Описание: This book is a timely reassessment of Byron`s legacy, focusing on the ever-present figure of the Byronic hero in the fiction of Jane Austen, Elizabeth Gaskell, and George Eliot, together with screen versions of their novels.
Описание: Explores the role of the ocean, with particular attention to the Pacific, in a diverse range of literary texts spanning the late 1820s to the mid-1860s from Lydia Maria Child, Caroline Kirkland, Harriet Beecher Stowe, Elizabeth Stoddard, and Harriet Prescott Spofford.
Описание: Fin-de-siecle fiction by British female aesthetes and American women regionalists stages moments of rebellion when female characters rise up and insist on the right to maintain control of their creations. Cordell asserts that these revolutionary acts constitute a transatlantic conversation about aesthetic practice and creative ownership.
Описание: Traces the Byronic hero`s history through authors as different as Lord Byron and Jane Austen, George Eliot and Sir Arthur Conan Doyle, Rudyard Kipling and Oscar Wilde. Much more than a literary genealogy, the history of the Byronic hero and its heir, romance masculinity, outlines the radical changes nineteenth and early twentieth-century masculinity undergoes.
Автор: Finch Alison Название: Women`s Writing in Nineteenth-Century France ISBN: 0521631866 ISBN-13(EAN): 9780521631860 Издательство: Cambridge Academ Цена: 14256.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This is the most complete critical survey to date of women`s literature in nineteenth-century France. Alison Finch`s wide-ranging analysis of some 60 writers covers all genres at all levels, both popular and serious. Offering extensive reference features, the book represents an invaluable resource for all those studying French literature.
Описание: Jewish Feeling brings together affect theory and Jewish Studies to trace Jewish difference in literary works by nineteenth-century Anglo-Jewish authors. Dwor argues that midrash, a classical rabbinic interpretive form, is a site of Jewish feeling and that literary works underpinned by midrashic concepts engage affect in a distinctly Jewish way. The book thus emphasises the theological function of literature and also the new opportunities afforded by nineteenth-century literary forms for Jewish women’s theological expression. For authors such as Grace Aguilar (1816-1847) and Amy Levy (1861-1889), feeling is a complex and overlapping category that facilitates the transmission of Jewish ways of thinking into English literary forms. Dwor reads them alongside George Eliot, herself deeply engaged with issues of contemporary Jewish identity. This sheds new light on Eliot by positioning her works in a nexus of Jewish forms and concerns. Ultimately, and despite considerable differences in style and outlook, Aguilar and Levy are shown to deploy Jewish feeling in their ethics of futurity, resistance to conversion and closure, and in their foregrounding of a model of reading with feeling.
Описание: The maritime world was central to nineteenth-century America, and ideas about the ocean, seafaring, and encounters with distant peoples and places suffused the cultural imagination. Women writers who were not mariners themselves incorporated oceanic representations and concerns into their work, often through genres that were generally not associated with the sea, such as children's fiction, diaries, and female coming-of-age stories. Melissa Gniadek explores the role of the ocean, with particular attention to the Pacific, in a diverse range of literary texts spanning the late 1820s through the mid-1860s from Lydia Maria Child, Caroline Kirkland, Harriet Beecher Stowe, Elizabeth Stoddard, and Harriet Prescott Spofford. Oceans at Home shows that authors employed maritime plots and stories from distant locations to probe contemporary concerns facing the continental United States, ranging from issues of gender restrictions in the domestic sphere to the racial prejudices against indigenous peoples that lay at the heart of settler colonialism.
Описание: Jewish Feeling brings together affect theory and Jewish Studies to trace Jewish difference in literary works by nineteenth-century Anglo-Jewish authors. Dwor argues that midrash, a classical rabbinic interpretive form, is a site of Jewish feeling and that literary works underpinned by midrashic concepts engage affect in a distinctly Jewish way. The book thus emphasises the theological function of literature and also the new opportunities afforded by nineteenth-century literary forms for Jewish women’s theological expression. For authors such as Grace Aguilar (1816-1847) and Amy Levy (1861-1889), feeling is a complex and overlapping category that facilitates the transmission of Jewish ways of thinking into English literary forms. Dwor reads them alongside George Eliot, herself deeply engaged with issues of contemporary Jewish identity. This sheds new light on Eliot by positioning her works in a nexus of Jewish forms and concerns. Ultimately, and despite considerable differences in style and outlook, Aguilar and Levy are shown to deploy Jewish feeling in their ethics of futurity, resistance to conversion and closure, and in their foregrounding of a model of reading with feeling.
Автор: Szwydky Lissette Lopez Название: Transmedia Adaptation in the Nineteenth Century ISBN: 0814214231 ISBN-13(EAN): 9780814214237 Издательство: Неизвестно Рейтинг: Цена: 15277.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: How did Mary Shelley's Frankenstein give rise to the iconic green monster everyone knows today? In 1823, only five years after publication, Shelley herself saw the Creature come to life on stage, and this performance shaped the story's future. Suddenly, thousands of people who had never read Shelley's novel were participating in its cultural animation. Similarly, early adaptations magnified the reception and renown of all manner of nineteenth-century literary creations, from Byron and Keats to Dickens and Tennyson and beyond. Yet, until now, adaptation has been seen as a largely modern phenomenon. In Transmedia Adaptation in the Nineteenth Century, Lissette Lopez Szwydky convincingly historicizes the practice of adaptation, drawing on multiple disciplines to illustrate narrative mobility across time, culture, and geography. Case studies from stage plays, literature, painting, illustration, chapbooks, and toy theaters position adaptation as a central force in literary history that ensures continued cultural relevance, accessibility, and survival. The history of these forms helps to inform and put into context our contemporary obsessions with popular media. Finally, in upending a traditional understanding of canon by arguing that adaptation creates canon and not the other way around, Szwydky provides crucial bridges between nineteenth-century literary scholarship, adaptation studies, and media studies, thus identifying new stakes for all.
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