Julia Kristeva and Feminist Thought, Schippers Birgit
Автор: Toril Moi (Editor) Название: The Kristeva reader ISBN: 0631149317 ISBN-13(EAN): 9780631149316 Издательство: Wiley Рейтинг: Цена: 3477.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Julia Kristeva is a theorist and has been acclaimed for her work in linguistics, psychoanalysis, literary and political theory. This is an introduction to her work in English, containing a range of essays from all phases of her career.
Автор: A. Smith Название: Julia Kristeva ISBN: 0312164343 ISBN-13(EAN): 9780312164348 Издательство: Springer Рейтинг: Цена: 7965.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Kristeva is drawn to states of extremity where language and the psyche are under duress, and in this book Smith examines the way the alchemical properties of words may transform these extremities into what Kristeva calls `a fire of tongues, an exit from representation`.
Автор: Pollock Griselda Название: Visual Politics of Psychoanalysis ISBN: 1780763166 ISBN-13(EAN): 9781780763163 Издательство: Bloomsbury Academic Рейтинг: Цена: 4117.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Activists working in post-traumatic societies have resisted psychoanalytical terms because they fear that pathologizing individual suffering displaces the collective and political causes of traumatic violence. In a contrary direction, some thinkers have latterly embraced what Judith Butler insists is `the psychic life of power.`
Описание: J U L I A K R I S T E V A ART, LOVE, MELANCHOLY, PHILOSOPHY, SEMIOTICS AND PSYCHOANALYSIS By Kelly Ives
Julia Kristeva was born in Bulgaria in 1941. Educated in part by French nuns, she was involved early on in her life with Communist Party youth organizations and children's groups. Since moving to Paris in the 1960s, Kristeva has risen in stature in intellectual circles so that she is now regarded as one of the most important thinkers of the contemporary era. EXTRACT FROM CHAPTER 7: "JULIA KRISTEVA'S THEORY OF LOVE"
For Julia Kristeva, love embodies both the semiotic and the symbolic, both knowledge and joy (pace Baruch de Spinoza), both language and affect. Kristeva has written of love in a way that is not facile, demeaning, banal, stereotypical, sexist or pornographic. Her pronouncements on love are quite different from those in the 'classic' texts of love, such as Ovid's poems, or the mediaeval Art of Love, or Elizabethan sonnet sequences, or Stendhal's De l'Amour, or Denis de Rougement's L'Amour et l'occident (Love in the Western World). When Kristeva writes -
Vertigo of identity, vertigo of words: love, of the individual, is that sudden revelation, that irremediable cataclysm, of which one speaks only after the fact. Under its sway, one does not speak of. ("In Praise of Love")
- it seems right and thankfully free of the usual embarrassment of chauvinism that marks much writing about love. Julia Kristeva evokes the wildness of love, the loss of self and the eruption of desire, without sounding idiotic. When Kristeva writes that in love one assumes the right to be extraordinary, it is a great description of being in love. Kristeva is right to describe love as the inrush of total subjectivity, an infinity of subjectivity. In Kristeva's psycho-poetic reading, love's the inrush of the totally extraordinary, but at the expense of commonsense (as lovers learn, painfully):
Love is the time and space in which "I" assumes the right to be extraordinary. Sovereign yet not individual. Divisible, lost, annihilated; but also, and through imaginary fusion with the loved one, equal to the infinite space of superhuman psychism. Paranoid? I am, in love, at the zenith of subjectivity.
How great this first chapter of Histoires d'amour is, as great as Stendhal's De l'Amour or Sigmund Freud's The Ego and the Id, or Jacques Lacan's crits. Kristeva describes love as a transgressive, sometimes violent wildness (D.H. Lawrence's term 'infinite sensual violence' is apposite here). REVISED AND UPDATED, WITH NEW ILLUSTRATIONS.
The text has been revised again and updated for this fifth edition.
Illustrated, including a selection of art by Giovanni Bellini. Also available in paperback.
European Writers Series. Bibliography and notes. 180pp.
Описание: With in-depth studies of Jean-Paul Sartre, Julia Kristeva, Alain Badiou and Jacques Ranciere, along with shorter analyses of Jean-Claude Milner and Quentin Meillassoux, Boncardo asks how StephaneMallarme became so politically significant for left-wing French intellectuals.
Автор: Bovй Carol Mastrangelo Название: Kristeva in America: Re-Imagining the Exceptional ISBN: 3030599116 ISBN-13(EAN): 9783030599119 Издательство: Springer Цена: 7685.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Chapter 1: Kristeva's Theories on Motherhood and Abjection: Spillers and Halberstam.- Chapter 2: Kristeva's Impact on Film Studies: Orson Welles and David Lynch.- Chapter 3: "Allow me a confession: I love America".- Chapter 4: The Fiction: A Modernist View of America.- Chapter 5: Re-envisioning World Literature and Film: Rochefort, Savoca, and Lentricchia.
Описание: CIXOUS, IRIGARAY, KRISTEVA THE JOUISSANCE OF FRENCH FEMINISM By Kelly Ives
This book is a poetic study of three French feminists, Luce Irigaray, Julia Kristeva and H l ne Cixous, the 'holy trinity' of French feminism. Cixous, Luce Irigaray and Kristeva have created some of the most inspiring, insightful and illuminating writing on contemporary feminism and philosophy.
AUTHOR'S NOTE: Kelly Ives writes: 'I hope to convey some the inspiration and excitement that their work instils. These three feminists/ philosophers/ speakers/ poets are extraordinarily enriching. Their writings are inspiring, and are they not limited to having one or two things to say. Rather, they say a lot, about a lot. Sometimes they write things that are outrageous, at other times they are incredibly, searingly poignant.'
