The Alien films are perceived to be a fractured franchise, each one loosely related to the others. They are nonlinear, complicated, convoluted: a collection of genre movies ranging from horror to war to farce.
But on closer examination, the threads that bind together these films are strong and undeniable. The series is a model of Catherine Keller's cosmology as a cycle of order out of chaos, an illustration of her concept of evil as discreation.
When viewed through the lens of Keller's Face of the Deep, the Alien films resolve into a cohesive whole. The series becomes six views of the idea of evil-as-exploitation, its origins, and its consequences. Each film expands on the concept of evil set forth by its predecessors, complicating that conception, and retroactively enriching readings of the films that came before.
Автор: Larson Deborah Welch Название: Anatomy of Mistrust: U.S.-Soviet Relations During the Cold War ISBN: 0801486823 ISBN-13(EAN): 9780801486821 Издательство: Wiley EDC Рейтинг: Цена: 4631.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
The United States and the Soviet Union missed numerous diplomatic opportunities to resolve differences and control the arms race because neither state trusted the other, according to Deborah Welch Larson. In Anatomy of Mistrust, she shows that the goals of Soviet and U.S. leaders were frequently complementary, and an agreement should have been attainable. Lost opportunities contributed to bankruptcy for the Soviet Union, serious damage to the economy of the United States, decreased public support for internationalist policies, and a proliferation of nuclear weapons.
Synthesizing different understandings of trust and mistrust from the theoretical traditions of economics, psychology, and game theory, Larson analyzes five cases that might have been turning points in U.S.-Soviet relations: the two-year period following Stalin's death in 1953; Khrushchev's peace offensive from the launching of Sputnik until the U-2 incident; the Kennedy administration; the Nixon-Brezhnev detente; and the Gorbachev period. Larson concludes that leaders in the United States often refused to accept Soviet offers to negotiate because they feared a trap. Mutual trust is necessary, she concludes, although it may not be sufficient, for states to cooperate in managing their security.
Описание: The Alien films are perceived to be a fractured franchise, each one loosely related to the others. They are nonlinear, complicated, convoluted: a collection of genre movies ranging from horror to war to farce. But on closer examination, the threads that bind together these films are strong and undeniable. The series is a model of Catherine Keller's cosmology as a cycle of order out of chaos, an illustration of her concept of evil as discreation. When viewed through the lens of Keller's Face of the Deep, the Alien films resolve into a cohesive whole. The series becomes six views of the idea of evil-as-exploitation, its origins, and its consequences. Each film expands on the concept of evil set forth by its predecessors, complicating that conception, and retroactively enriching readings of the films that came before.
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