Humanism, Drama, and Performance: Unwriting Theatre, Worthen Hana
Автор: Gagn? Название: Choral Mediations in Greek Tragedy ISBN: 1316613569 ISBN-13(EAN): 9781316613566 Издательство: Cambridge Academ Рейтинг: Цена: 6019.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: A collection of essays exploring how the choruses of Greek tragedy creatively combined media and discourses to generate their own specific forms of meaning. This book analyses choruses as fictional, religious and civic performers; as combinations of text, song and dance; and as objects of reflection in themselves.
Автор: Besnault, Anne Название: Virginia Woolf`s Unwritten Literary History ISBN: 0367354969 ISBN-13(EAN): 9780367354961 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Virginia Woolf`s Unwritten Histories explores the interrelatedness of Woolf`s modernism, feminism, and her understanding of history as a site of knowledge and a writing practice that enabled her to negotiate her heritage, to find her place among the moderns as a female artist and intellectual.
Автор: Cornford Название: The Unwritten Philosophy and Other Essays ISBN: 0521094445 ISBN-13(EAN): 9780521094443 Издательство: Cambridge Academ Рейтинг: Цена: 6653.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This is a 1950 collection of eight essays about Plato and the Presocratic philosophers who were F. M. Cornford`s particular interest in the field of Greek thought. The volume includes essays discussing Pythagoras, Hesiod and Plato, in which Cornford`s enthusiasm for his subject will communicate itself to any reader.
Автор: C. W. Marshall Название: The Structure and Performance of Euripides` Helen ISBN: 1107423325 ISBN-13(EAN): 9781107423329 Издательство: Cambridge Academ Рейтинг: Цена: 5069.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Using Euripides` play Helen as the main point of reference, C. W. Marshall expands our understanding of Athenian tragedy and Classical performance. The book focuses on structure to reveal how directorial decisions and the assumptions held by the ancient audience shape meaning in performance.
Автор: Rae Paul Название: Real Theatre: Essays in Experience ISBN: 1107186595 ISBN-13(EAN): 9781107186590 Издательство: Cambridge Academ Рейтинг: Цена: 14256.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: From forgetting lines to watching Phantom of the Opera, this book uses a range of musicals, plays and experimental performances to show what theatre is made of and how we experience it. Its broad scope will appeal to theatre-goers, while its performance analyses, informed by assemblage theory, will be invaluable for students and theatre scholars.
Автор: Susan Bennett Название: Theory for Theatre Studies: Sound ISBN: 147424646X ISBN-13(EAN): 9781474246460 Издательство: Bloomsbury Academic Рейтинг: Цена: 9504.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Sound provides a lively and engaging overview of relevant critical theory for students and researchers in theatre and performance studies. Addressing sound across history and through progressive developments in relevant technologies, the volume opens up the study of theatrical production and live performance to understand conceptual and pragmatic concerns about the sonic. By way of developed case studies (including Aristophanes's The Frogs, Shakespeare's The Tempest, Cocteau's The Human Voice, and Rimini Protokoll's Situation Rooms), readers can explore new methodologies and approaches for their own work on sound as a performance component. In an engagement with the burgeoning interdisciplinary field of sound studies, this book samples exciting new thinking relevant to theatre and performance studies.
Part of the Theory for Theatre Studies series which introduces core theoretical concepts that underpin the discipline, Sound provides a balance of essential background information and new scholarship, and is grounded in detailed examples that illuminate and equip readers for their own sonic explorations. Volumes follow a consistent three-part structure: a historical overview of how the term has been understood within the discipline; more recent developments illustrated by substantive case studies; and emergent trends and interdisciplinary connections. Volumes are supported by further online resources including chapter overviews, illustrative material and guiding questions.
Online resources to accompany this book are available at: https: //bloomsbury.com/uk/theory-for-theatre-studies-sound-9781474246460/
Автор: Worrall, David (nottingham Trent University) Название: Celebrity, performance, reception ISBN: 1108458076 ISBN-13(EAN): 9781108458078 Издательство: Cambridge Academ Рейтинг: Цена: 5069.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: By 1800 London had as many theatre seats for sale as the city`s population. This was the start of the capital`s rise as a centre for performing arts. Worrall brings to life a period of extraordinary theatrical vitality, re-examining the beginnings of celebrity culture amidst a monopolistic commercial theatrical marketplace.
Автор: Susan Bennett Название: Theory for Theatre Studies: Sound ISBN: 1474246478 ISBN-13(EAN): 9781474246477 Издательство: Bloomsbury Academic Рейтинг: Цена: 2533.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Sound provides a lively and engaging overview of relevant critical theory for students and researchers in theatre and performance studies. Addressing sound across history and through progressive developments in relevant technologies, the volume opens up the study of theatrical production and live performance to understand conceptual and pragmatic concerns about the sonic. By way of developed case studies (including Aristophanes's The Frogs, Shakespeare's The Tempest, Cocteau's The Human Voice, and Rimini Protokoll's Situation Rooms), readers can explore new methodologies and approaches for their own work on sound as a performance component. In an engagement with the burgeoning interdisciplinary field of sound studies, this book samples exciting new thinking relevant to theatre and performance studies.