EXTRACT FROM THE INTRODUCTION
H l ne Cixous, Luce Irigaray and Julia Kristeva all have different modes of writing. There are times when they are writing in the sober, tones of a cultural critic, philosopher or psychoanalyst. They have strident feminist voices (Cixous and Irigaray more than Kristeva). They are personal reminiscence modes. They have a relaxed, informal mode in interviews. And, most powerful of all, they have lyrical modes. Thus, Cixous, the most 'poetic' of the three, will break into a visionary, ultra-lyrical way of writing.
Luce Irigaray, too, changes, less frequently than H l ne Cixous, from a critical to a lyrical form. Thus, in a piece such as "When Our Lips Speak Together," Irigaray will write poetic sentences such as 'Kiss me. Two lips kiss two lips, and openness is ours again.' This is the kind of phrase which never appears in most cultural theorists outside of quotation marks. One doesn't find Jacques Derrida, Jacques Lacan, Gilles Deleuze, Jean Baudrillard, Mikhail Bakhtin, Michel Foucault, Roland Barthes or Jean-Paul Sartre writing 'kiss me' very often.
What marks H l ne Cixous, Luce Irigaray and Julia Kristeva apart from many cultural theorists and philosophers, then, is this personal, confessional and poetic way of writing, where they directly address the reader as the other, the 'you' in an intimate relationship. Derrida, Foucault, Baudrillard, and Jakobson are rarely, if ever, this personal.
KELLY IVES has written widely on feminism, philosophy and art. Her previous books include Cixous, Irigaray, Kristeva: The Jouissance of French Feminism, Julia Kristeva, H l ne Cixous and Wild Zones: Pornography, Art and Feminism and H l ne Cixous.
REVISED AND UPDATED, WITH NEW ILLUSTRATIONS. The text has been revised once more and updated for this fifth edition. Illustrated, with a revised text. European Writers Series. Bibliography and notes. 208pp. Also available in paperback. www.crmoon.com
Название: Julia Kristeva ISBN: 0826463568 ISBN-13(EAN): 9780826463562 Издательство: Continuum Рейтинг: Цена: 3166.00 р. Наличие на складе: Поставка под заказ.
Описание: This innovative introductory text not only clearly explains Kristeva s most difficult ideas, but also provides new insights into her work. All Kristeva s key concepts are clearly explained, and new interpretations are offered of the chora, Oedipus and abjection, as well as revolt and the feminine genius. Kristeva s intellectual development is set in historical and political context and the creative power of her work is also highlighted. Finally, the original interview reveals Kristeva s true intellectual and political aspirations.
Автор: Ives, Kelly Название: Cixous, irigaray, kristeva ISBN: 1861714203 ISBN-13(EAN): 9781861714206 Издательство: Неизвестно Рейтинг: Цена: 2216.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: CIXOUS, IRIGARAY, KRISTEVA THE JOUISSANCE OF FRENCH FEMINISM
This book is a poetic study of three French feminists, Luce Irigaray, Julia Kristeva and Helene Cixous, the 'holy trinity' of French feminism.
Kelly Ives writes: 'I hope to convey some the inspiration and excitement that their work instils. For these three feminists/ philosophers/ speakers/ poets are extraordinarily enriching. Their writings are not dull, nor yet are they limited to having one or two things to say. Rather, they say a lot, about a lot. Sometimes they write things that are outrageous, at other times they are incredibly, searingly poignant. They annoy many feminists - their insistence on the body and biology, for instance, aggravates some theorists.'
EXTRACT FROM THE INTRODUCTION
Helene Cixous, Luce Irigaray and Julia Kristeva all have different modes of writing. There are times when they are writing in the sober, tones of a cultural critic, philosopher or psychoanalyst. They have strident feminist voices (Cixous and Irigaray more than Kristeva). They are personal reminiscence modes. They have a relaxed, informal mode in interviews. And, most powerful of all, they have lyrical modes. Thus, Cixous, the most 'poetic' of the three, will break into a visionary, ultra-lyrical way of writing.
Luce Irigaray, too, changes, less frequently than Helene Cixous, from a critical to a lyrical form. Thus, in a piece such as -When Our Lips Speak Together-, Irigaray will write poetic sentences such as 'Kiss me. Two lips kiss two lips, and openness is ours again.' This is the kind of phrase which never appears in most cultural theorists outside of quotation marks. One doesn't find Jacques Derrida, Jacques Lacan, Gilles Deleuze, Jean Baudrillard, Mikhail Bakhtin, Michel Foucault, Roland Barthes or Jean-Paul Sartre writing 'kiss me' very often.
What marks Helene Cixous, Luce Irigaray and Julia Kristeva apart from many cultural theorists and philosophers, then, is this personal, confessional and poetic way of writing, where they directly address the reader as the other, the 'you' in an intimate relationship. Derrida, Foucault, Baudrillard, and Jakobson are rarely, if ever, this personal.
KELLY IVES has written widely on feminism, philosophy and art. Her previous books include Julia Kristeva and Helene Cixous.
The text has been revised and updated for this edition.
Illustrated, with a revised text. European Writers Series. Bibliography and notes. 188pp. ISBN 9781861714206. www.crmoon.com
Описание: With in-depth studies of Jean-Paul Sartre, Julia Kristeva, Alain Badiou and Jacques Ranciere, along with shorter analyses of Jean-Claude Milner and Quentin Meillassoux, Boncardo asks how Stephane Mallarme became so politically significant for left-wing French intellectuals.
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