Описание: Provides a comprehensive guide to integrating intercultural learning into the fabric of twenty-first century higher education. This new edition synthesizes two decades of societal, theoretical, and technological developments, and combines established and emerging voices from education, history, anthropology, and communication to provide a holistic perspective on learning across cultures.
Название: Grammaire progressive du francais/adolescents/intermediaire livre+corriges ISBN: 2090338687 ISBN-13(EAN): 9782090338683 Издательство: Cle International Рейтинг: Цена: 2726.00 р. Наличие на складе: Есть (3 шт.) Описание: Niveau intermédiaireLa célèbre collection désormais disponible dans un format et des contenus adaptés aux jeunes!Ce deuxième volume s'adresse à des élèves de niveau intermédiaire.Pédagogique, elle offre:- sur la page de gauche un cours de grammaire (avec une mise en scène illustrée du point grammatical présenté, des explications simples et précises, de nombreux exemples),- sur la page de droite des exercices d'application, des activités de communication, des activités ludiques.Progressive, elle suit la progression classique de l'apprentissage du français et la présentation en savoir-faire: se situer dans le temps, raconter sans se répéter, caractériser/qualifier, comparer, exprimer la négation.Complète, elle propose:- A la fin de chaque module: des exercices de conjugaison qui permettent aux élèves d'acquérir ces mécanismes difficiles et contraignants de façon ludique; des bilans permettent de récapituler, en les reliant ou en les confrontant, les points grammaticaux étudiés.- A la fin de l'ouvrage: un index très complet à plusieurs entrées qui permet aux enseignants et aux apprenants de trouver rapidement le mot ou le point grammatical qu'ils cherchent; des tableaux de conjugaison qui offre une visualisation rapide des principaux verbes, aux temps vus dans l'ouvrage.Chaque chapitre est ponctué d'une évaluation de grammaire et de conjugaison. Des tableaux de grammaire et de conjugaison complètent l'ouvrage.Un livret contenant les corrigés est placé à l'intérieur.
Автор: Reed Ted Название: Progressive Steps to Syncopation for the Modern Drummer ISBN: 0882847953 ISBN-13(EAN): 9780882847955 Издательство: Неизвестно Рейтинг: Цена: 1707.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Voted second on Modern Drummer's list of 25 Greatest Drum Books in 1993, Progressive Steps to Syncopation for the Modern Drummer is one of the most versatile and practical works ever written for drums. Created exclusively to address syncopation, it has earned its place as a standard tool for teaching beginning drummers syncopation and strengthening reading skills. This book includes many accented eighths, dotted eighths and sixteenths, eighth-note triplets and sixteenth notes for extended solos. In addition, teachers can develop many of their own examples from it.
Автор: Anthony Robert Название: 300 Progressive Sight Reading Exercises for Piano ISBN: 1507759916 ISBN-13(EAN): 9781507759912 Издательство: Неизвестно Цена: 3964.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Anthony Robert Название: 300 Progressive Sight Reading Exercises for Violin ISBN: 1505886988 ISBN-13(EAN): 9781505886986 Издательство: Неизвестно Цена: 3792.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Volume Two picks up where Volume One left off. It is comprised of 300 progressive eight-bar exercises that train reading skills for both hands equally: Half of the pieces emphasize the right hand, the other half emphasize the left. For most of the exercises, the de-emphasized hand stays within a single five-finger position. Time signatures include 4/4 (Common Time), 3/4, 2/4, 6/8, and 2/2 (Cut Time). This second volume expands to include the keys of C Major, A Minor, G Major, E Minor, F Major, D Minor, and some of the relative modes of each. The remaining keys and additional time signatures, including Complex Meter, will be covered in future volumes. Finger numbers have been intentionally excluded from the 300 exercises in order to train the piano player to be able to find their own fingering solutions. All of the exercises are eight measures long. If one has done any study of formal analysis, they will find that eight measures is a typical 'period' of music and usually contains two, four-bar phrases (also typical in length). For example, many sonatinas, jazz standards, and pop songs use "32 Bar Form" (A A B