Revival of religious practices of all sorts in China, after decades of systematic government suppression, is a topic of considerable interest to scholars in disciplines ranging from religious studies to anthropology to political science. This book examines contemporary religious practices among the Premi people of the Sichuan-Yunnan-Tibet area, a group of about 60,000 who speak a language belonging to the Qiang branch of Tibeto-Burman. Koen Wellens's ethnographic research in two Premi communities on opposite sides of the border, and his analysis of available historical documents, find multiple advocates and rationales for the revival of both formal Tibetan Buddhism and the indigenous Premi practices centered on ritual specialists called anji.
Wellens argues that the variety in the shape the revitalization process takes--as it affects Premi on the Sichuan side of the border and their counterparts on the Yunnan side--can only be understood in a local cultural context. This full-length study of the Premi, the first in a language other than Chinese, makes a valuable contribution to our ethnographic knowledge of Southwest China, as well as to our understanding of contemporary Chinese religious and cultural politics.
Any archivists who have held a piece of fi lm in their hands, wondering how to go about identifying it, recognize the true value of fi lm preservationist Harold Brown's work. In 1967 Brown delivered a pioneering lecture on the identification of early films at the annual Congress of the International Federation of Film Archives (FIAF) in East Berlin. Years of working with Britain's National Film Archive collections, and the close examination of thousands of nitrate prints of the silent period, made Brown a leading authority on early fi lm identification, and an unsurpassed model of methodological consciousness in the archival field. In 1990, FIAF published Brown's Physical Characteristics of Early Films as Aids to Identification, an updated version and a continuation of his 1967 lecture. This publication has long been archivists' trusted companion, constituting a concentrated encyclopedia on all the information that can be discovered or verified through aspects of the fi lm other than the actual projected image - such as perforation shapes; embossed and punched marks; stock manufacturers' and producers' edge marks; frame characteristics; title styles; and production serial numbers. It also included essays on key individual production companies of the silent era. Over the last 30 years, this manual - a basic typewritten 100-page volume (including 20 pages of black & white illustrations), with its easily recognizable red cover - has been an invaluable reference for fi lm archivists and scholars. However, as Brown himself acknowledged in the 1990 edition, the manual was far from definitive. Camille Blot-Wellens, the editor of this new, expanded edition of Brown's 1990 book, belongs to the new generation of researchers who have used Physical Characteristics extensively in their work and have gathered considerable new information on the subject. This new edition is the result of a project she initiated in 2014 with FIAF's support. Brown's original text is now augmented with new original research on key fi lm manufacturers and producers by Camille Blot-Wellens and other leading archivists and researchers in the field. Richly illustrated (the book contains over 900 images, including 125 in full color), this new 336-page edition of Harold Brown's seminal manual will be welcomed by many, and will no doubt become a must-have working tool for many in the fi lm archiving and academic fields.
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