Musical Sincerity and Transcendence in Film: Reflexive Fictions, Cochran Timothy B.
Название: Transcendence and Film ISBN: 149857999X ISBN-13(EAN): 9781498579995 Издательство: Неизвестно Рейтинг: Цена: 25519.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In this book, ten experts in philosophy of film explore the importance of transcendence for cinema as an art form in the films of the great directors, David Cronenberg, Karl Theodor Dreyer, Federico Fellini, Werner Herzog, Stanley Kubrick, David Lynch, Terrence Malick, Yasujiro Ozu, and Martin Scorsese.
Автор: Croteau, Melissa Название: Transcendence and spirituality in japanese cinema ISBN: 0367226286 ISBN-13(EAN): 9780367226282 Издательство: Taylor&Francis Рейтинг: Цена: 18374.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book explores significant representations of Shinto and Buddhist sacred space, spiritual symbols, and religious concepts that are embedded in the secular framework of Japanese films aimed at general audiences in Japan and globally.
Автор: Marchi Название: Self-Reflexive Journalism ISBN: 113874509X ISBN-13(EAN): 9781138745094 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Using The Guardian as a case study, the volume draws on its Corpus Assisted Discourse Studies approach to explore how newspapers conceptualize the role of the media, good vs. bad journalism, professional values, community membership amongst their readers, and identity construction.
Автор: Chong, Kris H.k Название: Transcendence and spirituality in chinese cinema ISBN: 0367435748 ISBN-13(EAN): 9780367435745 Издательство: Taylor&Francis Рейтинг: Цена: 19906.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book provides a framework by which a global audience might think theologically about contemporary films produced in mainland China by Chinese directors. Up to this point the academic discipline of Christian theology and film has focussed predominantly on Western cinema.
Автор: Cochran, Timothy B. Название: Musical Sincerity and Transcendence in Film ISBN: 1032044306 ISBN-13(EAN): 9781032044309 Издательство: Taylor&Francis Рейтинг: Цена: 6123.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: As humans, it is our trust in something larger than ourselves that invests our lives with meaning and value. We hope that outside the boundaries of everyday living there lies something greater. As Doug Cowan argues, science fiction is the genre of possibility and hope, a principal canvas on which writers, artists, and filmmakers have sketched their visions of this transcendent potential for generations. In Sacred Space, he leads readers in a compelling exploration of how this transcendence is manifested in science-fiction cinema and television of today. From the millennial dreams of a future bright with potential to the promise of evolution from some as-yet-undreamed engine of creation, science fiction's visions of transcendence animate the pages of Sacred Space. Drawing on the most popular examples— Star Wars, Star Trek, Battlestar Galactica, Babylon 5, and Stargate SG-1—as well as the lesser known but no less important, Cowan reveals the multivalent religious ideas present in this media. Why do these themes that consistently appear in science fiction matter? What do they reveal about the often ambivalent relationship between outer space and our spirits? Cowan insightfully shows how these films and shows express and reinforce culturally constructed conceptions of transcendent hope, and along the way provides a provocative reflection on what this ultimately says about our culture's worldviews, hopes, and fears.
Описание: This book provides a framework by which a global audience might think theologically about contemporary films produced in mainland China by Chinese directors. Up to this point the academic discipline of Christian theology and film has focussed predominantly on Western cinema.
Автор: Jenssen, Toril Название: Behind the Eye ISBN: 8789825926 ISBN-13(EAN): 9788789825922 Издательство: Taylor&Francis Рейтинг: Цена: 7195.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Название: Knowledge and Power in Collaborative Research ISBN: 1138920614 ISBN-13(EAN): 9781138920613 Издательство: Taylor&Francis Рейтинг: Цена: 7042.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Collaborative research embraces a multiplicity of practices in which social actors are invited to participate in the research process as co-producers of knowledge. But what is actually meant by “co-production” in collaborative research? Knowledge and Power in Collaborative Research presents a range of critical, reflexive strategies for understanding and tackling the challenges emanating from the tensions that arise in the meeting between different participants, knowledge forms and knowledge interests. The chapters anchor discussion of ethical, epistemological and methodological questions in sustained empirical analyses of cases of collaborative knowledge production. The book covers diverse theoretical approaches such as dialogic communication theory, actor network theory, poststructuralist writing as inquiry, institutional ethnography, dialogic action research, and pragmatic action research. The empirical cases span a broad spectrum of empirical fields of social practice: health services, organisational change, research, science communication, environmental communication in intermediary NGOs, participatory governance in relation to urban planning, and digital communication and virtual worlds.
Автор: Carter, Christopher Название: Metafilm: materialist rhetoric and refle ISBN: 0814213723 ISBN-13(EAN): 9780814213728 Издательство: Неизвестно Рейтинг: Цена: 17461.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In Metafilm: Materialist Rhetoric and Reflexive Cinema, Christopher Carter examines paradoxical rhetoric in visual culture, analyzing movies that immerse viewers in violent narratives while examining the ethics of the transaction. Featuring the films of Michael Haneke, Atom Egoyan, Icнar Bollaнn, Paul Thomas Anderson, and Ryan Coogler, Carter analyzes how personal conflict intermingles with the inherent violence of warfare, transnational economics, labor exploitation, and racism in genres ranging from horror to historical recreation and from depictions of genocide to records of police brutality. These films, Carter argues, reflect on their construction, distribution, and audience engagement, emphasizing the material design and the economics of rhetoric in ways most films do not. Ultimately, Metafilm reframes materialism as a multimodal composing-in-action, or reflexive materialism, focusing on movies that dramatize their entanglement in economic and historical trauma while provoking forms of resistance during and after viewing. Carter contends that even as we recognize the division of social power in the films, we must also recognize how the concept is subversive and eludes control. In looking at the interplay between the films' content and their production, circulation, and reception, Carter explores how the films persuade us to identify with onscreen worlds before probing our expectations-validating some, rejecting others, and sometimes proposing new ways of watching altogether.
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