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Joel and ethan coen, Palmer, R. Barton


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Автор: Palmer, R. Barton
Название:  Joel and ethan coen
ISBN: 9780252071850
Издательство: Wiley EDC
Классификация:

ISBN-10: 0252071859
Обложка/Формат: Paperback
Страницы: 224
Вес: 0.31 кг.
Дата издания: 18.06.2004
Язык: English
Размер: 20.93 x 13.92 x 1.42 cm
Читательская аудитория: Professional & vocational
Рейтинг:
Поставляется из: Англии
Описание: With landmark films such as Fargo, O Brother Where art Thou?, Blood Simple, and Raising Arizona, the Coen brothers have achieved both critical and commercial success. Proving the existence of a viable market for small films that are also intellectually rewarding, their work has exploded generic conventions amid rich webs of transtextual references.

R. Barton Palmer argues that the Coen oeuvre forms a central element in what might be called postmodernist filmmaking. Mixing high and low cultural sources and blurring genres like noir and comedy, the use of pastiche and anti-realist elements in films such as The Hudsucker Proxy and Barton Fink clearly fit the postmodernist paradigm. Palmer argues that for a full understanding of the Coen brothers unique position within film culture, it is important to see how they have developed a new type of text within general postmodernist practice that Palmer terms commercial/independent. Analyzing their substantial body of work from this generic framework is the central focus of this book.


Дополнительное описание:
 Contents Acknowledgments Introduction: A Brief Portrait of the Artists 1. A Different Meaning for the Same Old Song: Blood Simple 2. The Coen Brothers: Postmodern Filmmakers 3. Uncertainty Principle: The Man Who Wasn't There 4. The Exotic Everyday: 



Screen adaptations: to kill a mockingbird

Автор: Palmer, R. Barton (clemson University, Usa)
Название: Screen adaptations: to kill a mockingbird
ISBN: 0713679115 ISBN-13(EAN): 9780713679113
Издательство: Bloomsbury
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Цена: 2820.00 р.
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Описание: A close study of the relationship between text and film versions of To Kill a Mocking Bird. Literature and film studies students will find plenty of material to support their courses and essay writing on how the film versions provide different readings of the original text.

The Other Hollywood Renaissance

Автор: Lennard Dominic, Palmer R. Barton, Pomerance Murray
Название: The Other Hollywood Renaissance
ISBN: 1474442641 ISBN-13(EAN): 9781474442640
Издательство: Bloomsbury Academic
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Цена: 15840.00 р.
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Описание:

In the late 1960s, the collapse of the classic Hollywood studio system led in part, and for less than a decade, to a production trend heavily influenced by the international art cinema.  Reflecting a new self-consciousness in the US about the national film patrimony, this period is known as the Hollywood Renaissance. However, critical study of the period is generally associated with its so-called principal auteurs, slighting a number of established and emerging directors who were responsible for many of the era’s most innovative and artistically successful releases.

With contributions from leading film scholars, this book provides a revisionist account of this creative resurgence by discussing and memorializing twenty-four directors of note who have not yet been given a proper place in the larger history of the period. Including filmmakers such as Hal Ashby, John Frankenheimer, Mike Nichols, and Joan Micklin Silver, this more expansive approach to the auteurism of the late 1960s and 1970s seems not only appropriate but pressing — a necessary element of the re-evaluation of 'Hollywood' with which cinema studies has been preoccupied under the challenges posed by the emergence and flourishing of new media.

The Other Hollywood Renaissance

Автор: Dominic Lennard, Murray Pomerance, R. Barton Palmer
Название: The Other Hollywood Renaissance
ISBN: 147444265X ISBN-13(EAN): 9781474442657
Издательство: Bloomsbury Academic
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Цена: 12672.00 р.
Наличие на складе: Нет в наличии.

Описание: The collapse of the classic Hollywood studio system in the late 1960s led in part, and for less than a decade, to a production trend heavily influenced by the international art cinema and reflecting a new self-conscious in the US about the national film patrimony. This period is known as the Hollywood Renaissance - but is known largely through its so-called principal auteurs, with the relegation to increasing oblivion of those other creative voices that emerged during a period that both permitted and encouraged an American art cinema. This book provides a revisionist account of this period by discussing (and thus memorialising) 24 directors of note who have not yet been given a proper place in the larger history of the period. As we approach the 50 year anniversary of the advent of the Hollywood Renaissance (which we can conveniently date with the release of Arthur Penn’s Bonnie and Clyde in September 1967 and the evaluative crisis it posed to the critical establishment), this more expansive approach to the auteurism of the period seems not only appropriate, but pressing - a necessary element of the re-evaluation of "Hollywood" with which cinema studies has been preoccupied under the challenge posed by the emergence and flourishing of other media.

Автор: Dominic Lennard, Murray Pomerance, R. Barton Palmer
Название: The Other Hollywood Renaissance
ISBN: 1474442676 ISBN-13(EAN): 9781474442671
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 12672.00 р.
Наличие на складе: Нет в наличии.

Описание: The collapse of the classic Hollywood studio system in the late 1960s led in part, and for less than a decade, to a production trend heavily influenced by the international art cinema and reflecting a new self-conscious in the US about the national film patrimony. This period is known as the Hollywood Renaissance - but is known largely through its so-called principal auteurs, with the relegation to increasing oblivion of those other creative voices that emerged during a period that both permitted and encouraged an American art cinema. This book provides a revisionist account of this period by discussing (and thus memorialising) 24 directors of note who have not yet been given a proper place in the larger history of the period. As we approach the 50 year anniversary of the advent of the Hollywood Renaissance (which we can conveniently date with the release of Arthur Penn’s Bonnie and Clyde in September 1967 and the evaluative crisis it posed to the critical establishment), this more expansive approach to the auteurism of the period seems not only appropriate, but pressing - a necessary element of the re-evaluation of "Hollywood" with which cinema studies has been preoccupied under the challenge posed by the emergence and flourishing of other media.


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