Автор: Leader, Michael Cunningham, Jake Название: Ghibliotheque anime movie guide ISBN: 1802792880 ISBN-13(EAN): 9781802792881 Издательство: Carlton Books Рейтинг: Цена: 3168.00 р. Наличие на складе: Есть (3 шт.) Описание: An accessible beginner`s tour to the wildly popular world of Japanese animated cinema.
Автор: Leader, Michael Cunningham, Jake Название: Ghibliotheque Film Korea ISBN: 1802796339 ISBN-13(EAN): 9781802796339 Издательство: Carlton Books Рейтинг: Цена: 3168.00 р. Наличие на складе: Есть (3 шт.) Описание: Explore the magical, mysterious world of Korean cinema, in this new book from the authors of Ghibliotheque.
From smash hits such as Parasite to cult favourites Oldboy, The Handmaiden and Train to Busan, Korean cinema is a hotbed of creative talent and the force behind the most exciting, captivating filmmaking in the world right now.
In this essential guide to the country's cinematic story, Michael Leader and Jake Cunningham – authors and hosts of the hit podcast Ghibliotheque – guide you through the must-see films from a century of Korean movies.
Exploring 30 movies, from the breakout hits to deeper cuts, hidden gems and future classics, Film Korea is a gateway to everything you need to know about the white-hot world of Korean cinema. Combining reviews and director biographies with recommended further viewing and a catalogue of beautiful film stills and movie posters, this is your one-stop guide to an incredible, captivating artform.
Автор: Ford, Akkadia Название: Trans New Wave Cinema ISBN: 0367566990 ISBN-13(EAN): 9780367566999 Издательство: Taylor&Francis Рейтинг: Цена: 6123.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Creed, Barbara Название: Return of the Monstrous-Feminine ISBN: 0367478161 ISBN-13(EAN): 9780367478162 Издательство: Taylor&Francis Рейтинг: Цена: 5970.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This follow-up to the classic text of The Monstrous-Feminine analyses those contemporary films which explore social justice issues such as women`s equality, violence against women, queer relationships, race and the plight of the planet and its multi-species.
Автор: Douglas Morrey Название: The Legacy of the New Wave in French Cinema ISBN: 150131193X ISBN-13(EAN): 9781501311932 Издательство: Bloomsbury Academic Рейтинг: Цена: 4592.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In this study of the impact and influence of the New Wave in French cinema, Douglas Morrey looks at both the subsequent careers of New Wave filmmakers and the work of later film directors and film movements in France. This book is organized around a series of key moments from the past 50 years of French cinema in order to show how the meaning and legacy of the New Wave have shifted over time and how the priorities, approaches and discourses of filmmakers and film critics have changed over the years. Morrey tackles key concepts such as the auteur, the relationship of form and content, gender and sexuality, intertextuality and rhythm. Filmmakers discussed include Godard, Truffaut, Varda, Chabrol and Rohmer plus Philippe Garrel, Luc Besson, Leos Carax, Bruno Dumont, the Dardenne brothers, Christophe Honor , Fran ois Ozon and Jacques Audiard.
Автор: Richardson, Niall (university Of Sussex, Uk) Smith, Frances Название: Trans representations in contemporary, popular cinema ISBN: 0367483351 ISBN-13(EAN): 9780367483357 Издательство: Taylor&Francis Рейтинг: Цена: 5970.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book analyses how contemporary genre cinema represents trans-identified characters.Informed by key debates within transfeminism, queer theory, contemporary trans studies – and engaging with the concerns voiced by gender critical feminism – this culturally oriented book critiques the representation of trans characters in a range of cinematic genres, including the musical, period costume drama, the road movie, melodrama, coming-of-age stories, and romances. The case studies address the ways in which trans identifications have been coded within the narrative and stylistic expectations of the genres. Are genre films successful in affirming trans identifications or do they reinforce trans stereotypes and anti-trans discourses?This is a timely and accessible book, which addresses Anglophonic, European and Latin American cinemas, and is ideal for students studying courses in Film Studies, Media Studies, Cultural Studies or Gender Studies.
