Considers the nature and status of contemporary cinema by way of a series of technological reflections on its past
Argues for a progressive historiography that looks forward, moving beyond the sense of anxiety and loss that has dominated accounts of cinema's postulated demise
Draws on the latest thinking on evolving screen technologies and media archaeology and the development of cognate areas such as memory studies
Charts the historical memory of cinema, with a view to considering how our engagement with, and understanding of, this history might be reconfigured in the present.
Channelling a focus on the history of cinema into the present and beyond, Persistent Images: Encountering Film History in Contemporary Cinema explores the continuing resonance of the memory of cinema as revealed in the technological and aesthetic expressions of a range of experimental practices. With case studies of films that reflexively foreground and creatively reimagine the past, including Shirin (2008), Goodbye to Language (2014) and Francofonia (2015), the book demonstrates how the medium of film can look simultaneously backwards and forwards, encountering and reframing the past in the present, and offering new ways of thinking about both film history and contemporary cinema alike.
Considers the nature and status of contemporary cinema by way of a series of technological reflections on its past
Argues for a progressive historiography that looks forward, moving beyond the sense of anxiety and loss that has dominated accounts of cinema's postulated demise
Draws on the latest thinking on evolving screen technologies and media archaeology and the development of cognate areas such as memory studies
Charts the historical memory of cinema, with a view to considering how our engagement with, and understanding of, this history might be reconfigured in the present.
Channelling a focus on the history of cinema into the present and beyond, Persistent Images: Encountering Film History in Contemporary Cinema explores the continuing resonance of the memory of cinema as revealed in the technological and aesthetic expressions of a range of experimental practices. With case studies of films that reflexively foreground and creatively reimagine the past, including Shirin (2008), Goodbye to Language (2014) and Francofonia (2015), the book demonstrates how the medium of film can look simultaneously backwards and forwards, encountering and reframing the past in the present, and offering new ways of thinking about both film history and contemporary cinema alike.
Considers the nature and status of contemporary cinema by way of a series of technological reflections on its past
Argues for a progressive historiography that looks forward, moving beyond the sense of anxiety and loss that has dominated accounts of cinema's postulated demise
Draws on the latest thinking on evolving screen technologies and media archaeology and the development of cognate areas such as memory studies
Charts the historical memory of cinema, with a view to considering how our engagement with, and understanding of, this history might be reconfigured in the present.
Channelling a focus on the history of cinema into the present and beyond, Persistent Images: Encountering Film History in Contemporary Cinema explores the continuing resonance of the memory of cinema as revealed in the technological and aesthetic expressions of a range of experimental practices. With case studies of films that reflexively foreground and creatively reimagine the past, including Shirin (2008), Goodbye to Language (2014) and Francofonia (2015), the book demonstrates how the medium of film can look simultaneously backwards and forwards, encountering and reframing the past in the present, and offering new ways of thinking about both film history and contemporary cinema alike.
We think our lives will always be the same. That changes will never happen. That intrusions will never alter our present peace and serenity. We move about from day to day, and become oblivious to any encroaching possible problems. Then, a huge crisis arrives: DEATH It comes without warning. It offers no time for preparation. No time for erecting protective walls. As earths final enemy, death takes someone special from you. It takes away your shared blessings. It ends a beautiful, fruitful, and fulfilling life together. In deaths shattering aftermath, survivors make the gallant attempt to piece their lives back together again. This is because everything that was once highly positive has been suddenly made negative by deaths uninvited invasion. In this volume the author shares his painful grief journey following the death of his wife. He shares how his life was turned upside down. How he became a severely broken individual. How he endured numerous painful and unavoidable life changes. How he was faced with the tough challenge of reframing his life. And how in the end, he was able to move toward a renewed life of healing and blessings.
Описание: Both the Christian Bible and Aristotle’s works suggest that water should entirely flood the earth. Though many ancient, medieval, and early modern Europeans relied on these works to understand and explore the relationships between water and earth, sixteenth-century Europeans particularly were especially concerned with why dry land existed. This book investigates why they were so interested in water’s failure to submerge the earth when their predecessors had not been. Analyzing biblical commentaries as well as natural philosophical, geographical, and cosmographical texts from these periods, Lindsay Starkey shows that European sea voyages to the southern hemisphere combined with the traditional methods of European scholarship and religious reformations led sixteenth-century Europeans to reinterpret water and earth’s ontological and spatial relationships. The manner in which they did so also sheds light on how we can respond to our current water crisis before it is too late.
Автор: Rios Jeremy Michael Название: Ordinary Prayer: Encountering God Through Our Everyday Needs ISBN: 0987952005 ISBN-13(EAN): 9780987952004 Издательство: Неизвестно Цена: 2240.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Prayer that Enters into God's Presence and Releases Breakthrough
Many people see prayer as a religious practice, not a fulfilling pleasure. For this reason, many breakthroughs stay locked up in Heaven. God longs to answer our prayers; He is simply listening for prayers that agree with His will.
When your prayers come into alignment with God's plans, breakthrough is released
Margie Fleurant teaches people about prayer that enters into God's presence, accesses the strategies of Heaven, and releases breakthrough. She emphasizes that prayer is not a religious practice, but a divine encounter between you and God
In Encountering God Through Prayer, you'll learn how to:
Pray from the secret place: draw near to God and discover how breakthrough prayers are born in these intimate encounters.
Stand in your new creation identity: pray with new boldness and faith as you understand your position in Christ.
Rest in the Father's love: stop striving in prayer and start simply enjoying the Father's presence.
Practice powerful prayer: learn simple patterns that, when implemented, will help launch you into a more fulfilling prayer life.
No matter where your prayer life is today, you can have unlimited access to God's presence and pray Heaven's solutions into your world
Автор: Greil Mariella Название: Being in Contact: Encountering a Bare Body ISBN: 3110739399 ISBN-13(EAN): 9783110739398 Издательство: Walter de Gruyter Рейтинг: Цена: 7429.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Dieses choreografierte Buch widmet sich dem Ph nomen des blo en K rpers in der zeitgen ssischen Performance. Die k nstlerische Forschung st tzt sich dabei auf einen philosophischen, biopolitischen und ethischen Diskurs, der f r die Erscheinung blo er K rper in der choreografischen Arbeit relevant ist und der einen Rahmen setzt f r eine reflexive Bewegung zwischen Affekt und Ethik, sinnlicher Ansprache und Response.
Entbl ungs- und Verschleierungshandlungen werden dabei kulturell verankert und in ihrer methodischen und nanopolitischen Bedeutung untersucht. Die Konzepte anarchische Verantwortung und Choreo-Ethik f hren zu einer Neubewertung von Kontakt, Beziehung und Solidarit t. Choreografie wird so als komplexes Feld von Offenbarungen verstanden, das auf kologien von Wahrnehmung und Handlungsfreiheit beruht.
Since the pioneering work of Vivian Sobchack, Laura U. Marks and Jennifer M. Barker, film studies has increasingly embraced multisensory spectatorship. Such approaches privilege a carnal vision and knowledge of the world. Vital Resonances furthers this work and attunes to what is a foundational, yet overlooked, principle of film studies’ bodily turn: resonance. In keeping with the soft touch that characterises some of this turn’s critical literature – the feel of velvet, the (frustrated) tactility of a sari, the skin of a lover’s body – resonance has been brushed over. Through the work of three leading figures in European cinema, Agnes Varda, Michael Haneke and Jean-Luc Nancy, this book establishes resonance as a critical and conceptual paradigm for film analysis, transforming it from a footnote to the bodily turn and finally placing it at the forefront of our fleshy encounter with film.
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