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Basura: Cultures of Waste in Contemporary Spain, Amago Samuel


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Автор: Amago Samuel
Название:  Basura: Cultures of Waste in Contemporary Spain
ISBN: 9780813945927
Издательство: Mare Nostrum (Eurospan)
Классификация:

ISBN-10: 0813945925
Обложка/Формат: Paperback
Страницы: 240
Вес: 0.32 кг.
Дата издания: 30.08.2021
Серия: Under the sign of nature: explorations in ecocriticism
Язык: English
Размер: 22.86 x 15.24 x 1.85 cm
Читательская аудитория: Professional and scholarly
Подзаголовок: Cultures of waste in contemporary spain
Рейтинг:
Поставляется из: Англии
Описание: What makes trash trash? How do we decide what to throw away? Driven by these questions and others, Samuel Amago takes us through the streets and alleys of Spain, sorting through recycling bins, libraries, social media, bookstores, and message boards in search of things that have been forgotten, jettisoned, forsaken.


Basura: Cultures of Waste in Contemporary Spain

Автор: Amago Samuel
Название: Basura: Cultures of Waste in Contemporary Spain
ISBN: 0813945917 ISBN-13(EAN): 9780813945910
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 13731.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: What makes trash trash? How do we decide what to throw away? Driven by these questions and others, Samuel Amago takes us through the streets and alleys of Spain, sorting through recycling bins, libraries, social media, bookstores, and message boards in search of things that have been forgotten, jettisoned, forsaken. Ranging in topic from the transformation of urban space during the transition to democracy to a twenty-first-century sanitation strike that paralyzed Madrid for weeks, from the films of Pedro Almod?var to graphic novels about Spain's housing crisis, Basura presents an alternative story of contemporary Spanish culture through the lens of wasted things.Not merely an environmental problem, the proliferation of trash is an indicator of the social, political, and economic processes that undergird late, neoliberal capitalism. In chapters on cinema, photography, archaeology, drawing, comics, literature, ecology, and urban design, Amago places waste objects into dialogue with the cultural practices and structures of power that have produced them. Drawing from archaeological, ecocritical, and new materialist approaches, Amago argues that discards possess agency and generate an array of effects. Just as trash never fully disappears but returns to haunt its creators, so history never vanishes despite being buried or ignored by official narratives. Basura considers the efforts of artists, writers, and designers for whom waste is a means to withstand cultural erasure.


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