Автор: Steinbock, Eliza Название: Shimmering images ISBN: 1478003243 ISBN-13(EAN): 9781478003243 Издательство: Wiley EDC Рейтинг: Цена: 14758.00 р. Наличие на складе: Поставка под заказ.
Описание:
In Shimmering Images Eliza Steinbock traces how cinema offers alternative ways to understand gender transitions through a specific aesthetics of change. Drawing on Barthes's idea of the “shimmer” and Foucault's notion of sex as a mirage, the author shows how sex and gender can appear mirage-like on film, an effect they label shimmering. Steinbock applies the concept of shimmering—which delineates change in its emergent form as well as the qualities of transforming bodies, images, and affects—to analyses of films that span time and genre. These include examinations of the fantastic and phantasmagorical shimmerings of sex change in Georges Méliès's nineteenth-century trick films and Lili Elbe's 1931 autobiographical writings and photomontage in Man into Woman. Steinbock also explores more recent documentaries, science fiction, and pornographic and experimental films. Presenting a cinematic philosophy of transgender embodiment that demonstrates how shimmering images mediate transitioning, Steinbock not only offers a corrective to the gender binary orientation of feminist film theory; they open up new means to understand trans ontologies and epistemologies as emergent, affective, and processual.
Автор: Genevi?ve Sellier Название: Masculine Singular: French New Wave Cinema ISBN: 0822341921 ISBN-13(EAN): 9780822341925 Издательство: Wiley EDC Рейтинг: Цена: 3773.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Masculine Singular is an original interpretation of French New Wave cinema by one of France’s leading feminist film scholars. While most criticism of the New Wave has concentrated on the filmmakers and their films, Geneviève Sellier focuses on the social and cultural turbulence of the cinema’s formative years, from 1957 to 1962. The New Wave filmmakers were members of a young generation emerging on the French cultural scene, eager to acquire sexual and economic freedom. Almost all of them were men, and they “wrote” in the masculine first-person singular, often using male protagonists as stand-ins for themselves. In their films, they explored relations between men and women, and they expressed ambivalence about the new liberated woman. Sellier argues that gender relations and the construction of sexual identities were the primary subject of New Wave cinema.
Sellier draws on sociological surveys, box office data, and popular magazines of the period, as well as analyses of specific New Wave films. She examines the development of the New Wave movement, its sociocultural and economic context, and the popular and critical reception of such well-known films as Jules et Jim and Hiroshima mon amour. In light of the filmmakers’ focus on gender relations, Sellier reflects on the careers of New Wave’s iconic female stars, including Jeanne Moreau and Brigitte Bardot. Sellier’s thorough exploration of early New Wave cinema culminates in her contention that its principal legacy—the triumph of a certain kind of cinephilic discourse and of an “auteur theory” recognizing the director as artist—came at a steep price: creativity was reduced to a formalist game, and affirmation of New Wave cinema’s modernity was accompanied by an association of creativity with masculinity.
The cultural liberalization of communist Czechoslovakia in the 1960s produced many artistic accomplishments, not least the celebrated films of the Czech New Wave. This movement saw filmmakers use their new freedom to engage with traditions of the avant-garde, especially Surrealism. This book explores the avant-garde's influence over the New Wave and considers the political implications of that influence. The close analysis of selected films, ranging from the Oscar-winning Closely Observed Trains to the aesthetically challenging Daisies, is contextualized by an account of the Czech avant-garde and a discussion of the films' immediate cultural and political background.
