Human Rights Film Festivals: Activism in Context, Tascуn Sonia M.
Автор: Richards Stuart James Название: The Queer Film Festival: Popcorn and Politics ISBN: 1349958611 ISBN-13(EAN): 9781349958610 Издательство: Springer Рейтинг: Цена: 11179.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book examines the queer film festival and opens the discussion on social enterprises and sustainable lesbian, gay, bisexual, transgender and intersex (LGBTI) organisations.
Автор: Manoncourt Название: Communication and Community Engagement in Disease Outbreaks ISBN: 3030922952 ISBN-13(EAN): 9783030922955 Издательство: Springer Рейтинг: Цена: 9083.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book provides readers with a critical, conceptual and applied understanding of the role of communication and community engagement for disease outbreak preparedness and response. Until the WHO declared COVID-19 a pandemic on March 11, 2020, for several years public health authorities and influential voices in the international public health community have warned of a pandemic and therefore a need to strengthen governments and communities’ ability to prevent and respond to it effectively to minimize its impact on lives and economies. While investments have focused on clinical, diagnostic, and vaccine research, preventing and minimizing the impact of disease outbreaks requires a wider socio-ecological systems approach that places communities at the centre of the response. Such an approach is still rare in public health practice. One of the key lessons that the authors have learned, and on which they reflect in the chapters, is that technical inputs will be as effective as they are fully integrated within the broader architecture of disease outbreak preparedness and response. The ten chapters of this contributed volume are organized under three parts: a conceptual framework, case studies, and recommendations. Communication and Community Engagement in Disease Outbreaks is a timely and essential resource for public health managers, donors, implementers, organizations engaged in disease prevention and control and academics called on to support the response. These audiences should benefit from this approach as the book highlights dimensions that are often under-resourced.
Описание: Indigenous Peoples Rise Up: The Global Ascendency of Social Media Activism illustrates the impact of social media in expanding the nature of Indigenous communities and social movements. Social media has bridged distance, time, and nation states to mobilize Indigenous peoples to build coalitions across the globe and to stand in solidarity with one another. These movements have succeeded and gained momentum and traction precisely because of the strategic use of social media. Social media-Twitter and Facebook in particular-has also served as a platform for fostering health, well-being, and resilience, recognizing Indigenous strength and talent, and sustaining and transforming cultural practices when great distances divide members of the same community. Including a range of international indigenous voices from the US, Canada, Australia, Aotearoa (New Zealand) and Africa, the book takes an interdisciplinary approach, bridging Indigenous studies, media studies, and social justice studies. Including examples like Idle No More in Canada, Australian Recognise!, and social media campaigns to maintain Maori language, Indigenous Peoples Rise Up serves as one of the first studies of Indigenous social media use and activism.
Описание: Indigenous Peoples Rise Up: The Global Ascendency of Social Media Activism illustrates the impact of social media in expanding the nature of Indigenous communities and social movements. Social media has bridged distance, time, and nation states to mobilize Indigenous peoples to build coalitions across the globe and to stand in solidarity with one another. These movements have succeeded and gained momentum and traction precisely because of the strategic use of social media. Social media-Twitter and Facebook in particular-has also served as a platform for fostering health, well-being, and resilience, recognizing Indigenous strength and talent, and sustaining and transforming cultural practices when great distances divide members of the same community. Including a range of international indigenous voices from the US, Canada, Australia, Aotearoa (New Zealand) and Africa, the book takes an interdisciplinary approach, bridging Indigenous studies, media studies, and social justice studies. Including examples like Idle No More in Canada, Australian Recognise!, and social media campaigns to maintain Maori language, Indigenous Peoples Rise Up serves as one of the first studies of Indigenous social media use and activism.
Описание: Asian Canadian activism, resistance, and art of the 1970s and 80s
Laughing Back at Empire is a groundbreaking examination of TheAsianadian,one of Canada’s first anti-racist, anti-sexist, and anti-homophobic magazines. Over the course of its seven-year run, the small but mighty magazine led a nation-wide dialogue for all Canadians on the struggles and social issues that concerned Asians in Canada.
The Asianadian established a national platform for then-emerging Asian-Canadian writers, artists, musicians, activists, and scholars like Sky Lee, Jim Wong-Chu, Joy Kogawa, Himani Bannerji, and Paul Yee. Columns like “On the Firing Line” and the “Dubious Achievement Awards” provided space to laugh back at the embarrassing concoction of Orientalist stereotypes in the media and to critique inconsistencies and superficialities within Canada’s newfound multicultural image.
Situating the story of The Asianadian within the history of Canada, Angie Wong celebrates and builds on the work of its creators from the Asianadian Resource Workshop. The extensive interview material with the co-founding members, editors, volunteers, readers, and contributors captures their dedication and spirit of anti-racist collectivism.