Part of the Theory for Theatre Studies series which introduces core theoretical concepts that underpin the discipline, Sound provides a balance of essential background information and new scholarship, and is grounded in detailed examples that illuminate and equip readers for their own sonic explorations. Volumes follow a consistent three-part structure: a historical overview of how the term has been understood within the discipline; more recent developments illustrated by substantive case studies; and emergent trends and interdisciplinary connections. Volumes are supported by further online resources including chapter overviews, illustrative material and guiding questions. Online resources to accompany this book are available at: https: //bloomsbury.com/uk/theory-for-theatre-studies-sound-9781474246460/
Описание: We know little about the nature of medieval performance and have generally been content to think of it in relation to more modern productions, not least because of the sparsity of existing evidence. Consequently, whilst much research has been undertaken into its contexts, there has been relatively little scholarly investigation into the conditions of perfomance itself. This book seeks to address this omission. It looks at such questions as the nature of performance in theatre/dance/puppetry/automata; the performed qualities of such events; the conventions of performed work; what took place in the act of performing; and the relationships between performers and witnesses, and what conditioned them. Philip Butterworth is Visiting Research Fellow in the Institute for Medieval Studies at the University of Leeds, where he was formerly Reader in Medieval Theatre and Dean for Research; Katie Normington is Senior Vice Principal (Academic) at Royal Holloway, University of London, where she is also Professor of Drama. Contributors: Kathryn Emily Dickason, Leanne Groeneveld, Max Harris, David Klausner, Femke Kramer, Jennifer Nevile, Nerida Newbigin, Tom Pettitt, Bart Ramakers, Claire Sponsler.
Автор: Soyica Diggs Colbert Название: Theory for Theatre Studies: Bodies ISBN: 147424632X ISBN-13(EAN): 9781474246323 Издательство: Bloomsbury Academic Рейтинг: Цена: 8712.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: How does theatre shape the body and perceptions of it? How do bodies on stage challenge audience assumptions about material evidence and the truth? Theory for Theatre Studies: Bodies responds to these questions by examining how theatre participates in and informs theories of the body in performance, race, queer, disability, trans, gender, and new media studies.
Throughout the 20th century, theories of the body have shifted from understanding the body as irrefutable material evidence of race, sex, and gender, to a social construction constituted in language. In the same period, theatre has struggled with representing ideas through live bodies while calling into question assumptions about the body.
This volume demonstrates how theatre contributes to understanding the historical, contemporary and burgeoning theories of the body. It explores how theories of the body inform debates about labor conditions and spatial configurations. Theatre allows performers to shift an audience’s understandings of the shape of the bodies on stage, possibly producing a reflexive dynamic for consideration of bodies offstage as well. In addition, casting choices in the theatre, most recently and popularly in Hamilton, question how certain bodies are “cast” in social, historical, and philosophical roles. Through an analysis of contemporary case studies, including The Balcony, Angels in America, and Father Comes Home from the Wars, this volume examines how the theatre theorizes bodies. Online resources are also available to accompany this book.
Автор: Soyica Diggs Colbert Название: Theory for Theatre Studies: Bodies ISBN: 1474246311 ISBN-13(EAN): 9781474246316 Издательство: Bloomsbury Academic Рейтинг: Цена: 2691.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: How does theatre shape the body and perceptions of it? How do bodies on stage challenge audience assumptions about material evidence and the truth? Theory for Theatre Studies: Bodies responds to these questions by examining how theatre participates in and informs theories of the body in performance, race, queer, disability, trans, gender, and new media studies.
Throughout the 20th century, theories of the body have shifted from understanding the body as irrefutable material evidence of race, sex, and gender, to a social construction constituted in language. In the same period, theatre has struggled with representing ideas through live bodies while calling into question assumptions about the body.
This volume demonstrates how theatre contributes to understanding the historical, contemporary and burgeoning theories of the body. It explores how theories of the body inform debates about labor conditions and spatial configurations. Theatre allows performers to shift an audience’s understandings of the shape of the bodies on stage, possibly producing a reflexive dynamic for consideration of bodies offstage as well. In addition, casting choices in the theatre, most recently and popularly in Hamilton, question how certain bodies are “cast” in social, historical, and philosophical roles. Through an analysis of contemporary case studies, including The Balcony, Angels in America, and Father Comes Home from the Wars, this volume examines how the theatre theorizes bodies. Online resources are also available to accompany this book.
Автор: Ruthie Abeliovich, Edwin Seroussi Название: Borderlines: Essays on Mapping and The Logic of Place ISBN: 3110623749 ISBN-13(EAN): 9783110623741 Издательство: Walter de Gruyter Цена: 12271.00 р. Наличие на складе: Нет в наличии.
Описание: Borderlines innovatively explores the ways artistic interventions construct social, cultural, and mental spaces. The fifteen essays bring a broad multidisciplinary approach to the concept of borderlines and its markings through artistic manifestations. Rejecting older “normative” understandings of the word border lines as signifying semantic irreversibility, this work gives prominence to the plasticity of the combined single word “borderlines.” Borderlines is a collection of essays that address the cultural, artistic, conceptual, and performative mapping of places. The essays in this collection “write” borderlines from a wide variety of perspectives, representing diverse disciplines, cultural backgrounds, countries, and generations. It presents the pervasiveness of borderlines as an intellectual, artistic and political concept, across media, theories, and places. Borderlines is intended for academic specialists and students in cultural studies, theatre and performance, media and sound studies. Author information: Ruthie Abeliovich, The University of Haifa. Edwin Seroussi, The Hebrew University of Jerusalem.
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