Описание: This volume examines Brazilian labour history, offering articles that enter into conscious dialogue with the debates and findings of scholarship in other world regions. Contributions engage with issues such as free and unfree labour in the nineteenth-century Amazon, the transnational contexts of urban sex work, and revolutionary syndicalism in Rio.
Winner of the 2017 James M. Blaut Award from the Cultural and Political Ecology Specialty Group of the Association of American Geographers Honorable Mention for the 2016 Book Prize from the Association for Political and Legal Anthropology
Since the 1960s, when Brazil first encouraged large-scale Amazonian colonization, violence and confusion have often accompanied national policies concerning land reform, corporate colonization, indigenous land rights, environmental protection, and private homesteading. Conjuring Property shows how, in a region that many perceive to be stateless, colonists - from highly capitalized ranchers to landless workers - adopt anticipatory stances while they await future governance intervention regarding land tenure. For Amazonian colonists, property is a dynamic category that becomes salient in the making: it is conjured through papers, appeals to state officials, and the manipulation of landscapes and memories of occupation. This timely study will be of interest to development studies scholars and practitioners, conservation ecologists, geographers, and anthropologists.
Автор: Richard A. Gordon Название: Cinema, Slavery, and Brazilian Nationalism ISBN: 147730987X ISBN-13(EAN): 9781477309872 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 3380.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
A unique contribution to film studies, Richard Gordon’s Cinema, Slavery, and Brazilian Nationalism is the first full-length book on Brazilian films about slavery. By studying Brazilian films released between 1976 and 2005, Gordon examines how the films both define the national community and influence viewer understandings of Brazilianness. Though the films he examines span decades, they all communicate their revised version of Brazilian national identity through a cinematic strategy with a dual aim: to upset ingrained ways of thinking about Brazil and to persuade those who watch the films to accept a new way of understanding their national community.
By examining patterns in this heterogeneous group of films, Gordon proposes a new way of delineating how these films attempt to communicate with and change the minds of audience members. Gordon outlines five key aspects that each film incorporates, which describe their shared formula for and role in constructing social identity. These elements include the ways in which the films attempt to create links between the past and the viewers’ present and their methods of encouraging viewers to identify with their protagonists, who are often cast as a prototype for the nation. By aligning themselves with this figure, viewers arrive at a definition of their national identity that, while Afrocentric, also promotes racial and ethnic inclusiveness. Gordon’s innovative analysis transcends the context of his work, and his conclusions can be applied to questions of national identity and film across cultures.
Автор: Wolfe Joel Название: Autos and Progress: The Brazilian Search for Modernity ISBN: 0195174577 ISBN-13(EAN): 9780195174571 Издательство: Oxford Academ Цена: 9029.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Autos and Progress reinterprets twentieth-century Brazilian history through automobiles, using them as a window for understanding the nation's struggle for modernity in the face of its massive geographical size, weak central government, and dependence on agricultural exports. Among the topics Wolfe touches upon are the first sports cars and elite consumerism; intellectuals' embrace of cars as the key for transformation and unification of Brazil; Henry Ford's building of a company town in the Brazilian jungle; the creation of a transportation infrastructure; democratization and consumer culture; auto workers and their creation of a national political party; and the economic and environmental impact of autos on Brazil. This focus on Brazilians' fascination with automobiles and their reliance on auto production and consumption as keys to their economic and social transformation, explains how Brazil--which enshrined its belief in science and technology in its national slogan of Order and Progress--has differentiated itself from other Latin American nations. Autos and Progress engages key issues in Brazil around the meaning and role of race in society and also addresses several classic debates in Brazilian studies about the nature of Brazil's great size and diversity and how they shaped state-making.
Описание: Castilho offers original perspectives on the political upheaval surrounding the process of slave emancipation in postcolonial Brazil. He shows how the abolition debates in Pernambuco transformed the practices of political citizenship and marked the first instance of a mass national political mobilization.
Автор: Dekaney, Elisa , Dekaney, Joshua Название: Music at the Intersection of Brazilian Culture ISBN: 0367204371 ISBN-13(EAN): 9780367204372 Издательство: Taylor&Francis Рейтинг: Цена: 5817.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Music at the Intersection of Brazilian Culture takes an interdisciplinary approach by utilizing several aspects of Brazilian music, race, and food as a window to understanding Brazilian culture, with music at the core.