Like the collective did before her, Wong’s work helps to dismantle cultural assumptions that have relegated Asian Canadian history, contributions, and injustices to the periphery of Canadian experience and identity. On the heels of the COVID-19 pandemic and a resurgence of anti-Asian racism, Laughing Back at Empire amplifies the voices that speak, shout, and laugh together at empire’s self-congratulatory and exclusionary narratives.
Автор: Dey, Adrija Название: Nirbhaya, new media and digital gender activism ISBN: 178754530X ISBN-13(EAN): 9781787545304 Издательство: Emerald Рейтинг: Цена: 14634.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Using the 2012 Delhi Nirbhaya rape case as a case study and keeping gender discourses at its core, this book explores the use of digital media for gender activism in India demonstrating how it has formed an alternate platform for dissent.
Описание: This edited collection explores how contemporary Latin American cinema has dealt with and represented issues of human rights, moving beyond many of the recurring topics for Latin American films. Through diverse interdisciplinary theoretical and methodological approaches, and analyses of different audiovisual media from fictional and documentary films to digitally-distributed activist films, the contributions discuss the theme of human rights in cinema in connection to various topics and concepts.Chapters in the volume explore the prison system, state violence, the Mexican dirty war, the Chilean dictatorship, debt, transnational finance, indigenous rights, social movement, urban occupation, the right to housing, intersectionality, LGBTT and women’s rights in the context of a number of Latin American countries. By so doing, it assesses the long overdue relation between cinema and human rights in the region, thus opening new avenues to aid the understanding of cinema’s role in social transformation.
Название: Film Festivals ISBN: 0415712467 ISBN-13(EAN): 9780415712460 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
The last decade has witnessed an explosion of interest in film festivals, with the field growing to a position of prominence within the space of a few short years. Film Festivals: History, Theory, Method, Practice represents a major addition to the literature on this topic, offering an authoritative and comprehensive introduction to the area. With a combination of chapters specifically examining history, theory, method and practice, it offers a clear structure and systematic approach for the study of film festivals.
Offering a collection of essays written by an international range of established scholars, it discusses well-known film festivals in Europe, North America and Asia, but equally devotes attention to the diverse range of smaller and/or specialized events that take place around the globe. It provides essential knowledge on the origin and development of film festivals, discusses the use of theory to study festivals, explores the methods of ethnographic and archival research, and looks closely at the professional practice of programming and film funding. Each section, moreover, is introduced by the editors, and all chapters include useful suggestions for further reading.
This will be an essential textbookfor students studying film festivals as part of their film, media and cultural studies courses, as well as a strong research tool for scholars that wish to familiarize themselves with this burgeoning field.
Im Kontext der kulturwissenschaftlichen Gedachtnisforschung widmet sich diese interdisziplinar ausgerichtete Reihe dem Verhaltnis von Medien und kultureller Erinnerung. Die hier vorgestellten Studien behandeln die ganze Bandbreite der durch Medien konstruierten, tradierten und verbreiteten Erinnerung. Schrift und Bild, das Kino und die ‘neuen’ digitalen Medien, Intermedialitat, Transmedialitat und Remediation sowie die sozialen, zunehmend transnationalen und transkulturellen, Kontexte der mediatisierten Erinnerung gehoren zu den Forschungsinteressen der Reihe. Ziel ist es, eine internationale Plattform fur die interdisziplinare Medien- und Gedachtnisforschung zu schaffen. Eingereichte Manuskripte werden im peer review Verfahren durch externe Experten begutachtet.
