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Chinese Ibsenism, Kwok-kan Tam


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Автор: Kwok-kan Tam
Название:  Chinese Ibsenism
ISBN: 9789811363054
Издательство: Springer
Классификация:



ISBN-10: 9811363056
Обложка/Формат: Soft cover
Страницы: 298
Вес: 0.57 кг.
Дата издания: 2019
Язык: English
Издание: 1st ed. 2019
Иллюстрации: 12 illustrations, color; 15 illustrations, black and white; xi, 298 p. 27 illus., 12 illus. in color.
Размер: 235 x 155
Читательская аудитория: Professional & vocational
Основная тема: Cultural and Media Studies
Подзаголовок: Reinventions of Women, Class and Nation
Ссылка на Издательство: Link
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Поставляется из: Германии
Описание: This book is a study of the relation between theatre art and ideology in the Chinese experimentations with new selfhood as a result of Ibsen`s impact. He has held teaching, research and administrative positions in various institutions, including the East-West Center, the Chinese University of Hong Kong and the Open University of Hong Kong.


Chinese Ibsenism

Автор: Kwok-kan Tam
Название: Chinese Ibsenism
ISBN: 9811363021 ISBN-13(EAN): 9789811363023
Издательство: Springer
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Цена: 9083.00 р.
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Описание: This book is a study of the relation between theatre art and ideology in the Chinese experimentations with new selfhood as a result of Ibsen’s impact. It also explores Ibsenian notions of self, women and gender in China and provides an illuminating study of Chinese theatre as a public sphere in the dissemination of radical ideas. Ibsen is the major source of modern Chinese selfhood which carries notions of personal and social liberation and has exerted great impacts on Chinese revolutions since the beginning of the twentieth century. Ibsen’s idea of the self as an individual has led to various experimentations in theatre, film and fiction to project new notions of selfhood, in particular women’s selfhood, throughout the history of modern China. Even today, China is experimenting with Ibsen’s notions of gender, power, individualism and self.

Kwok-kan Tam is Chair Professor of English and Dean of Humanities and Social Science at the Hang Seng University of Hong Kong. He was Head (2012-18) and is currently a member of the International Ibsen Committee, University of Oslo. He is a Foundation Fellow of the Hong Kong Academy of the Humanities. He has held teaching, research and administrative positions in various institutions, including the East-West Center, the Chinese University of Hong Kong and the Open University of Hong Kong. He has published numerous books and articles on Ibsen, Gao Xingjian, modern drama, Chinese film, postcolonial literature, and world Englishes. His recent books include Ibsen, Power and the Self: Postsocialist Experimentations in Stage Performance and Film (2019), The Englishized Subject: Postcolonial Writings in Hong Kong, Singapore and Malaysia (2019), and a co-edited volume Fate and Prognostication in the Chinese Literary Imagination (2019).
The Cambridge Companion to Ibsen

Автор: McFarlane James
Название: The Cambridge Companion to Ibsen
ISBN: 052142321X ISBN-13(EAN): 9780521423212
Издательство: Cambridge Academ
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Цена: 4752.00 р.
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Описание: In the history of modern theatre Ibsen, is one of the dominating figures. The sixteen chapters of this 1994 Companion explore his life, plays, poetry and influence on the modern theatre.

Ibsen`s Houses

Автор: Sandberg Mark B
Название: Ibsen`s Houses
ISBN: 1108458106 ISBN-13(EAN): 9781108458108
Издательство: Cambridge Academ
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Цена: 5069.00 р.
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Описание: Mark B. Sandberg explores the architectural metaphors that Henrik Ibsen introduced into mainstream Western thought - embodied by the titles of his plays A Doll`s House, Pillars of Society, and The Master Builder. His book will appeal to those interested in architectural theory, literary and theater history, and Scandinavian studies.

A Global Doll`s House: Ibsen and Distant Visions

Автор: Holledge Julie, Bollen Jonathan, Helland Frode
Название: A Global Doll`s House: Ibsen and Distant Visions
ISBN: 1349683787 ISBN-13(EAN): 9781349683789
Издательство: Springer
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Цена: 11878.00 р.
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Описание: A Global Doll's House: A Digital Humanities Approach explores a very simple question: 'What accounts for the global success of A Doll's House by Henrik Ibsen?' Nora rivals Antigone, Carmen, Medea and Juliet as the most performed, discussed and debated female character on the international stage; and with over 2,500 global productions, A Doll's House is one of the most performed plays in the world. This new book offers an original methodological approach to the play, interrogating the entire global production history of the play using tools from the digital humanities. These tools build on past Ibsen scholarship to produce fascinating new knowledge about the dynamic forces that shape world drama.

Shaw`s Ibsen: A Re-Appraisal

Автор: Templeton Joan
Название: Shaw`s Ibsen: A Re-Appraisal
ISBN: 1349713163 ISBN-13(EAN): 9781349713165
Издательство: Springer
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Цена: 11878.00 р.
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Описание: Dismantling the notion that Shaw distorted Ibsen to promote his own view of the world, and establishing Shaw`s initial interest in Ibsen as the poet of Peer Gynt, it chronicles Shaw`s important role in the London Ibsen campaign and exposes the falsity of the tradition that Shaw branded Ibsen as a socialist.

Ibsen

Автор: Lavrin
Название: Ibsen
ISBN: 1138941468 ISBN-13(EAN): 9781138941465
Издательство: Taylor&Francis
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Цена: 19906.00 р.
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Описание: This book, first published in 1950, could best be described as a combination of literary, psychological and social criticism. The author explores some of those factors which make Ibsen of interest to the generation that were facing the social and spiritual havoc of the post-war period. This book will be of interest to students of literature and theatre.