A), "Binary Form" (A B), and "Ternary Form" (A B A), with each section often being eight bars. Thus, eight measures (one period of music) makes the perfect length for sight-reading studies in my opinion. Various strategies to using this book may be implemented. With my students, I start toward the beginning and zig-zag through the book, skipping the appropriate number of pages to make it into the more challenging sections. The further they are in the book, the more we skip. This approach prevents the student from memorizing the exercises, allowing for them to remain useful. Note: Although Amazon has classified this book as large print, there is also a LARGE PRINT version (much larger print) that for printing purposes had to be divided into two books, and is clearly marked on the cover and in the title. If you have poor vision or want this book to be easier to SEE on an electronic device, you might prefer the LARGE PRINT Version. "These books differ from conventional 'methods' in that technical and theoretical instructions have been omitted, in the belief that these are more appropriately left for the teacher to explain to the student." - Bela Bartok, Mikrokosmos. I whole-heartedly agree with Bartok's sentiment and if music teachers would ask their students what they like least (or hate the most) about typical lessons, it is the method books that win this contest EVERY TIME. I have completely eliminated method books from my own teaching practice and have much happier and more productive students than ever. While this book is intended to train sight-reading skills, it may also be used by beginners or those new to reading to acquire basic reading skills, but it assumes one either has a teacher or can at least find C on their instrument. It starts at a very basic level (only three notes) and adds a new note, rhythm, or concept every four exercises and thoroughly reinforces them throughout the rest of the book. Next, the music's composition is a slave to its function: The purpose of the books is to train reading skill, and the exercises keep challenging the range that has been established by previous exercises as well as less-than-convenient intervalic skips. They are composed from a 'music-first' perspective, as opposed to an 'instrument-first' perspective, and are purposely composed to be difficult to memorize. Some of the music is modal and some uses serial composition technics. Those familiar with the Fundamental Modes and serial composition will likely recognize what they are hearing, but those unfamiliar with these will likely be hearing something that sounds a bit different, or odd, until their ears acclimate to these sounds.
Автор: Anthony Robert Название: 300 Progressive Sight Reading Exercises for Saxophone ISBN: 1505887062 ISBN-13(EAN): 9781505887068 Издательство: Неизвестно Цена: 3792.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: First and foremost: THIS IS NOT A METHOD BOOK. It is precisely what it says it is: 300 Progressive Sight Reading Exercises Volume One is comprised of 300 progressive eight-bar exercises that cover the keys of C Major, F Major, G Major, A Minor, D Minor and E Minor. Time signatures include 4/4 (Common Time), 3/4, 2/4, 6/8, and 2/2 (Cut Time). The remaining key signatures, additional time signatures, tempo markings and dynamics markings will be covered in future volumes. All of the exercises are eight measures long. If one has done any study of formal analysis, they will find that eight measures is a typical 'period' of music and usually contains two, four-bar phrases (also typical in length). For example, many sonatinas, jazz standards, and pop songs use "32 Bar Form" (A A B A), "Binary Form" (A B), and "Ternary Form" (A B A), with each section often being eight bars. Thus, eight measures (one period of music) makes the perfect length for sight-reading studies in my opinion. How to use this book: Start where the exercises begin and work across the book - from exercise 1, 5, 9, 13 and so on until you get to a point where the music challenges you and then mark your ending point. The next practice, play exercises 2, 6, 10, 14, and so on... The next: 3, 7, 11, 15 and so on, and finally 4, 8, 12, 16, and so on. If you want to work at your "break point" (the point in the book where you can no longer play musically), work DOWN the page instead of across the pages. Note: This book is also available in a LARGE PRINT version that for printing purposes