After four decades of British rule in colonial Kenya, a previously unknown ethnic name—“Luyia”—appeared on the official census in 1948. The emergence of the Luyia represents a clear case of ethnic “invention.” At the same time, current restrictive theories privileging ethnic homogeneity fail to explain this defiantly diverse ethnic project, which now comprises the second-largest ethnic group in Kenya.
In Cartography and the Political Imagination, which encompasses social history, geography, and political science, Julie MacArthur unpacks Luyia origins. In so doing, she calls for a shift to understanding geographic imagination and mapping not only as means of enforcing imperial power and constraining colonized populations, but as tools for articulating new political communities and dissent. Through cartography, Luyia ethnic patriots crafted an identity for themselves characterized by plurality, mobility, and cosmopolitan belonging.
While other historians have focused on the official maps of imperial surveyors, MacArthur scrutinizes the ways African communities adopted and adapted mapping strategies to their own ongoing creative projects. This book marks an important reassessment of current theories of ethnogenesis, investigates the geographic imaginations of African communities, and challenges contemporary readings of community and conflict in Africa.
In Unreasonable Histories, Christopher J. Lee unsettles the parameters and content of African studies as currently understood. At the book's core are the experiences of multiracial Africans in British Central Africa—contemporary Malawi, Zimbabwe, and Zambia—from the 1910s to the 1960s. Drawing on a spectrum of evidence—including organizational documents, court records, personal letters, commission reports, popular periodicals, photographs, and oral testimony—Lee traces the emergence of Anglo-African, Euro-African, and Eurafrican subjectivities which constituted a grassroots Afro-Britishness that defied colonial categories of native and non-native. Discriminated against and often impoverished, these subaltern communities crafted a genealogical imagination that reconfigured kinship and racial descent to make political claims and generate affective meaning. But these critical histories equally confront a postcolonial reason that has occluded these experiences, highlighting uneven imperial legacies that still remain. Based on research in five countries, Unreasonable Histories ultimately revisits foundational questions in the field, to argue for the continent's diverse heritage and to redefine the meanings of being African in the past and present—and for the future.
Описание: This is the first full- length historical analysis of Victoria Falls. The text offers a critical examination of Victoria Falls providing new insight into the British Southern African project and reveals how Victoria Falls became one of the first modern African tourist destinations.
Автор: Bajorek Jennifer Название: Unfixed: Photography and Decolonial Imagination in West Africa ISBN: 1478003928 ISBN-13(EAN): 9781478003922 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 6270.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In Unfixed Jennifer Bajorek traces the relationship between photography and decolonial political imagination in Francophone west Africa in the years immediately leading up to and following independence from French colonial rule in 1960. Focusing on images created by photographers based in Senegal and Benin, Bajorek draws on formal analyses of images and ethnographic fieldwork with photographers to show how photography not only reflected but also actively contributed to social and political change. The proliferation of photographic imagery—through studio portraiture, bureaucratic ID cards, political reportage and photojournalism, magazines, and more—provided the means for west Africans to express their experiences, shape public and political discourse, and reimagine their world. In delineating how west Africans' embrace of photography was associated with and helped spur the democratization of political participation and the development of labor and liberation movements, Bajorek tells a new history of photography in west Africa—one that theorizes photography's capacity for doing decolonial work.
Описание: In Unfixed Jennifer Bajorek traces the relationship between photography and decolonial political imagination in Francophone west Africa in the years immediately leading up to and following independence from French colonial rule in 1960. Focusing on images created by photographers based in Senegal and Benin, Bajorek draws on formal analyses of images and ethnographic fieldwork with photographers to show how photography not only reflected but also actively contributed to social and political change. The proliferation of photographic imagery—through studio portraiture, bureaucratic ID cards, political reportage and photojournalism, magazines, and more—provided the means for west Africans to express their experiences, shape public and political discourse, and reimagine their world. In delineating how west Africans' embrace of photography was associated with and helped spur the democratization of political participation and the development of labor and liberation movements, Bajorek tells a new history of photography in west Africa—one that theorizes photography's capacity for doing decolonial work.
Only in recent years has the history of European colonial concentration camps in Africa—in which thousands of prisoners died in appalling conditions—become widely known beyond a handful of specialists. Although they preceded the Third Reich by many decades, the camps’ newfound notoriety has led many to ask to what extent they anticipated the horrors of the Holocaust. Were they designed for mass killing, a misbegotten attempt at modernization, or something else entirely? A Sad Fiasco confronts this difficult question head-on, reconstructing the actions of colonial officials in both British South Africa and German South-West Africa as well as the experiences of internees to explore both the similarities and the divergences between the African camps and their Nazi-era successors.
Описание: "Untwines the aesthetic, sociohistorical, and spiritual ties that bind and unbind the first black republic to the African continent."--Gina Athena Ulysse, author of Why Haiti Needs New Narratives: A Post-Quake Chronicle "A nonlinear, creative, powerful reflection on history and the stories we tell about ourselves. What was disconnected is now remembered using the very tools and methodologies employed by Haitians themselves."--Patrick Bellegarde-Smith, author of Haiti: The Breached Citadel "Pressley-Sanon's important book demonstrates that Haitian Vodou is a serious enterprise with its own phenomenology and epistemologies, and that the religion's unique pragmatic dimensions offer initiatory answers to otherwise unanswerable questions about Haiti's past, present, and future. A must-read."--Claudine Michel, editor, Journal of Haitian Studies "Reveals an impressively rich cultural landscape inhabited by women and men whose legendary resilience in the face of adversity clothes a ferocious dedication to their identity as free people."--LeGrace Benson, author of Arts and Religions of Haiti: How the Sun Illuminates Under Cover of Darkness
Gathering oral stories and visual art from Haiti and two of its "motherlands" in Africa, Istwa across the Water recovers the submerged histories of the island through methods drawn from its deep spiritual and cultural traditions.
