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The Novel and the Multispecies Soundscape, de Bruyn Ben


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Цена: 11179.00р.
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Автор: de Bruyn Ben
Название:  The Novel and the Multispecies Soundscape
ISBN: 9783030301217
Издательство: Springer
Классификация:


ISBN-10: 3030301214
Обложка/Формат: Hardcover
Страницы: 300
Вес: 0.53 кг.
Дата издания: 29.06.2020
Серия: Palgrave studies in animals and literature
Язык: English
Издание: 1st ed. 2019
Иллюстрации: 1 illustrations, black and white; xiii, 301 p. 1 illus.
Размер: 21.01 x 14.81 x 1.91 cm
Читательская аудитория: Professional & vocational
Ссылка на Издательство: Link
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Поставляется из: Германии
Описание: In highlighting animal sounds and their cultural meanings, these novels by authors including Amitav Ghosh, Julia Leigh, Richard Powers, Karen Joy Fowler, Cormac McCarthy, and Han Kang also enrich pressing debates about species extinction, sound pollution, nonhuman communication, and human-animal relations.


Theological Ethics through a Multispecies Lens

Автор: Deane-Drummond Celia E
Название: Theological Ethics through a Multispecies Lens
ISBN: 0198843348 ISBN-13(EAN): 9780198843344
Издательство: Oxford Academ
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Цена: 11880.00 р.
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Описание: This book is the first volume on the evolution of wisdom. Using a combination of ethnographic and ethological studies, it shows how key moral attributes of compassion, justice and wisdom are woven into relationships with animals.

Modernist Soundscapes: Auditory Technology and the Novel

Автор: Angela Frattarola
Название: Modernist Soundscapes: Auditory Technology and the Novel
ISBN: 0813056071 ISBN-13(EAN): 9780813056074
Издательство: Mare Nostrum (Eurospan)
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Цена: 10659.00 р.
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Описание: At the turn of the twentieth century, new technologies such as the phonograph, telephone, and radio changed how sound was transmitted and perceived. In Modernist Soundscapes, Angela Frattarola analyzes the influence of “the age of noise” on writers of the time, showing how modernist novelists use sound to bridge the distance between characters and to connect with the reader on a more intimate level than before.Frattarola tunes into representations of voices, noise, and music in works by Dorothy Richardson, Virginia Woolf, James Joyce, Jean Rhys, and Samuel Beckett. She argues that the common use of headphones, which piped sounds from afar into a listener’s headspace, inspired modernists to record the interior monologues of their characters in a stream-of-consciousness style. Woolf’s onomatopoeia stems from a desire to render the sounds of the world without mediation, similar to how some contemporaries hoped that recording technology would eliminate the need for musicians. Frattarola also explains how Beckett’s linguistic repetition mirrors the mechanical reproduction of the tape recorder.These writers challenge the traditional emphasis on vision in art and philosophy, characterizing the eye as distancing and analytical and the act of listening as immediate and unifying. Contending that the experimentation typically associated with modernist writing is partly due to this new attentiveness to sound, this book introduces a fresh perspective on texts that set the course of contemporary literature.


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