A History of Wine in Europe, 19th to 20th Centuries, Volume I: Winegrowing and Regional Features, Conca Messina Silvia A., Le Bras Stйphane, Tedeschi Paolo
Автор: Silvia A. Conca Messina; St?phane Le Bras; Paolo T Название: A History of Wine in Europe, 19th to 20th Centuries, Volume I ISBN: 3030277712 ISBN-13(EAN): 9783030277710 Издательство: Springer Рейтинг: Цена: 20962.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This two-volume collection analyses the evolution of wine production in European regions across the nineteenth and twentieth centuries. France and Italy in particular have shaped modern viticulture, by improving oenological methods and knowledge, then disseminating them internationally. This first volume looks closely at the development of winegrowing, with cases ranging from Italian and French regions to smaller producers such as Portugal and Slovenia.
Автор: Matthews Mark A. Название: Terroir and Other Myths of Winegrowing ISBN: 0520276957 ISBN-13(EAN): 9780520276956 Издательство: Wiley Рейтинг: Цена: 4752.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Is terroir primarily a marketing ploy that obscures understanding of which environments really produce the best wine? Is reducing yield an imperative for high quality grapes and wine? What does it mean to have vines that are balanced or grapes that are physiologically mature? This title explores the myths of winegrowing.
Описание: This two-volume collection analyses the evolution of wine production in European regions across the nineteenth and twentieth centuries. This second volume looks closely at wine markets and trade, also examining the role of institutions and quality regulation.
Автор: Silvia A. Conca Messina; St?phane Le Bras; Paolo T Название: A History of Wine in Europe, 19th to 20th Centuries, Volume II ISBN: 3030277933 ISBN-13(EAN): 9783030277932 Издательство: Springer Рейтинг: Цена: 20962.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This two-volume collection analyses the evolution of wine production in European regions across the nineteenth and twentieth centuries. France and Italy in particular have shaped modern viticulture, by improving oenological methods and knowledge, then disseminating them internationally. This second volume looks closely at wine markets and trade, also examining the role of institutions and quality regulation.
Название: Palestine and Israel in the 19th and 20th Centuries ISBN: 1138156493 ISBN-13(EAN): 9781138156494 Издательство: Taylor&Francis Рейтинг: Цена: 28327.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: First Published in 1982. Routledge is an imprint of Taylor & Francis, an informa company.
This collective volume aims at studying a variety of labour history themes in Southern Europe, and investigating the?transformations of labour and labour relations that these areas underwent in the 19th and the 20th centuries. The?subjects studied include industrial labour relations in Southern Europe; labour on the sea and in the shipyards of the Mediterranean; small enterprises and small land ownership in relation to labour; formal and informal labour; the tendency?towards independent work and the role of culture; forms of labour management (from paternalistic policies to the provision of welfare capitalism); the importance of the institutional framework and the wider political context; and women’s labour and gender relations.
This collective volume aims at studying a variety of labour history themes in Southern Europe, and investigating the?transformations of labour and labour relations that these areas underwent in the 19th and the 20th centuries. The?subjects studied include industrial labour relations in Southern Europe; labour on the sea and in the shipyards of the Mediterranean; small enterprises and small land ownership in relation to labour; formal and informal labour; the tendency?towards independent work and the role of culture; forms of labour management (from paternalistic policies to the provision of welfare capitalism); the importance of the institutional framework and the wider political context; and women’s labour and gender relations.
Across the medieval and early modern eras, new rulers were celebrated with increasingly elaborate coronations and inaugurations that symbolically conferred legitimacy and political power upon them. Many historians have considered rituals like these as irrelevant to understanding modern governance—an idea that this volume challenges through illuminating case studies focused on the eighteenth- and nineteenth-century Habsburg lands. Taking the formal elasticity of these events as the key to their lasting relevance, the contributors explore important questions around their political, legal, social, and cultural significance and their curious persistence as a historical phenomenon over time.
A singer in an evening dress, a grand piano. A modest-sized audience, mostly well-dressed and silver-haired, equipped with translation booklets. A program consisting entirely of songs by one or two composers. This is the way of the Lieder recital these days. While it might seem that this style of performance is a long-standing tradition, German Song Onstage demonstrates that it is not. For much of the 19th century, the songs of Beethoven, Schubert, Schumann, and Brahms were heard in the home, salon, and, no less significantly, on the concert platform alongside orchestral and choral works. A dedicated program was rare, a dedicated audience even more so. The Lied was a genre with both more private and more public associations than is commonly recalled. The contributors to this volume explore a broad range of venues, singers, and audiences in distinct places and time periods--including the United States, the United Kingdom, Russia, and Germany--from the mid-19th century through the early 20th century. These historical case studies are set alongside reflections from a selection of today's leading musicians, offering insights on current Lied practices that will inform future generations of performers, scholars, and connoisseurs. Together these case studies unsettle narrow and elitist assumptions about what it meant and still means to present German song onstage by providing a transnational picture of historical Lieder performance, and opening up discussions about the relationship between history and performance today.
A singer in an evening dress, a grand piano. A modest-sized audience, mostly well-dressed and silver-haired, equipped with translation booklets. A program consisting entirely of songs by one or two composers. This is the way of the Lieder recital these days. While it might seem that this style of performance is a long-standing tradition, German Song Onstage demonstrates that it is not. For much of the 19th century, the songs of Beethoven, Schubert, Schumann, and Brahms were heard in the home, salon, and, no less significantly, on the concert platform alongside orchestral and choral works. A dedicated program was rare, a dedicated audience even more so. The Lied was a genre with both more private and more public associations than is commonly recalled. The contributors to this volume explore a broad range of venues, singers, and audiences in distinct places and time periods--including the United States, the United Kingdom, Russia, and Germany--from the mid-19th century through the early 20th century. These historical case studies are set alongside reflections from a selection of today's leading musicians, offering insights on current Lied practices that will inform future generations of performers, scholars, and connoisseurs. Together these case studies unsettle narrow and elitist assumptions about what it meant and still means to present German song onstage by providing a transnational picture of historical Lieder performance, and opening up discussions about the relationship between history and performance today.
This book examines the rhetorical force of certain key words in the discourses of Russian state, political thought, and literature. It shows how terms for cultured conduct (kul'turnost'), political affection (love, liubov', joy-radost' etc.), personhood (lichnost'), truth (pravda) and geographical integrity (tsel'nost') assumed almost sacral meaning. It considers how these terms took on a life of their own, imposing the designs of the Russian state and defining the hopes of educated society in the process.
By exploring the usage of these words in a wide range of texts, Richard Wortman provides glimpses into the ideas and feelings of leading figures and thinkers in Russian history, from Peter the Great to Alexander Herzen and Nicholas Berdiaev, as well as writers like Mikhail Lermontov, Ivan Turgenev, and Fedor Dostoevsky, giving a sense of the intellectual and emotional universe they inhabited.
The Power of Language and Rhetoric in Russian Political History provides both students and scholars with a specific focus through which to approach Russian culture and history. This book is essential reading for students of Russian government, thought, literature and political action.
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