Описание: International theatre and live-arts festivals too often come under the exclusive purview of tourism and city branding. Exploring their potential to foster communication across cultural difference, this book demonstrates how they might better serve one of the most urgent processes of our times: intercultural negotiation and exchange.
Автор: Salter Brent S. Название: Negotiating Copyright in the American Theatre: 1856-1951 ISBN: 1108484751 ISBN-13(EAN): 9781108484756 Издательство: Cambridge University Press Рейтинг: Цена: 26967.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Brent Salter draws on extensive original archival research to explain how copyright has been negotiated in the American theatre over the previous two centuries. The book will be of interest to scholars and students of law, history, theatre, and other disciplines of the humanities, as well as theatre practitioners.
Описание: Actor and manager, Maurice E. Bandmann (1872-1922) toured theatre throughout the British Empire and beyond. His career represents a significant shift towards the globalization of theatre in the twentieth century. This book explores Bandmann`s impact on global theatre history and provides a new approach to the theatrical study of this era.
Автор: Listengarten Julia, Di Benedetto Stephen Название: The Cambridge Companion to American Theatre Since 1945 ISBN: 1108480268 ISBN-13(EAN): 9781108480260 Издательство: Cambridge University Press Рейтинг: Цена: 21691.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Provides an overview and analysis of practices of American theatre since the end of the World War II, tracing major shifts in Broadway and off-Broadway theatres, the emergence of key theatre movements and the regional theatre, and the growing influence of popular entertainments and digital technologies.
Описание: The first general history, by the world expert, of Greek theatre from Hellenistic times to the foundation of Modern Greece in 1830, marked by significant discontinuities. After the end of antiquity no real dramas were produced until theatre was rediscovered in Renaissance Crete and redeveloped throughout the Greek diaspora.
Описание: Traces multivocal receptions of classics across political and linguistic nationalisms of twentieth-century Ireland, Scotland and Wales, and shows how they provoked experimental literary forms of modernist collusion and resistance - aesthetic idioms whose use of antiquity interrogated the aims of Celtic `nation-building` in the British Isles.
Автор: Orr Bridget Название: British Enlightenment Theatre: Dramatizing Difference ISBN: 110873118X ISBN-13(EAN): 9781108731188 Издательство: Cambridge University Press Рейтинг: Цена: 6758.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The first study of popular eighteenth-century English theatre to engage with voices of radical dissent that argued for religious toleration, attacked imperial invasion and forced conversion of indigenous peoples and challenged social hierarchy. This book tells the story of freemasons who served as theatrical `shock troops of the Enlightenment`.
Автор: Listengarten Julia, Di Benedetto Stephen Название: The Cambridge Companion to American Theatre Since 1945 ISBN: 1108727212 ISBN-13(EAN): 9781108727211 Издательство: Cambridge Academ Рейтинг: Цена: 3960.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Provides an overview and analysis of practices of American theatre since the end of the World War II, tracing major shifts in Broadway and off-Broadway theatres, the emergence of key theatre movements and the regional theatre, and the growing influence of popular entertainments and digital technologies.
Автор: Fazan Katarzyna, Kobialka Michal, Lease Bryce Название: A History of Polish Theatre ISBN: 110847649X ISBN-13(EAN): 9781108476492 Издательство: Cambridge Academ Рейтинг: Цена: 19166.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Poland is celebrated internationally for its rich and varied performance traditions and theatre histories. This groundbreaking volume is the first in English to engage with these topics across an ambitious scope, incorporating Staropolska, the Polish-Lithuanian Commonwealth, the Enlightenment and Romanticism within its broad ambit. The book also discusses theatre cultures under socialism, the emergence of canonical practitioners and training methods, the development of dramaturgical forms and stage aesthetics and the political transformations attending the ends of the First and Second World Wars. Subjects of far-reaching transnational attention such as Jerzy Grotowski and Tadeusz Kantor are contextualised alongside theatre makers and practices that have gone largely unrecognized by international readers, while the participation of ethnic minorities in the production of national culture is given fresh attention. The essays in this collection theorise broad historical trends, movements, and case studies that extend the discursive limits of Polish national and cultural identity.
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