Mapping Fairy-Tale Space: Pastiche and Metafiction in Borderless Tales, Williams Christy
Автор: Dean, Andrew (lecturer In Writing And Literature, Lecturer In Writing And Literature, Deakin University, Australia) Название: Metafiction and the postwar novel ISBN: 0198871406 ISBN-13(EAN): 9780198871408 Издательство: Oxford Academ Рейтинг: Цена: 10296.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book examines `metafiction` - writing that is about writing - after the Second World War.
Автор: Austin James F. Название: Proust, Pastiche, and the Postmodern or Why Style Matters ISBN: 1611486920 ISBN-13(EAN): 9781611486926 Издательство: Неизвестно Рейтинг: Цена: 13332.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In this book, Austin argues against the traditional critical view that minimizes Proust`s practice of pastiche-the imitation of a writer`s style-and that considers it a simple exercise of mastering the predecessor. Instead, this work establishes pastiche as a powerful, ubiquitous practice central to Proust`s entire oeuvre.
Автор: Toth, Professor Or Dr. Josh (macewan University, Canada) Название: Truth and metafiction ISBN: 1501351729 ISBN-13(EAN): 9781501351723 Издательство: Bloomsbury Academic Рейтинг: Цена: 15048.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Metafiction has long been associated with the heyday of literary postmodernism-with a certain sense of irresponsibility, political apathy, or outright nihilism. Yet, if (as is now widely assumed) postmodernism has finally run its course, how might we account for the proliferation of metafictional devices in contemporary narrative media? Does this persistence undermine the claim that postmodernism has passed, or has the function of metafiction somehow changed?
To answer these questions, Josh Toth considers a broad range of recent metafictional texts-bywriters such as George Saunders and Jennifer Egan and directors such as Sofia Coppola and Quentin Tarantino. At the same time, he traverses a diffuse theoretical landscape: from the rise of various new materialisms (in philosophy) and the turn to affect (in literary criticism) to the seemingly endless efforts to name postmodernism's ostensible successor.
Ultimately, Toth argues that much contemporary metafiction moves beyond postmodern skepticism to reassert the possibility of making true claims about real things. Capable of combating a "post-truth" crisis, such forms assert or assume a kind of Hegelian plasticity; they actively and persistently confront the trauma of what is infinitely mutable, or perpetually other. What is outside or before a given representation is confirmed and endured as that which exceeds the instance of its capture. The truth is thereby renewed; neither denied nor simply assumed, it is approached as ethically as possible. Its plasticity is grasped because the grasp, the form of its narrative apprehension, lets slip.
Автор: Heilmann Название: Metafiction and Metahistory in Contemporary Women`s Writing ISBN: 0230005047 ISBN-13(EAN): 9780230005044 Издательство: Springer Рейтинг: Цена: 12577.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This collection examines the dynamic experimentation of contemporary women writers from North America, Australia, and the UK. Blurring the dichotomies of the popular and the literary, the fictional and the factual, the essays assembled here offer new approaches to reading contemporary women fiction writers` reconfigurations of history.
Автор: Toth, Professor Or Dr. Josh (macewan University, Canada) Название: Truth and metafiction ISBN: 1501351737 ISBN-13(EAN): 9781501351730 Издательство: Bloomsbury Academic Рейтинг: Цена: 3800.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Metafiction has long been associated with the heyday of literary postmodernism—with a certain sense of irresponsibility, political apathy, or outright nihilism. Yet, if (as is now widely assumed) postmodernism has finally run its course, how might we account for the proliferation of metafictional devices in contemporary narrative media? Does this persistence undermine the claim that postmodernism has passed, or has the function of metafiction somehow changed?
To answer these questions, Josh Toth considers a broad range of recent metafictional texts—bywriters such as George Saunders and Jennifer Egan and directors such as Sofia Coppola and Quentin Tarantino. At the same time, he traverses a diffuse theoretical landscape: from the rise of various new materialisms (in philosophy) and the turn to affect (in literary criticism) to the seemingly endless efforts to name postmodernism’s ostensible successor.
Ultimately, Toth argues that much contemporary metafiction moves beyond postmodern skepticism to reassert the possibility of making true claims about real things. Capable of combating a “post-truth” crisis, such forms assert or assume a kind of Hegelian plasticity; they actively and persistently confront the trauma of what is infinitely mutable, or perpetually other. What is outside or before a given representation is confirmed and endured as that which exceeds the instance of its capture. The truth is thereby renewed; neither denied nor simply assumed, it is approached as ethically as possible. Its plasticity is grasped because the grasp, the form of its narrative apprehension, lets slip.
Описание: This volume advances scholarly understanding of the ways in which discourse deixis underpins the workings of metafictional novels and offers innovative insights into metafictionality more broadly.
Автор: Austin James Название: Proust, Pastiche, and the Postmodern or Why Style Matters ISBN: 1611484103 ISBN-13(EAN): 9781611484106 Издательство: Неизвестно Рейтинг: Цена: 25979.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In this book, Austin argues against the traditional critical view that minimizes Proust`s practice of pastiche-the imitation of a writer`s style-and that considers it a simple exercise of mastering the predecessor. Instead, this work establishes pastiche as a powerful, ubiquitous practice central to Proust`s entire oeuvre.
Mapping Fairy-Tale Space: Pastiche and Metafiction in Borderless Tales by Christy Williams uses the metaphor of mapping to examine the narrative strategies employed in popular twenty-first-century fairy tales. It analyzes the television shows Once Upon a Time and Secret Garden (a Korean drama), the young-adult novel series The Lunar Chronicles, the Indexing serial novels, and three experimental short works of fiction by Kelly Link. Some of these texts reconfigure well-known fairy tales by combining individual tales into a single storyworld; others self-referentially turn to fairy tales for guidance. These contemporary tales have at their center a crisis about the relevance and sustainability of fairy tales, and Williams argues that they both engage the fairy tale as a relevant genre and remake it to create a new kind of fairy tale.
Mapping Fairy-Tale Space is divided into two parts. Part 1 analyzes fairy-tale texts that collapse multiple distinct fairy tales so they inhabit the same storyworld, transforming the fairy-tale genre into a fictional geography of borderless tales. Williams examines the complex narrative restructuring enabled by this form of mash-up and expands postmodern arguments to suggest that fairy-tale pastiche is a critical mode of retelling that celebrates the fairy-tale genre while it critiques outdated ideological constructs. Part 2 analyzes the metaphoric use of fairy tales as maps, or guides, for lived experience. In these texts, characters use fairy tales both to navigate and to circumvent their own situations, but the tales are ineffectual maps until the characters chart different paths and endings for themselves or reject the tales as maps altogether. Williams focuses on how inventive narrative and visual storytelling techniques enable metafictional commentary on fairy tales in the texts themselves. Mapping Fairy-Tale Space argues that in remaking the fairy-tale genre, these texts do not so much chart unexplored territory as they approach existing fairy-tale space from new directions, remapping the genre as our collective use of fairy tales changes. Students and scholars of fairy-tale and media studies will welcome this fresh approach.
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