had to be divided into two books. If you have poor vision or want this book to be easy to SEE on an electronic device, you might prefer the Large Print Version. "These books differ from conventional 'methods' in that technical and theoretical instructions have been omitted, in the belief that these are more appropriately left for the teacher to explain to the student." - Bela Bartok, Mikrokosmos. I whole-heartedly agree with Bartok's sentiment and if music teachers would ask their students what they like least (or hate the most) about typical lessons, it is the method books that win this contest EVERY TIME. I have completely eliminated method books from my own teaching practice and have much happier and more productive students than ever. While this book is intended to train sight-reading skills, it may also be used by beginners or those new to reading to acquire basic reading skills, but it assumes one either has a teacher or can at least find C on their instrument. It starts at a very basic level (only three notes) and adds a new note, rhythm, or concept every four exercises and thoroughly reinforces them throughout the rest of the book. Next, the music's composition is a slave to its function: The purpose of the books is to train reading skill, and the exercises keep challenging the range that has been established by previous exercises as well as less-than-convenient intervalic skips. They are composed from a 'music-first' perspective, as opposed to an 'instrument-first' perspective, and are purposely composed to be difficult to memorize. For example, the first exercises begin on C because they are in the key of C, and then go on to sometimes start and end on different scale degrees of the same key. Those familiar with the Fundamental Modes will likely recognize what they are hearing, but those unfamiliar with these modes will likely be hearing something that sounds a bit different, or odd, until their ears acclimate to these sounds. I see many students go through this process with altered dominants and augmented triads as well. Additionally, a 20th-century composition technique (Bartok, Stravinsky) - Serial Composition - has also been used on several of the pieces, so if your ears are unfamiliar with this type of music, you might at first be uncomfortable with what you are hearing.
Автор: Maia Gregoire, Odile Thievenaz Название: Grammaire progressive du francais - nouvelle edition ISBN: 2090381035 ISBN-13(EAN): 9782090381030 Издательство: Неизвестно Рейтинг: Цена: от 3436.00 р. Наличие на складе: Есть
Описание: A collection of essays providing a reliable, accessible and up-to-date introduction to Arthurian literature and popular traditions in the Celtic languages, from the early Middle Ages to the twentieth century. The figure of Arthur and the characters associated with him change as the stories are reworked for audiences in the different countries and at different periods.
Описание: Nouvelle histoire de la France contemporaine1. La Chute de la monarchie (1787 1792), M. Vovelle2. La Republique jacobine (10 aoA»t 1792-9 Thermidor an II), M. Bouloiseau3. La Republique bourgeoise (de Thermidor a Brumaire, 1799-1815), D. Woronoff4. L`Episode napoleonien. Aspects interieurs (1799-1815), L. Bergeron5. La France napoleonienne. Aspects exterieurs (1799-1815), R. Dufraisse et M. Kerautret6 et 7. La France des notables (1815-1848)1. L`evolution generale, A. Jardin et A.-J. Tudesq2. La vie de la nation, A. Jardin et A.-J. Tudesq8. 1848 ou l`Apprentissage de la Republique (1848-1852), M. Agulhon9. De la fete imperiale au mur des federes (1852-1871), A. Plessis10. Les Debuts de la IIIe Republique (1871-1898), J.-M. Mayeur11. La Republique radicale ? (1898-1914), M. Reberioux12. Victoire et Frustrations (1914-1929), J.-J. Becker et S. Berstein13. La Crise des annees 30 (1929-1938), D. Borne et H. Dubief14. De Munich a la Liberation (1938-1944), J.-P. Azema15 et 16. La France de la IVe Republique (1944-19858)1. L`ardeur et la necessite (1944-1952), J.-P Rioux2. L`expansion et l`impuissance (1952-1958), J.-P Rioux17 et 18. La France de l`expansion (1958-1974)1. La Republique gaullienne (1958-1969), S. Berstein2. L`apogee Pompidou (1969-1974), S. Berstein et J.-P Rioux19. Crises et alternances (1974-2000), J.-J. Becker avec la collaboration de P. Ory20. La France du XXe siecle. Documents d`histoire, presentes par O. Wieviorka et C. Prochasson
ООО "Логосфера " Тел:+7(495) 980-12-10 www.logobook.ru