Den Herausgebern, Astrid Erll (Goethe-Universitat Frankfurt am Main) und Ansgar Nunning (Justus-Liebig-Universitat Gie?en) ist ein internationaler Beirat aus renommierten Wissenschaftlern assoziiert:
Aleida Assmann (Universitat Konstanz)
Mieke Bal (University of Amsterdam)
Vita Fortunati (University of Bologna)
Richard Grusin (University of Wisconsin-Milwaukee)
Описание: 1. Introduction; Aida Vallejo and Ezra WintonPart I: Changes and Challenges2. IDFA's Industry Model: Fostering Global Documentary Production and Distribution; Aida Vallejo3. Connecting and Sharing Experiences: Chilean Documentary Film Professionals at the Film Festival Circuit; Marнa-Paz Peirano4. The Invention of Northeastern Europe: Cultural Management and Documentary Film Festivals; Ilona Hongisto, Kaisu Hynnд, and Annu Suvanto5. Beyond the Screen: Interactive Documentary Exhibition in the Festival Sphere; Stefano Odorico6. Positioning Documentaries at the Cannes International Film Festival: Fahrenheit 9/11 and Beyond; Eulаlia IglesiasPart II: Professional Perspectives7. Adapting to New Times: An Interview with Ernesto del Rнo, Director of Zinebi International Documentary and Short Film Festival of Bilbao, Aida Vallejo8. Precarity and Resistance: An Interview with Pedro Pimenta, Founder-Director of Dockanema Documentary Film Festival (Mozambique); Lindiwe Dovey9. Notes on Disenchantment: A Conversation with Amir Al-Emary, Former Director of the Ismailia International Film Festival for Documentaries & Shorts (Egypt); Hassouna Mansouri10. Building Networks: An Interview with Sandra J. Ruch, Director Emeritus of the International Documentary Association; Samara Chadwick11. Selecting Films for Festivals and Documentary Funds: An Interview with Independent Film Programmer and Advisor Rada Sesic; Annelies van Noortwijk and Jennifer O'Connell12. A Niche for Creativity: An Interview with Thierry Garrel, Director of the French Department of Documentary Film at TV Arte (1991-2008); Sevara Pan13. Training Documentary Professionals: An Interview with Stefano Tealdi, Secretary of Documentary Campus Workshop; Enrico Vanucci14. Connecting Festivals, Distributing Films: An Interview with Diana Tabakov, Acquisitions Manager of Doc Alliance Films; Andrea Slovбkovб
Автор: Vallejo Aida, Winton Ezra Название: Documentary Film Festivals Vol. 1: Methods, History, Politics ISBN: 3030173194 ISBN-13(EAN): 9783030173197 Издательство: Springer Рейтинг: Цена: 16769.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: 1. Introduction: Documentary Film Festivals; Aida Vallejo and Ezra Winton2. Defining Documentary in the Festival Circuit: A Conversation with Bill Nichols; Aida VallejoPart I: Research and Methods3. Film Festival Research Workshops: Debates on Methodology; Skadi Loist4. The Data-driven Festival: Recordkeeping and Archival Practices; Heather L. BarnesPart II. Histories and Origins5. The Rise of Documentary Festivals: A Historical Approach; Aida Vallejo6. The Film Festival as a Vehicle for Memory Officialization: The Afterlife of WWII in the Yugoslav Documentary and Short Film Festival, 1954-2004; Dunja Jelenkovic7. Forging a Cultural Elite: Nyon and the Age of Programmers; Christian Jungen8. Finding a Position on the Global Map of Film Festivals: The Yamagata International Documentary Film Festival; Eija NiskanenPart III: Politics and Policies9. The Independent and Underground Film Festival: The Case of DOChina; Tit Leung Cheung10. Mainstreaming Documentary and Activism at Toronto's Hot Docs Festival; Ezra Winton11. The Development of Documentary Film Festivals in India: A Small-media Phenomenon; Giulia Battaglia12. Found in Translation: Film Festivals, Documentary, and the Preservation of Linguistic Diversity; Antнa Lуpez-Gуmez, Aida Vallejo, Marнa Soliсa Barreiro, and Amanda Paz Alencar
Описание: 1. Introduction; Aida Vallejo and Ezra WintonPart I: Changes and Challenges2. IDFA's Industry Model: Fostering Global Documentary Production and Distribution; Aida Vallejo3. Connecting and Sharing Experiences: Chilean Documentary Film Professionals at the Film Festival Circuit; Marнa-Paz Peirano4. The Invention of Northeastern Europe: Cultural Management and Documentary Film Festivals; Ilona Hongisto, Kaisu Hynnд, and Annu Suvanto5. Beyond the Screen: Interactive Documentary Exhibition in the Festival Sphere; Stefano Odorico6. Positioning Documentaries at the Cannes International Film Festival: Fahrenheit 9/11 and Beyond; Eulаlia IglesiasPart II: Professional Perspectives7. Adapting to New Times: An Interview with Ernesto del Rнo, Director of Zinebi International Documentary and Short Film Festival of Bilbao, Aida Vallejo8. Precarity and Resistance: An Interview with Pedro Pimenta, Founder-Director of Dockanema Documentary Film Festival (Mozambique); Lindiwe Dovey9. Notes on Disenchantment: A Conversation with Amir Al-Emary, Former Director of the Ismailia International Film Festival for Documentaries & Shorts (Egypt); Hassouna Mansouri10. Building Networks: An Interview with Sandra J. Ruch, Director Emeritus of the International Documentary Association; Samara Chadwick11. Selecting Films for Festivals and Documentary Funds: An Interview with Independent Film Programmer and Advisor Rada Sesic; Annelies van Noortwijk and Jennifer O'Connell12. A Niche for Creativity: An Interview with Thierry Garrel, Director of the French Department of Documentary Film at TV Arte (1991-2008); Sevara Pan13. Training Documentary Professionals: An Interview with Stefano Tealdi, Secretary of Documentary Campus Workshop; Enrico Vanucci14. Connecting Festivals, Distributing Films: An Interview with Diana Tabakov, Acquisitions Manager of Doc Alliance Films; Andrea Slovбkovб
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