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(Un)Timely Crises: Chronotopes and Critique, Boletsi Maria, Lemos Dekker Natashe, Mika Kasia


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Автор: Boletsi Maria, Lemos Dekker Natashe, Mika Kasia
Название:  (Un)Timely Crises: Chronotopes and Critique
ISBN: 9783030749453
Издательство: Springer
Классификация:


ISBN-10: 3030749452
Обложка/Формат: Hardcover
Страницы: 100
Вес: 0.29 кг.
Дата издания: 20.09.2021
Серия: Palgrave studies in globalization, culture and society
Язык: English
Издание: 1st ed. 2021
Иллюстрации: 16 illustrations, black and white; xi, 100 p. 16 illus.
Размер: 21.01 x 14.81 x 0.79 cm
Читательская аудитория: Professional & vocational
Подзаголовок: Chronotopes and critique
Ссылка на Издательство: Link
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Поставляется из: Германии
Описание: Un)timely Crises explores how `crisis`-as a narrative, concept, grammar, and experience-structures time and space. Drawing from across disciplines and geographical contexts, (Un)timely Crises reimagines the relation of `crisis` with `critique`, proposing future trajectories for thinking and living in and through crisis.


Chronotopes of modernity in chekhov

Автор: Klapuri, Tintti
Название: Chronotopes of modernity in chekhov
ISBN: 3631777868 ISBN-13(EAN): 9783631777862
Издательство: Peter Lang
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Цена: 8169.00 р.
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Описание:

The book shows Chekhov in a new light, as a writer with a synthetic ethical worldview on which his poetics are based. The book’s key finding is that the temporal experience of modernity lies at the centre of Chekhov’s work. This conclusion is reached by comparing the ways in which modern temporality is represented in the different genres in which Chekhov wrote, from the non-fictional Sakhalin Island to his short fiction and drama. In terms of methodology, the book combines the historiographical and sociological views of modernity as based on a certain understanding of time with Mikhail Bakhtin’s concept of the chronotope.

Cinematic Chronotopes: Here, Now, Me

Автор: Pepita Hesselberth
Название: Cinematic Chronotopes: Here, Now, Me
ISBN: 1623567661 ISBN-13(EAN): 9781623567668
Издательство: Bloomsbury Academic
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Цена: 19008.00 р.
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Описание: The site of cinema is on the move. The extent to which technologically mediated sounds and images continue to be experienced as cinematic today is largely dependent on the intensified sense of being 'here,' 'now' and 'me' that they convey. This intensification is fundamentally rooted in the cinematic's potential to intensify our experience of time, to convey time's thickening, of which the sense of place, and a sense of self-presence are the correlatives. In this study, Pepita Hesselberth traces this thickening of time across four different spatio-temporal configurations of the cinematic: a multi-media exhibition featuring the work of Andy Warhol (1928-1987); the handheld aesthetics of European art-house films; a large-scale media installation by Rafael Lozano-Hemmer; and the usage of the trope of the flash-forward in mainstream Hollywood cinema. Only by juxtaposing these cases by looking at what they have in common, this study argues, can we grasp the complexity of the changes that the cinematic is currently undergoing.

Cinematic Chronotopes: Here, Now, Me

Автор: Pepita Hesselberth
Название: Cinematic Chronotopes: Here, Now, Me
ISBN: 1501316109 ISBN-13(EAN): 9781501316104
Издательство: Bloomsbury Academic
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Цена: 6018.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: The site of cinema is on the move. The extent to which technologically mediated sounds and images continue to be experienced as cinematic today is largely dependent on the intensified sense of being 'here,' 'now' and 'me' that they convey. This intensification is fundamentally rooted in the cinematic's potential to intensify our experience of time, to convey time's thickening, of which the sense of place, and a sense of self-presence are the correlatives. In this study, Pepita Hesselberth traces this thickening of time across four different spatio-temporal configurations of the cinematic: a multi-media exhibition featuring the work of Andy Warhol (1928-1987); the handheld aesthetics of European art-house films; a large-scale media installation by Rafael Lozano-Hemmer; and the usage of the trope of the flash-forward in mainstream Hollywood cinema. Only by juxtaposing these cases by looking at what they have in common, this study argues, can we grasp the complexity of the changes that the cinematic is currently undergoing.


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