Literary Criticism in Antiquity: A Sketch of Its Development: Greek, Atkins J. W. H.
Автор: Jacques Lacan Название: The Sinthome: The Seminar of Jacques Lacan, Book XXIII ISBN: 150951001X ISBN-13(EAN): 9781509510016 Издательство: Wiley Цена: 2850.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: ‘Ten times, an elderly grey-haired man gets up on the stage. Ten times puffing and sighing. Ten times slowly tracing out strange multi-coloured arabesques that interweave, curling with the meanders of his speech, by turns fluid and uneasy. A whole crowd looks on, transfixed by this enigma-made-man, absorbing the ipse dixit and anticipating some illumination that is taking its time to appear.Non lucet. It’s shady in here, and the Théodores go hunting for their matches. Still, they say, cuicumque in sua arte perito credendum est, whosoever is expert in his art is to be lent credence. At what point is a person mad? The master himself poses the question.That was back in the day. Those were the mysteries of Paris forty years hence.A Dante clasping Virgil’s hand to be led through the circles of the Inferno, Lacan took the hand of James Joyce, the unreadable Irishman, and, in the wake of this slender Commander of the Faithless, made with heavy and faltering step onto the incandescent zone where symptomatic women and ravaging men burn and writhe.An equivocal troupe was in the struggling audience: his son-in-law; a dishevelled writer, young and just as unreadable back then; two dialoguing mathematicians; and a professor from Lyon vouching for the seriousness of the whole affair. A discreet Pasiphaë was being put to work backstage.Smirk then, my good fellows! Be my guest. Make fun of it all! That’s what our comic illusion is for. That way, you shall know nothing of what is happening right before your very eyes: the most carefully considered, the most lucid, and the most intrepid calling into question of the art that Freud invented, better known under its pseudonym: psychoanalysis’. Jacques-Alain Miller
Автор: Van Emde Boas, Evert (university Of Oxford) Rijksbaron, Albert (universiteit Van Amsterdam) Huitink, Luuk (universitat Heidelberg) De Bakker, Mathieu Название: Cambridge grammar of classical greek ISBN: 0521127297 ISBN-13(EAN): 9780521127295 Издательство: Cambridge Academ Рейтинг: Цена: 5544.00 р. Наличие на складе: Заказано в издательстве.
Описание: This entirely new, comprehensive reference grammar of Classical Greek is aimed at students, teachers and academics. It combines traditional grammatical description with the latest insights from Greek and general linguistics, covering morphology, syntax, and textual coherence. Succinct yet full analyses are accompanied by numerous original examples.
Ancient and medieval labyrinths embody paradox, according to Penelope Reed Doob. Their structure allows a double perspective—the baffling, fragmented prospect confronting the maze-treader within, and the comprehensive vision available to those without. Mazes simultaneously assert order and chaos, artistry and confusion, articulated clarity and bewildering complexity, perfected pattern and hesitant process. In this handsomely illustrated book, Doob reconstructs from a variety of literary and visual sources the idea of the labyrinth from the classical period through the Middle Ages.
Doob first examines several complementary traditions of the maze topos, showing how ancient historical and geographical writings generate metaphors in which the labyrinth signifies admirable complexity, while poetic texts tend to suggest that the labyrinth is a sign of moral duplicity. She then describes two common models of the labyrinth and explores their formal implications: the unicursal model, with no false turnings, found almost universally in the visual arts; and the multicursal model, with blind alleys and dead ends, characteristic of literary texts. This paradigmatic clash between the labyrinths of art and of literature becomes a key to the metaphorical potential of the maze, as Doob's examination of a vast array of materials from the classical period through the Middle Ages suggests. She concludes with linked readings of four "labyrinths of words": Virgil's Aeneid, Boethius' Consolation of Philosophy, Dante's Divine Comedy, and Chaucer's House of Fame, each of which plays with and transforms received ideas of the labyrinth as well as reflecting and responding to aspects of the texts that influenced it.
Doob not only provides fresh theoretical and historical perspectives on the labyrinth tradition, but also portrays a complex medieval aesthetic that helps us to approach structurally elaborate early works. Readers in such fields as Classical literature, Medieval Studies, Renaissance Studies, comparative literature, literary theory, art history, and intellectual history will welcome this wide-ranging and illuminating book.