Автор: Papanikolaou Dimitris Название: Greek Weird Wave: A Cinema of Biopolitics ISBN: 1474436315 ISBN-13(EAN): 9781474436311 Издательство: Bloomsbury Academic Рейтинг: Цена: 15840.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
What relates the early films of Yorgos Lanthimos with Vasilis Kekatos’s 2019 Cannes triumph The Distance Between Us and the Sky? What is the lasting legacy of Panos Koutras’s 2009 trans narrative Strella: A Woman’s Way in today’s gender and sexual identity activism in Greece? What was the role of cultural collectives in the formation of a ‘weird history’ of Greek cinema? And how did cinema and other cultural forms respond to a sense of Crisis and an ever expansive management of life that we have now learnt to call biopolitics? This book uses such questions in order to establish a cinematic and cultural history of Greece during the last difficult decade in an engaged and highly original manner. It focuses on key films from the post-2009 ‘New’ or ‘Weird Wave’ of Greek cinema, proposing the Greek Weird Wave as a paradigmatic cinema movement of biopolitical realism. At once representing, reframing and reimagining the present, the Greek Weird Wave points to a much larger development in World Cinema.
Автор: Frame Gregory, Abrams Nathan Название: New Wave, New Hollywood: Reassessment, Recovery, and Legacy ISBN: 150136040X ISBN-13(EAN): 9781501360404 Издательство: Bloomsbury Academic Рейтинг: Цена: 29887.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
As a period of film history, The American New Wave (ordinarily understood as beginning in 1967 and ending in 1980) remains a preoccupation for scholars and audiences alike. In traditional accounts, it is considered to be bookended by two periods of conservatism, and viewed as a (brief) period of explosive creativity within the Hollywood system. From Bonnie and Clyde to Heaven's Gate, it produced films that continue to be watched, discussed, analysed and poured over.
It has, however, also become rigidly defined as a cinema of director-auteurs who made a number of aesthetically and politically significant films. This has led to marginalization and exclusion of many important artists and filmmakers, as well as a temporal rigidity about what and who is considered part of the 'New Wave proper'. This collection seeks to reinvigorate debate around this area of film history. It also looks in part to demonstrate the legacy of aesthetic experimentation and political radicalism after 1980 as part of the 'legacy' of the New Wave. Thanks to important new work that questions received scholarly wisdom, reveals previously marginalised filmmakers (and the films they made), considers new genres, personnel, and films under the banner of 'New Wave, New Hollywood', and reevaluates the traditional approaches and perspectives on the films that have enjoyed most critical attention, New Wave, New Hollywood: Reassessment, Recovery, Legacy looks to begin a new discussion about Hollywood cinema after 1967.
Автор: Gregory Frame, Nathan Abrams Название: New Wave, New Hollywood: Reassessment, Recovery, and Legacy ISBN: 1501372726 ISBN-13(EAN): 9781501372728 Издательство: Bloomsbury Academic Рейтинг: Цена: 4592.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: As a period of film history, The American New Wave (ordinarily understood as beginning in 1967 and ending in 1980) remains a preoccupation for scholars and audiences alike. In traditional accounts, it is considered to be bookended by two periods of conservatism, and viewed as a (brief) period of explosive creativity within the Hollywood system. From Bonnie and Clyde to Heaven’s Gate, it produced films that continue to be watched, discussed, analysed and poured over.It has, however, also become rigidly defined as a cinema of director-auteurs who made a number of aesthetically and politically significant films. This has led to marginalization and exclusion of many important artists and filmmakers, as well as a temporal rigidity about what and who is considered part of the ‘New Wave proper’. This collection seeks to reinvigorate debate around this area of film history. It also looks in part to demonstrate the legacy of aesthetic experimentation and political radicalism after 1980 as part of the ‘legacy’ of the New Wave. Thanks to important new work that questions received scholarly wisdom, reveals previously marginalised filmmakers (and the films they made), considers new genres, personnel, and films under the banner of ‘New Wave, New Hollywood’, and reevaluates the traditional approaches and perspectives on the films that have enjoyed most critical attention, New Wave, New Hollywood: Reassessment, Recovery, Legacy looks to begin a new discussion about Hollywood cinema after 1967.
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