In the mid-nineteenth century, French colonial leaders in Algeria started southward into the Sahara, beginning a fifty-year period of violence. Lying in the shadow of the colonization of northern Algeria, which claimed the lives of over a million people, French empire in the Sahara sought power through physical force as it had elsewhere; yet violence in the Algerian Sahara followed a more complicated logic than the old argument that it was simply a way to get empire on the cheap.
"A Desert Named Peace "examines colonial violence through multiple stories and across several fields of research. It presents four cases: the military conquests of the French army in the oases and officers' predisposition to use extreme violence in colonial conflicts; a spontaneous nighttime attack made by Algerian pastoralists on a French village, as notable for its brutality as for its obscure causes; the violence of indigenous forms of slavery and the colonial accommodations that preserved it during the era of abolition; and the struggles of French Romantics whose debates about art and politics arrived from Paris with disastrous consequences.
Benjamin Claude Brower uses these different perspectives to reveal the unexpected causes of colonial violence, such as France's troubled revolutionary past and its influence on the military's institutional culture, the aesthetics of the sublime and its impact on colonial thinking, the ecological crises suffered by Saharan pastoralists under colonial rule, and the conflicting paths to authority inherent in Algerian Sufism. Directly engaging a controversial history, " A Desert Named Peace" offers an important backdrop to understanding the Algerian war for independence (1954-1962) and Algeria's ongoing internal war, begun in 1992, between the government and armed groups that claim to fight for an Islamist revolution.
Автор: Valerie K. Orlando Название: The Algerian New Novel: The Poetics of a Modern Nation, 1950-1979 ISBN: 0813939623 ISBN-13(EAN): 9780813939629 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 5079.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Disputing the claim that Algerian writing during the struggle against French colonial rule dealt almost exclusively with revolutionary themes, The Algerian New Novel shows how Algerian authors writing in French actively contributed to the experimental forms of the period, expressing a new age literarily as well as politically and culturally. Looking at canonical Algerian literature as part of the larger literary production in French during decolonization, Val?rie K. Orlando considers how novels by Rachid Boudjedra, Mohammed Dib, Assia Djebar, Nabile Far?s, Yamina Mechakra, and Kateb Yacine both influenced and were reflectors of the sociopolitical and cultural transformation that took place during this period in Algeria. Although their themes were rooted in Algeria, the avant-garde writing styles of these authors were influenced by early twentieth-century American modernists, the New Novelists of 1940s–50s France, and African American authors of the 1950s–60s. This complex mix of influences led Algerian writers to develop a unique modern literary aesthetic to express their world, a tradition of experimentation and fragmentation that still characterizes the work of contemporary Algerian francophone writers.
Автор: Valerie K. Orlando Название: The Algerian New Novel: The Poetics of a Modern Nation, 1950-1979 ISBN: 0813939615 ISBN-13(EAN): 9780813939612 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 10847.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Disputing the claim that Algerian writing during the struggle against French colonial rule dealt almost exclusively with revolutionary themes, The Algerian New Novel shows how Algerian authors writing in French actively contributed to the experimental forms of the period, expressing a new age literarily as well as politically and culturally. Looking at canonical Algerian literature as part of the larger literary production in French during decolonization, Val?rie K. Orlando considers how novels by Rachid Boudjedra, Mohammed Dib, Assia Djebar, Nabile Far?s, Yamina Mechakra, and Kateb Yacine both influenced and were reflectors of the sociopolitical and cultural transformation that took place during this period in Algeria. Although their themes were rooted in Algeria, the avant-garde writing styles of these authors were influenced by early twentieth-century American modernists, the New Novelists of 1940s–50s France, and African American authors of the 1950s–60s. This complex mix of influences led Algerian writers to develop a unique modern literary aesthetic to express their world, a tradition of experimentation and fragmentation that still characterizes the work of contemporary Algerian francophone writers.
Автор: Mathilde Von Bulow Название: West Germany, Cold War Europe and the Algerian War ISBN: 1107459680 ISBN-13(EAN): 9781107459687 Издательство: Cambridge Academ Рейтинг: Цена: 6970.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Examining the clandestine and subversive activities of Algerian nationalists in West Germany and Europe, Mathilde Von Bulow sheds new light on the extent to which FLN activities and French counter-measures impacted the conflict in Algeria and the politics of the global Cold War.
The Franco-Algerian War (1954-62) remains a powerful international symbol of Third Worldism and the finality of Empire. Through its nuanced analysis of the war's depiction in film, The Franco-Algerian War through a Twenty-First Century Lens locates an international reckoning with history that both condemns and exonerates past generations.
Algerian and French production partnerships-such as Hors-la-loi, (Outside the Law, Rachid Bouchareb, 2010) and Loubia Hamra (Bloody Beans, Narimane Mari, 2013)-are one of several ways citizens collaborate to unearth a shared history and its legacy. Nicole Beth Wallenbrock probes cinematic discourse to shed new light on topics including: the media revelation of torture and atomic bomb tests; immigration's role in the evolution of the war's meaning; and the complex relationship of the intertwined film cultures. The first chapter summarizes the Franco-Algerian War in 20th-century film, thus grounding subsequent queries with Algeria's moudjahid or freedom-fighter films and the French new wave's perceived disinterest in the conflict. This book is an invaluable resource for scholars seeking to understand cinema's role in re-evaluating war and reconstructing international memory.