Автор: Strecher Matthew Carl Название: The Forbidden Worlds of Haruki Murakami ISBN: 0816691983 ISBN-13(EAN): 9780816691982 Издательство: Wiley Рейтинг: Цена: 2850.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
In an "other world" composed of language--it could be a fathomless Martian well, a labyrinthine hotel or forest--a narrative unfolds, and with it the experiences, memories, and dreams that constitute reality for Haruki Murakami's characters and readers alike. Memories and dreams in turn conjure their magical counterparts--people without names or pasts, fantastic animals, half-animals, and talking machines that traverse the dark psychic underworld of this writer's extraordinary fiction.
Fervently acclaimed worldwide, Murakami's wildly imaginative work in many ways remains a mystery, its worlds within worlds uncharted territory. Finally in this book readers will find a map to the strange realm that grounds virtually every aspect of Murakami's writing. A journey through the enigmatic and baffling innermost mind, a metaphysical dimension where Murakami's most bizarre scenes and characters lurk, The Forbidden Worlds of Haruki Murakami exposes the psychological and mythological underpinnings of this other world. Matthew Carl Strecher shows how these considerations color Murakami's depictions of the individual and collective soul, which constantly shift between the tangible and intangible but in this literary landscape are undeniably real.
Through these otherworldly depths The Forbidden Worlds of Haruki Murakami also charts the writer's vivid "inner world," whether unconscious or underworld (what some Japanese critics call achiragawa, or "over there"), and its connectivity to language. Strecher covers all of Murakami's work--including his efforts as a literary journalist--and concludes with the first full-length close reading of the writer's newest novel, Colorless Tsukuru Tazaki and His Years of Pilgrimage.
Автор: Dana LaCourse Munteanu Название: Emotion, Genre and Gender in Classical Antiquity ISBN: 1472504488 ISBN-13(EAN): 9781472504487 Издательство: Bloomsbury Academic Рейтинг: Цена: 6176.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This tightly focused collection of essays by a distinguished group of scholars analyses the degree to which expressions of emotion in ancient literature and art become an 'artistic' rather than a 'social' construct. To what degree do literary genres, philosophy and visual arts produce expectations for the arousal of certain emotions? Are the emotions of women, for example, represented differently in different genres? How and why do literary genres and visual arts concentrate on specific emotions and stylise them accordingly, and how do particular emotions relate to gender within literary texts? The book will be of interest to all students and scholars of classical literature and gender studies. Contributors: Peter J. Anderson, Associate Professor of Classics at Grand Valley State University, USA. Douglas L. Cairns, Professor of Classics at the University of Edinburgh, UK. Dorota Dutsch, Associate Professor of Classics at the University of California, Santa Barbara, USA. Laurel Fulkerson, Associate Professor of Classics at Florida State University, USA. Margaret Graver, Professor of Classical Studies at Dartmouth College, USA. David Konstan, Professor Emeritus of Classics at Brown University and Professor, Department of Classics, New York University, USA. Anna McCullough, Assistant Professor, Department of Greek and Latin, Ohio State University, USA. Dana LaCourse Munteanu, Assistant Professor, Department of Greek and Latin, Ohio State University, USA. Evelyne Prioux, Researcher at the Universite de Paris, France. Zara Martirosova Torlone, Associate Professor at Miami University, USA. Jessica Wissmann, formerly University of Iowa, currently affliiated with the Rheinische Friedrich-Wilhelms-Universitat Bonn, Germany.
Автор: Alexander Jones Название: Ptolemy in Perspective ISBN: 9400730861 ISBN-13(EAN): 9789400730861 Издательство: Springer Рейтинг: Цена: 30606.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book traces reactions to Ptolemy from his own times to ours. It shows the complex processes by which an ancient scientist and his work gained and subsequently lost an overreaching reputation and authority.
In The Space That Remains, Aaron Pelttari offers the first systematic study of the major fourth-century poets since Michael Robert's foundational The Jeweled Style. It is the first book to give equal attention to both Christian and Pagan poetry and the first to take seriously the issue of readership.
As Pelttari shows, the period marked a turn towards forms of writing that privilege the reader's active involvement in shaping the meaning of the text. In the poetry of Ausonius, Claudian, and Prudentius we can see the increasing importance of distinctions between old and new, ancient and modern, forgotten and remembered. The strange traditionalism and verbalism of the day often concealed a desire for immediacy and presence. We can see these changes most clearly in the expectations placed upon readers. The space that remains is the space that the reader comes to inhabit, as would increasingly become the case in the literature of the Latin Middle Ages.
