Essayism: On Form, Feeling, and Nonfiction, Dillon Brian

Автор: Dillon Brian
Название: Suppose a Sentence
ISBN: 1681375249 ISBN-13(EAN): 9781681375243
Издательство: Random House (USA)
Цена: 2085.00 р.
Наличие на складе: Нет в наличии.

Автор: Brian Dillon
Название: Tormented Hope
ISBN: 0141044055 ISBN-13(EAN): 9780141044057
Издательство: Random House - Penguin
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Цена: 2111.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Looks at nine prominent hypochondriacs - James Boswell, Charlotte Bronte, Charles Darwin, Florence Nightingale, Daniel Paul Schreber, Alice James, Marcel Proust, Glenn Gould and Andy Warhol - and what their lives tell us about the way the mind works with, and against, the body.

Автор: Dillon, Brian
Название: Ruins
ISBN: 085488193X ISBN-13(EAN): 9780854881932
Издательство: Неизвестно
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Цена: 2685.00 р.
Наличие на складе: Поставка под заказ.

Описание: Comprehensive examination of `ruins` of the modern era in contemporary art and cultural theory.

Автор: Dillon, Brian
Название: Pieces
ISBN: 3956792874 ISBN-13(EAN): 9783956792878
Издательство: Random House (USA)
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Цена: 2294.00 р.
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Описание: Essays and criticism on artist, writers, and living as a European writer in the midst of Brexit.

In Pieces offers critical, polemic, and personal essays written by Brian Dillon in the past decade. Writing about such major artists as Diane Arbus, Claude Cahun, and William Eggleston, Dillon investigates the slippages between life, work, and reputation. He attends to the formal strangeness of the art of Julia Margaret Cameron, Hannah H ch, Eileen Gray, and Loie Fuller. And he finds contemporary echoes of their dissident modernism in the sculpture of Helen Marten, Eva Rothschild, and Enrico David.

In writing about such contemporary writers as Eimear McBride and Claire Louise Bennett, he looks for the kind of formal adventure he is convinced can and must accompany the personal or political. Dillon's personal essays include his memories of the Prozac craze of the 1990s, a discussion of the influence of David Bowie, and a piece about a family member's paranoid relationship with photography. Finally, Dillon reflects on England and Englishness, offering direct and oblique perspectives on living as a European writer in the midst of the Brexit crisis.