Описание: Now in English for the first time, Keila Grinberg's compelling study of the nineteenth-century jurist Antonio Pereira Reboucas (1798–1880) traces the life of an Afro-Brazilian intellectual who rose from a humble background to play a key as well as conflicted role as Brazilians struggled to define citizenship and understand racial politics. One of the most prominent specialists in civil law of his time, Reboucas explained why blacks fought stridently for their own inclusion in society but also complicitly embraced an ethic of silence on race more broadly. Grinberg argues that while this silence was crucial for defining spaces of social mobility and respectability regardless of race, it was also stifling, and played an important role in quelling political mobilization based on racial identity.
Reboucas's commitment to liberal ideals also exemplifies the contradiction he embodied: though he rejected movements that were grounded in racial political mobilization, he was consistently treated as potentially dangerous for the single fact that he was of African origin. Grinberg's analysis of Reboucas and his times demonstrates how his life and career—encompassing such themes as racial politics and identities, slavery and racism, and imperfect citizenship—are central for our understanding of Atlantic slave and post-abolition societies.
Описание: In this book, Eli Carter explores the ways in which the movement away from historically popular telenovelas toward new television and internet series is creating dramatic shifts in how Brazil imagines itself as a nation, especially within the context of an increasingly connected global mediascape. For more than half a century, South America's largest over-the-air network, TV Globo, produced long-form melodramatic serials that cultivated the notion of the urban, upper-middle-class white Brazilian. Carter looks at how the expansion of internet access, the popularity of web series, the rise of independent production companies, and new legislation not only challenged TV Globo's market domination but also began to change the face of Brazil's growing audiovisual landscape. Combining sociohistorical, economic, and legal contextualization with close readings of audiovisual productions, Carter argues that a fragmented media has opened the door to new voices and narratives that represent a more diverse Brazilian identity. A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L'Hoeste and Juan Carlos Rodríguez.
For centuries, slaveholding was a commonplace in Brazil among both whites and people of color. Abolition was only achieved in 1888, in an unprecedented, turbulent political process. How was the Abolitionist movement (1879-1888) able to bring an end to a form of labor that was traditionally perceived as both indispensable and entirely legitimate? How were the slaveholders who dominated Brazil's constitutional monarchy compelled to agree to it?
To answer these questions, we must understand the elite political world that abolitionism challenged and changed--and how the Abolitionist movement evolved in turn. The Sacred Cause analyzes the relations between the movement, its Afro-Brazilian following, and the evolving response of the parliamentary regime in Rio de Janeiro. Jeffrey Needell highlights the significance of racial identity and solidarity to the Abolitionist movement, showing how Afro-Brazilian leadership, organization, and popular mobilization were critical to the movement's identity, nature, and impact.
Автор: Daniel G. Reginald Название: Machado de Assis: Multiracial Identity and the Brazilian Novelist ISBN: 0271052473 ISBN-13(EAN): 9780271052472 Издательство: NBN International Рейтинг: Цена: 6114.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Examines how racial identity and race relations are expressed in the writings of Joaquim Maria Machado de Assis (1839-1908), Brazil`s foremost author of the late nineteenth and early twentieth centuries.
Автор: Anke Finger, Gabi Kathofer, Christopher Larkosh Название: KulturConfusao – On German-Brazilian Interculturalities ISBN: 3110682796 ISBN-13(EAN): 9783110682793 Издательство: Walter de Gruyter Рейтинг: Цена: 3896.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The analyses of German and Brazilian cultures found in this book offer a much-needed rethinking of the intercultural paradigm for the humanities and literary and cultural studies. This collection examines cultural interactions between Germany and Brazil from the Early Modern period to the present day, especially how authors, artists and other intellectuals address the development of society, intervene in the construction and transformation of cultural identities, and observe the introduction of differing cultural elements in and beyond the limits of the nation. The contributors represent various academic disciplines, including German Studies, Luso-Afro-Brazilian Studies, Cultural Studies, Linguistics, Art History and the social sciences. Their essays cover a wide range of works and media, and the issues they address are relevant not only for each of the scholarly disciplines involved, but also in discussions of current cultural practices in connection to all forms of media. The collection thus serves as a model for further intercultural research, since it calls into question the very terms through which we understand the relationships between cultures, as well as their products, practices, and perspectives.
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