Toni Pressley-Sanon employs three theoretical anchors to bring together parts of the African diaspora that are profoundly fractured because of the slave trade. The first is the Vodou concept of marasa, or twinned entities, which she uses to identify parts of Dahomey (the present-day Benin Republic) and the Kongo region as Haiti's twinned sites of cultural production. Second, she draws on poet Kamau Brathwaite's idea of tidalectics--the back-and-forth movement of ocean waves--as a way to look at the cultural exchange set in motion by the transatlantic movement of captives. Finally, Pressley-Sanon searches out the places where history and memory intersect in story, expressed by the Kreyol term istwa.
Challenging the tendency to read history linearly, this volume offers a bold new approach for understanding Haitian histories and imagining Haitian futures.
Автор: Hangwelani Hope Magidimisha; Nene Ernest Khalema; Название: Crisis, Identity and Migration in Post-Colonial Southern Africa ISBN: 3319592343 ISBN-13(EAN): 9783319592343 Издательство: Springer Рейтинг: Цена: 16769.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
This book offers a socio-historical analysis of migration and the possibilities of regional integration in Southern Africa. It examines both the historical roots of and contemporary challenges regarding the social, economic, and geo-political causes of migration and its consequences (i.e. xenophobia) to illustrate how 'diaspora' migrations have shaped a sense of identity, citizenry, and belonging in the region.
By discussing immigration policies and processes and highlighting how the struggle for belonging is mediated by new pressures concerning economic security, social inequality, and globalist challenges, the book develops policy responses to the challenge of social and economic exclusion, as well as xenophobic violence, in Southern Africa.
This timely and highly informative book will appeal to all scholars, activists, and policy-makers looking to revisit migration policies and realign them with current globalization and regional integration trends.
Автор: Rizzo, Lorena (university Of Basel) Название: Photography and history in colonial southern africa ISBN: 1138343013 ISBN-13(EAN): 9781138343016 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book studies the relationship between photography and history in colonial Southern Africa, using a series of encounters with Southern African photographic archives to reflect on photography as a distinct historical form.
How were indigenous social practices deemed queer and aberrant by colonial forces?
In Queering Colonial Natal, T.J. Tallie travels to colonial Natalestablished by the British in 1843, today South Africa’s KwaZulu-Natal provinceto show how settler regimes “queered” indigenous practices. Defining them as threats to the normative order they sought to impose, they did so by delimiting Zulu polygamy; restricting alcohol access, clothing, and even friendship; and assigning only Europeans to government schools.
Using queer and critical indigenous theory, this book critically assesses Natal (where settlers were to remain a minority) in the context of the global settler colonial project in the nineteenth century to yield a new and engaging synthesis. Tallie explores the settler colonial history of Natal’s white settlers and how they sought to establish laws and rules for both whites and Africans based on European mores of sexuality and gender. At the same time, colonial archives reveal that many African and Indian people challenged such civilizational claims.
Ultimately Tallie argues that the violent collisions between Africans, Indians, and Europeans in Natal shaped the conceptions of race and gender that bolstered each group’s claim to authority.
Автор: Blanchard Pascal, Lemaire Sandrine, Bancel Nicolas Название: Colonial Culture in France Since the Revolution ISBN: 0253010454 ISBN-13(EAN): 9780253010452 Издательство: Wiley EDC Рейтинг: Цена: 4460.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This landmark collection by an international group of scholars and public intellectuals represents a major reassessment of French colonial culture and how it continues to inform thinking about history, memory, and identity. This reexamination of French colonial culture, provides the basis for a revised understanding of its cultural, political, and social legacy and its lasting impact on postcolonial immigration, the treatment of ethnic minorities, and national identity.
In Unreasonable Histories, Christopher J. Lee unsettles the parameters and content of African studies as currently understood. At the book's core are the experiences of multiracial Africans in British Central Africa—contemporary Malawi, Zimbabwe, and Zambia—from the 1910s to the 1960s. Drawing on a spectrum of evidence—including organizational documents, court records, personal letters, commission reports, popular periodicals, photographs, and oral testimony—Lee traces the emergence of Anglo-African, Euro-African, and Eurafrican subjectivities which constituted a grassroots Afro-Britishness that defied colonial categories of native and non-native. Discriminated against and often impoverished, these subaltern communities crafted a genealogical imagination that reconfigured kinship and racial descent to make political claims and generate affective meaning. But these critical histories equally confront a postcolonial reason that has occluded these experiences, highlighting uneven imperial legacies that still remain. Based on research in five countries, Unreasonable Histories ultimately revisits foundational questions in the field, to argue for the continent's diverse heritage and to redefine the meanings of being African in the past and present—and for the future.
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