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Reviewing the Past: The Presence of Ruins, Somhegyi Zoltбn


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Цена: 7392.00р.
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Автор: Somhegyi Zoltбn
Название:  Reviewing the Past: The Presence of Ruins
ISBN: 9781786607614
Издательство: Rowman & Littlefield Publishers
Классификация:


ISBN-10: 1786607611
Обложка/Формат: Paperback
Страницы: 274
Вес: 0.40 кг.
Дата издания: 09.03.2020
Серия: Global aesthetic research
Язык: English
Иллюстрации: 20 halftones, black and white
Размер: 22.91 x 15.19 x 1.57 cm
Читательская аудитория: Professional & vocational
Подзаголовок: The presence of ruins
Рейтинг:
Поставляется из: Англии
Описание: Though constantly in decay, ruins continue to fascinate the observer. Their still-standing survival is a loud affirmation of their presence, in which we can admire the struggle against the power of Nature aesthetically manifested during the decay. This volume takes a thematic approach to examining the aesthetics of ruins. It looks at the general aspects of architectural decay and its classical forms of admiration and then turns towards ruins from both classical and contemporary periods, from both Western and non-Western areas, and with examples from high art as well as popular culture. Combining the methodologies of art history, aesthetics and cultural history, this book opens up new ways of looking at the phenomenon of ruins.


Reviewing the Past: The Presence of Ruins

Автор: Somhegyi Zoltбn
Название: Reviewing the Past: The Presence of Ruins
ISBN: 1786607603 ISBN-13(EAN): 9781786607607
Издательство: Rowman & Littlefield Publishers
Рейтинг:
Цена: 22810.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Though constantly in decay, ruins continue to fascinate the observer. Their still-standing survival is a loud affirmation of their presence, in which we can admire the struggle against the power of Nature aesthetically manifested during the decay. This volume takes a thematic approach to examining the aesthetics of ruins. It looks at the general aspects of architectural decay and its classical forms of admiration and then turns towards ruins from both classical and contemporary periods, from both Western and non-Western areas, and with examples from "high art" as well as popular culture. Combining the methodologies of art history, aesthetics and cultural history, this book opens up new ways of looking at the phenomenon of ruins.


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