Описание: Nonnus of Panopolis (fifth century CE) composed two poems once thought to be incompatible: the Dionysiaca, a mythological long epic with a marked interest in astrology, the occult, the paradox and not least the beauty of the female body, and a pious and sublime Paraphrase of the Gospel of St John. Little is known about the man, to whom sundry identities have been attached. The longer work has been misrepresented as a degenerate poem or as a mythological handbook. The Christian poem has been neglected or undervalued. Yet, Nonnus accomplished an ambitious plan, in two parts, aiming at representing world-history. This volume consists mainly of the Proceedings of the First International Conference on Nonnus held in Rethymno, Crete in May 2011. With twentyfour essays, an international team of specialists place Nonnus firmly in his time's context. After an authoritative Introduction by Pierre Chuvin, chapters on Nonnus and the literary past, the visual arts, Late Antique paideia, Christianity and his immediate and long-range afterlife (to modern times) offer a wide-ranging and innovative insight into the man and his world. The volume moves on beyond stereotypes to inaugurate a new era of research for Nonnus and Late Antique poetics on the whole.
Название: Composite Citations in Antiquity ISBN: 0567665054 ISBN-13(EAN): 9780567665058 Издательство: Bloomsbury Academic Рейтинг: Цена: 19008.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This is the second of two volumes that investigate the phenomenon of composite citations. The first collection of essays evaluated the use of composite citations in Early Jewish, Graeco-Roman, and Early Christian authors. This volume builds on the findings of the first and provides a fresh investigation of all the composite citations by New Testament authors. The following topics are covered: (1) the question of whether the quoting author created the composite text or found it already constructed as such; (2) the question of the rhetorical and/or literary impact of the quotation in its present textual location, as opposed to simply unpacking how the author appears to be interpreting the source text; and (3) the question of whether the intended audiences would have recognized and ‘reverse engineered’ the composite citation in question and as a result engaged with the original context of each of the component parts.
Автор: Martindale Название: Shakespeare and the Uses of Antiquity ISBN: 1138161985 ISBN-13(EAN): 9781138161986 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Against a recent tendency to exaggerate Shakespeare`s classical learning, this study examines how the playwright used his relatively restricted knowledge to create an unusually convincing picture of Rome.
Автор: K. F. B. Fletcher, Osman Umurhan Название: Classical Antiquity in Heavy Metal Music ISBN: 1350075353 ISBN-13(EAN): 9781350075351 Издательство: Bloomsbury Academic Рейтинг: Цена: 19008.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
This book demonstrates the rich and varied ways in which heavy metal music draws on the ancient Greek and Roman world. Bands from across the globe, including Italy's Stormlord and Heimdall, Greece's Kawir, Switzerland's Eluveitie and Celtic Frost, Norway's Theatre of Tragedy, Sweden's Therion, Germany's Blind Guardian, Canada's Ex Deo and the UK's Iron Maiden and Bal-Sagoth, are all discussed in this volume. These and other bands are shown to draw inspiration from classical literature and mythology such as Homer's Iliad, Virgil's Aeneid and Caesar's Gallic Wars and from historical peoples such as the Scythians, ancient Egyptians and Roman emperors.
These interactions are often concerned with the nature of paganism, the occult and barbarism, nationalism, the conflict between East and West, and the development of powerful evocations of brutality and femininity. The contributors frequently weave in comparisons with the reception of antiquity in painting and literature to show how the genre of heavy metal brings its own perspectives to classical reception but also shows strands of continuity of practice. They show how this musical genre - often dismissed as lowbrow - engages in sophisticated dialogue with ancient texts, myths, and historical figures, revealing aspects of Classics' continued appeal while also arguing that the engagement with myth and history is a defining characteristic of heavy metal music, especially in countries that were once part of the Roman Empire.
Despite its enormous extent and impact, the Swedish scholarship produced in the context of Olof Rudbeck's monumental 'Atlantica' (4 vols, 1679-1702) has hitherto escaped attention outside Scandinavia. The present volume explores the numerous disciplines that comprised this, one of the last, but grandest appropriations of the classical heritage in early modern times. In the decades around 1700, dozens of scholars all around the Baltic Sea embarked on studies of classical and Norse mythology, material remains and antiquities, of languages, botany and zoology as well as biblical scholarship, in order to reveal the primordial status of ancient Sweden. Fusing together numerous disciplines within Rudbeck's elaborate and all-encompassing epistemological framework, they gave to a nation that had advanced to the rank of a European superpower a narrative of a glorious past that matched its contemporary pretentions. Presenting case studies stretching from the 17th to the 19th century and across a wide number of fields, this volume traces the extent and longue dur'e of one of the most fascinating and underestimated episodes in European intellectual history.
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