying Chen, Marguerite Duras and Mireille Best, and Valentine Goby. A contextualising introduction establishes the theoretical and cultural framework of the volume with a critical re-evaluation of this key moment in the history of feminist thought and women’s writing, pursuing its various legacies and examining the ways theoretical and empirical developments in queer studies, postcolonial studies and postmodernist philosophies have extended, inflected and challenged feminist work.
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