Action and Consequence in Ibsen, Chekhov and Strindberg

Автор: Brietzke Zander
Название: Action and Consequence in Ibsen, Chekhov and Strindberg
ISBN: 1476672237 ISBN-13(EAN): 9781476672236
Издательство: Mare Nostrum (Eurospan)
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Цена: 7484.00 р.
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Описание: Henrik Ibsen (1828-1905), Anton Chekhov (1860-1904) and August Strindberg (1849-1912), leaders and innovators of modern drama, create characters that cling pathologically to a single objective that blinds them to better options for health and happiness. Ibsen leads the way with A Doll House, Hedda Gabler and The Master Builder, in which the protagonists impose their will upon the world in order to make it conform to their personal visions. Invariably they fail at this endeavor and discover a new reality beyond their control. Almost in opposition to Ibsen, Chekhovian characters refuse to do anything, but instead dramatize their lives as if they were actors in a play (which they are!). In The Seagull, for example, Masha wears all black and declares, theatrically, in the opening scene, that she is in mourning—for her life! Strindberg, finally, synthesizes the intractable squabbles between men and women in plays such as The Dance of Death and The Ghost Sonata, and suggests that humanity can only transcend the brutality of existence in life beyond death. Together, the trajectories of dramatic characters in Ibsen, Chekhov and Strindberg provide readers with perspectives with which to direct their own actions in the real world of today.

Ibsen in Practice: Relational Readings of Performance, Cultural Encounters and Power

Автор: Frode Helland
Название: Ibsen in Practice: Relational Readings of Performance, Cultural Encounters and Power
ISBN: 1408184974 ISBN-13(EAN): 9781408184974
Издательство: Bloomsbury Academic
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Описание: The volume reveals an astonishing richness in the theatrical approaches to Ibsen across the world: it considers political theatre, institutional ‘high art’, theatre for development, queer and transgender theatre, Brechtian techniques, puppetry, post-dramatic theatre, rural village performance and avant-garde touring companies. Investigating varied renegotiations of his drama, including the work of Thomas Ostermeier in Germany and other parts of the world, versions of A Doll’s House from Chile and China, The Wild Duck in Iran and productions of Peer Gynt in Zimbabwe and Egypt, Frode Helland provides a deeper understanding of a cross-cultural Ibsen. The volume gives an in-depth analysis of the practice of Ibsen in relation to political, social, ideological and economic forces within and outside of the performances themselves, and demonstrates the incredible diversity of his work in local situations.

Global Ibsen: Performing Multiple Modernities

Автор: Erika Fischer-Lichte, Barbara Gronau, Christel Weiler
Название: Global Ibsen: Performing Multiple Modernities
ISBN: 0415818168 ISBN-13(EAN): 9780415818162
Издательство: Taylor&Francis
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Цена: 7501.00 р.
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Описание: This book analyses the different ways in which Ibsen`s plays were and are performed in different cultures on five continents and examines the impact of such performances on the theatre, social life, and politics of these cultures. It shows that performing Ibsen means performing multiple modernities.

Ibsen

Автор: Lavrin, Janko
Название: Ibsen
ISBN: 1138941492 ISBN-13(EAN): 9781138941496
Издательство: Taylor&Francis
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Цена: 5817.00 р.
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Описание: This book, first published in 1950, could best be described as a combination of literary, psychological and social criticism. The author explores some of those factors which make Ibsen of interest to the generation that were facing the social and spiritual havoc of the post-war period. This book will be of interest to students of literature and theatre.

Ibsen`s Drama

Автор: Theoharis C. Theoharis
Название: Ibsen`s Drama
ISBN: 0312221495 ISBN-13(EAN): 9780312221492
Издательство: Springer
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Цена: 6567.00 р.
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Описание: Ibsen`s Drama: Right Action and Tragic Joy argues that in his late plays Ibsen struggled with, and finally repudiated the Aristotelian ideas of reality and change that held sway over the earlier part of his career, and more generally over nineteenth century drama and culture.

Ibsen`s Hedda Gabler

Автор: Gjesdal, Kristin
Название: Ibsen`s Hedda Gabler
ISBN: 0190467886 ISBN-13(EAN): 9780190467883
Издательство: Oxford Academ
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Цена: 5938.00 р.
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Описание: Since its publication in 1890, Ibsen's Hedda Gabler has been a recurring point of fascination for readers, theater audiences, and artists alike. Newly married, yet utterly bored, the character of Hedda Gabler evokes reflection on beauty, love, passion, death, nihilism, identity, and a host of
other topics of an existential nature. It is no surprise that Ibsen's work has gained the attention of philosophically-minded readers from Nietzsche, Lou Andreas-Salomй, and Freud, to Adorno, Cavell, and beyond. Once staged at avant-garde theaters in Paris, London, and Berlin, Ibsen is now a global
phenomenon. The enigmatic character of Hedda Gabler remains intriguing to ever-new generations of actors, audiences, and readers.

Hedda Gabler occupies a privileged place in the history of European drama and as a work of literature, and, as this volume demonstrates, invites profound and worthwhile philosophical questions. Through ten newly commissioned chapters, written by leading voices in the fields of drama studies,
European philosophy, Scandinavian studies, and comparative literature, this volume brings out the philosophical resonances of Hedda Gabler in particular and Ibsen's drama more broadly.


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