Presentation of authorship in medieval german literature 1220-1290, Coxon, Sebastian (lecturer In German, Lecturer In German, University College, London)
Автор: Preiss Название: Clowning and Authorship in Early Modern Theatre ISBN: 1107036577 ISBN-13(EAN): 9781107036574 Издательство: Cambridge Academ Рейтинг: Цена: 15206.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Richard Preiss presents a lively and provocative study of how the early modern stage clown defined - and changed - theatrical experience. Recovering the interactive entertainments with which comedians including Richard Tarlton, Will Kemp and Robert Armin engaged audiences, he draws new conclusions about how early modern theatre negotiated its own textuality.
Автор: Edwards, Robert R. Название: Invention and authorship in medieval england ISBN: 0814254101 ISBN-13(EAN): 9780814254103 Издательство: Неизвестно Рейтинг: Цена: 9185.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: From the twelfth century onwards, medieval English writers adapted the conventions of high literary culture to establish themselves as recognized authors and claim a significant place for works of imagination beside those of doctrine and instruction. Their efforts extended over three languages--Latin, French, and English--and across a discontinuous literary history. Their strategy was to approach authorship as a field of rhetorical invention rather than a fixed institution. Consequently, their work is at once revisionary and ambivalent. Writers conspicuously position themselves within tradition, exploit the resources of poetic belatedness, and negotiate complex relations to their audiences and social authority. Authorial invention in the Middle Ages is the base of a national tradition that English writers in the Renaissance saw as stable and capable of emulating the canons of classical languages and the Italian and French vernaculars. In Invention and Authorship in Medieval England, Robert R. Edwards brings new interpretive perspectives to Walter Map, Marie de France, John Gower, Geoffrey Chaucer, Thomas Hoccleve, and John Lydgate. He offers a critical reading of key moments that define the emergence of medieval English authorship by showing how writers adapt the commonplaces of authorship to define themselves and their works externally and to construct literary meaning internally.
Описание: This volume explores the themes of authorship and authenticity – and connected issues – from the Classical Antiquity to the Renaissance. Its reflection is constructed within a threefold framework. A first section includes topics dealing with dubious or uncertain attribution of ancient works, homonymous writers, and problems regarding the reliability of compilation literature. The middle section goes through several issues concerning authorship: the balance between the author’s contribution to their own work and the role of collaborators, pupils, circles, reviewers, scribes, and even older sources, but also the influence of different compositional stages on the concept of ‘author’, and the challenges presented by anonymous texts. Finally, a third crucial section on authenticity and forgeries concludes the book: it contains contributions dealing with spurious works – or sections of works – , mechanisms of interpolation, misattribution, and deliberate forgery. The aim of the book is therefore to exemplify the many nuances of the complex problems of authenticity and authorship of ancient texts.
This study conceives of Thomas Hoccleve's Regement of Princes (1410-1413) as an essentially performative text, one that expresses its awareness of the manuscript culture in which it is so firmly rooted. The openness of manuscripts is a recurring subject in the Regement and is not only expressed through mere descriptions of, but through complex references to this manuscript context.
Performances of manuscript culture manifest themselves in several aspects of the text. The first is the narrator persona, and especially the question of how persona and text are intertwined. The second is the constantly recurring interpretation of quotes from authoritative sources that pervades the Regement. This urge to interpret is expressed both in the tradition of adding marginal glosses and in the process of subjecting the text to an exegetical reading. The third aspect is the relation between text and images in the Regement's manuscripts, which shows how mediality is performed and how the manuscript context is made the focus of this performance. In this monograph, all of these aspects are studied in a mindset that combines the concept of performativity with the postulations of Material Philology.
Автор: Beecroft Название: Authorship and Cultural Identity in Early Greece and China ISBN: 110743548X ISBN-13(EAN): 9781107435483 Издательство: Cambridge Academ Рейтинг: Цена: 6494.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In this book, Alexander Beecroft explores how the earliest poetry in Greece (Homeric epic and lyric) and China (the Canon of Songs) evolved from being local, oral, and anonymous to being textualized, interpreted, and circulated over increasingly wider areas.
