Автор: Lee Wallace Название: Reattachment Theory: Queer Cinema of Remarriage ISBN: 1478006811 ISBN-13(EAN): 9781478006817 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 17550.00 р. Наличие на складе: Нет в наличии.
Описание: In Reattachment Theory Lee Wallace argues that homosexuality—far from being the threat to “traditional” marriage that same-sex marriage opponents have asserted—is so integral to its reimagining that all marriage is gay marriage. Drawing on the history of marriage, Stanley Cavell's analysis of Hollywood comedies of remarriage, and readings of recent gay and lesbian films, Wallace shows that queer experiments in domesticity have reshaped the affective and erotic horizons of heterosexual marriage and its defining principles: fidelity, exclusivity, and endurance. Wallace analyzes a series of films—Dorothy Arzner's Craig's Wife (1936); Tom Ford's A Single Man (2009); Lisa Cholodenko's High Art (1998), Laurel Canyon (2002), and The Kids Are All Right (2010); and Andrew Haigh's Weekend (2011) and 45 Years (2015)—that, she contends, do not simply reflect social and legal changes; they fundamentally alter our sense of what sexual attachment involves as both a social and a romantic form.
Автор: , Wallace Lee Название: Fallen Justice: A Mystery of Truth, Faith, and Reason ISBN: 1973638568 ISBN-13(EAN): 9781973638568 Издательство: Неизвестно Рейтинг: Цена: 2752.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Truth, faith, and sound reasoning collide with criminal justice after a toddler dies from catastrophic head injuries allegedly inflicted by a young mother at her daycare center. Her fight against murder charges is fraught with numerous unexpected and inexplicable roadblocks and struggles that often tests her faith in the justice system, a loving God, and in others. However, the names of all individuals, businesses, entities, and locations are fictional and any names resembling an actual person, living or dead, are purely coincidental. However, all facts and events are as they actually happened and documented by personal and court records.
Although written from the perspective of a paralegal and the mother of the defendant, it is not an analysis or critique of all the legal and medical forensic issues involved. However, important evidence and facts not previously known by the media, the public, the judge, and jury are revealed.
The first postscript to the story discusses several criminal justice defects and makes radical suggestions that will make the systems more efficient and just.
The second postscript discusses several medical myths associated with children's short-distance falls (SDF), Shaken Baby Syndrome (SBS), and intentional infliction of traumatic brain injuries (TBI). It also recaps some of the latest forensic research and discoveries that explain alternative causes to claims of child abuse.
Finally, this story encourages faith in God and developing an eternal perspective when life is not fair and does not make sense.
Автор: Lee Wallace Название: Reattachment Theory: Queer Cinema of Remarriage ISBN: 1478008105 ISBN-13(EAN): 9781478008101 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4383.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In Reattachment Theory Lee Wallace argues that homosexuality—far from being the threat to “traditional” marriage that same-sex marriage opponents have asserted—is so integral to its reimagining that all marriage is gay marriage. Drawing on the history of marriage, Stanley Cavell's analysis of Hollywood comedies of remarriage, and readings of recent gay and lesbian films, Wallace shows that queer experiments in domesticity have reshaped the affective and erotic horizons of heterosexual marriage and its defining principles: fidelity, exclusivity, and endurance. Wallace analyzes a series of films—Dorothy Arzner's Craig's Wife (1936); Tom Ford's A Single Man (2009); Lisa Cholodenko's High Art (1998), Laurel Canyon (2002), and The Kids Are All Right (2010); and Andrew Haigh's Weekend (2011) and 45 Years (2015)—that, she contends, do not simply reflect social and legal changes; they fundamentally alter our sense of what sexual attachment involves as both a social and a romantic form.
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