The book examines the war of images between France and Algeria. Discussing the role of the United States during the war, it covers topics such the presence of American reporters in Algeria, John F. Kennedy's support for Algerian independence while a senator, the broadcasting of documentaries on the Algerian war on public television, and reporting in the press. Even half a century after Algerian independence, there remains a need for both film and literature on the war from both sides of the Mediterranean. This might seem surprising, particularly to media professionals, given the quantity of output on the subject, but both French and Algerian portrayals of the war remain flawed and shackled to their respective ideologies.
The generation of FLN leaders recognized early on the importance of images, and established a clandestine film structure that would bring the Algerian cause to the world stage.
The book offers an insightful and timely contribution not just to the field of North African studies but also to other disciplines, such as film and media studies, anthropology, history, journalism, and political science. Providing a rich source of research topics and viable ideas for film and documentary projects, it is a must-read for students, scholars and media professionals alike.
Описание: Situated at the crossroads of queer theory and postcolonial studies, Hybrid Anxieties analyzes the intertwined and composite aspects of identities and textual forms in the wake of the French-Algerian War (1954–1962). C. L. Quinan argues that the war precipitated a dynamic in which a contestation of hegemonic masculinity occurred alongside a production of queer modes of subjectivity, embodiment, and memory that subvert norms. Innovations in literature and cinema were also directly impacted by the long and difficult process of decolonization, as the war provoked a rethinking of politics and aesthetics. The novels, films, and poetry analyzed in Hybrid Anxieties trace this imbrication of content and form, demonstrating how a postwar fracturing had both salutary and injurious effects, not only on bodies and psyches but also on artistic forms.
Adopting a queer postcolonial perspective, Hybrid Anxieties adds a new impulse to the question of how to rethink hegemonic notions of gender, sexuality, and nationality, thereby opening up new spaces for considering the redemptive and productive possibilities of negotiating life in a postcolonial context. Without losing sight of the trauma of this particularly violent chapter in history, Hybrid Anxieties proposes a new kind of hybridity that, however anxious and anticipatory, emphasizes the productive forces of a queer desire to deconstruct teleological relationships between past, present, and future.
Автор: Howell, Jennifer Название: Algerian war in french-language comics ISBN: 1498516084 ISBN-13(EAN): 9781498516082 Издательство: Bloomsbury Рейтинг: Цена: 6831.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book analyzes representations of the Algerian War in French-language comics published since 1982. Throughout this book, Howell investigates the ways in which marginalized memory communities resist, rewrite, and/or repair institutionalized history in popular culture.
Автор: Daniele Joly Название: The French Communist Party and the Algerian War ISBN: 134921289X ISBN-13(EAN): 9781349212897 Издательство: Springer Рейтинг: Цена: 7685.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: William Gallois Название: A History of Violence in the Early Algerian Colony ISBN: 1349333344 ISBN-13(EAN): 9781349333349 Издательство: Springer Рейтинг: Цена: 6986.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Using newly-discovered documentation from the French military archives, A History of Violence in the Early Algerian Colony offers a comprehensive study of the forms of violence adopted by the French Army in Africa. Its coverage ranges from detailed case studies of massacres to the question of whether a genocide took place in Algeria.
Автор: Donadey Anne Название: The Algerian War in Film Fifty Years Later, 2004-2012 ISBN: 1793626642 ISBN-13(EAN): 9781793626646 Издательство: Rowman & Littlefield Publishers Рейтинг: Цена: 19008.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book examines the cultural, political, and aesthetic significance of narrative films made during the fiftieth-anniversary period of the Algerian war of independence (2004-2012). It demonstrates that this film production contributed to France`s move from a period of the return of the repressed to one of difficult anamnesis.
Описание: During the Algerian War of decolonisation, French counter-insurgency specialists set out to 'emancipate' Muslim women from the veil, seclusion and perceived male oppression. The claimed French liberation was contradicted by the violence inflicted on women through rape, torture and destruction of villages. Burning the veil, the first study to draw upon sources from newly-opened archives explores the roots of this contradiction in the theory of 'revolutionary warfare', and the attempt to defeat the National Liberation Front (FLN) by penetrating the Muslim family, seen as a bastion of resistance. The strategy was implemented through elaborate mass unveiling ceremonies, radio and cinema propaganda, women's circles, mobile health teams, implementation of the female franchise, and a progressive reform of Muslim family and marriage law. The FLN attempted to counter this policy through the propaganda representation of independent, heroic women who placed bombs or fought in guerrilla units. But this propaganda was belied by entrenched patriarchal structures and values, and the post-Independence regime, able to reject 'emancipation' of women as a colonial and Western intrusion, blocked reform for decades. French 'emancipation', striking parallels with contemporary Afghanistan and Iraq, produced a backlash that led to deterioration in the social and political position of Muslim women. This analysis of how and why Western attempts to recreate Muslim women in its own image ended in catastrophe has contemporary relevance and will be important to students, postgraduates and academics engaged in the study of French and colonial history, feminism, counter-insurgency and contemporary Islam.
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