Автор: Frank R. Ardolino Название: Spenser, Kyd, and the Authorship of “The Spanish Tragedy” ISBN: 1433162628 ISBN-13(EAN): 9781433162626 Издательство: Peter Lang Рейтинг: Цена: 14553.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Spenser, Kyd, and the Authorship of "The Spanish Tragedy" maintains that Edmund Spenser and not Thomas Kyd is the author of The Spanish Tragedy, written in 1590/1592. This argument is based on the strength of the internal evidence and not on computermetrics, linguistic statistics, or parallel passages. The Spanish Tragedy and Spenser’s works are united by sources, themes, methods, and language to the point of authorial equation. Thomas Heywood provided the only attribution of the play to Kyd in 1612, but given the depth of the learning, the apocalyptic context of the anti-Spanish theme, and the literary, rhetorical, and metadramatic sophistication of The Spanish Tragedy, it is much more probable that Spenser wrote it and not the nearly anonymous journeyman writer Kyd. The internal evidence for a new attribution is compelling, and since the proposed author is Spenser, who is supposed to have been hostile to the public theater, the revelation of his hidden authorship of the most popular and influential play of the period is significant not only for Spenserian studies but also for the history of English literature.
Автор: Heale Название: Autobiography and Authorship in Renaissance Verse ISBN: 0333773977 ISBN-13(EAN): 9780333773970 Издательство: Springer Рейтинг: Цена: 18866.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The advent of relatively cheap editions of poetry in the mid-16th century produced an explosion of verse, much of which represented the first person speaker as a version of the author. This work examines ways in which writers harnessed verse for self-promotional purposes.
Автор: Dobranski Название: Milton, Authorship, and the Book Trade ISBN: 0521119006 ISBN-13(EAN): 9780521119009 Издательство: Cambridge Academ Рейтинг: Цена: 5069.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Examining Milton`s changing historical circumstances with special attention to his texts` material production, Stephen B. Dobranski shows in a series of provocative and original case studies that Milton benefited from a collaborative process of writing and publishing, working with amanuenses, acquaintances, printers and publishers, in dramatic and surprising ways.
Автор: Egan, Gerald Название: Fashioning authorship in the long eighteenth century ISBN: 1137518251 ISBN-13(EAN): 9781137518255 Издательство: Springer Рейтинг: Цена: 9781.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: It applies an innovative mix of approaches - book history, Enlightenment and twentieth-century philosophy, visual studies, and material analyses of fashions in books and in dress - to specific editions of Alexander Pope, Mary Robinson and Lord Byron.
Описание: Expanding Authorship collects Peter Middleton's significant essays exploring how the agency of the disputed figure of the author has increasingly extended beyond an individual, narratable self. In four sections--Sound, Communities, Collaboration, and Complexity--Middleton explores the internal divisions of lyric subjectivity as well as coauthorship, poetry networks, the creative role of editors and anthologists, and the outer limits of authorship revealed in long poems. Readers and scholars of Wallace Stevens, William Carlos Williams, George Oppen, Frank O'Hara, Robert Duncan, Robert Creeley, Jerome Rothenberg, Susan Howe, Lyn Hejinian, Nathaniel Mackey, and Rae Armantrout will find much to learn and enjoy in this groundbreaking volume.
Автор: Cheney, Patrick (pennsylvania State University) Название: English authorship and the early modern sublime ISBN: 1107049628 ISBN-13(EAN): 9781107049628 Издательство: Cambridge Academ Рейтинг: Цена: 14890.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Studying the sublime in late sixteenth- and early seventeenth-century writing, this book advances our understanding of Renaissance literature as a field in the arts and humanities today. Above all, the chapters feature a model of creative excellence and social liberty that explains the greatness of the English literary Renaissance.
Автор: Dobranski Stephen B. Название: Milton, Authorship, and the Book Trade ISBN: 0521641926 ISBN-13(EAN): 9780521641920 Издательство: Cambridge Academ Цена: 9504.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Examining Milton`s changing historical circumstances with special attention to his texts` material production, Stephen B. Dobranski shows in a series of provocative and original case studies that Milton benefited from a collaborative process of writing and publishing, working with amanuenses, acquaintances, printers and publishers, in dramatic and surprising ways.
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