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Ernesto Nathan Rogers. The Modern Architect as Public Intellectual (Maurizio Sabini),
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Название:
Ernesto Nathan Rogers. The Modern Architect as Public Intellectual (Maurizio Sabini)
ISBN:
9781350117419
Издательство:
Bloomsbury Academic
Классификация:
Архитекторы
История архитектуры
ISBN-10: 1350117412
Обложка/Формат: Hardback
Страницы: 248
Вес: 0.50 кг.
Дата издания: 25.02.2021
Серия: Bloomsbury studies in modern architecture
Язык: English
Иллюстрации: 87 bw illus; 87 bw illus
Размер: 20.29 x 12.70 x 1.60 cm
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: History of architecture,Individual architects & architectural firms, ARCHITECTURE / History / Contemporary (1945-),ARCHITECTURE / Individual Architects & Firms / Monographs
Подзаголовок: The modern architect as public intellectual
Рейтинг:
Поставляется из: Англии
Описание: Architect Ernesto Nathan Rogers (1909-1969) was a towering figure in 20th-century Italian architecture, with a significant impact at the international level. Through the work of his collaborative firm (Banfi Belgiojoso Peressutti Rogers, or BBPR), the editorship of publications such as
Domus
and
Casabella
, and his teaching at the Politecnico in Milan, Rogers ensured a lasting influence on the field as a practitioner, theorist and educator. However his contributions have been largely neglected by scholarship outside of Italy. Published as part of the
Bloomsbury Studies in Modern Architecture
series, which brings to light the work of significant yet overlooked modernist architects, this book re-assesses Ernesto Nathan Rogers cultural legacy. It is the first comprehensive, critical work on Rogers in English, and emphasizes Rogers vision for the role of the architect as a public intellectual, as well as his commitment to pursue a renewed path of professional and cultural research within the “Modern Project.” The book also discusses Rogers willingness to challenge academic classicized monumentality as well as modernist stereotypes, to emerge as a leader of Italian design in the aftermath of World War II; his interest in all scales of design and planning, with a cross-disciplinary mentality; tradition in modernity; and criticality as a mode of practice, to bring a detailed account of the work and thought of Ernesto Nathan Rogers to an English-speaking audience for the first time. With a foreword by Kenneth Frampton.
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