Описание: In this book, newly commissioned essays by leading scholars offer insights into the diversity, range and impact of the newspaper and periodical press in nineteenth-century Britain. As digitisation of historical media opens up new avenues of research, contributors discuss journalists and journals, technological innovation, and the global dimension of the British press.
Описание: Through the encounters between neo-Kantianism and the life sciences in the nineteenth century, this book explores Nietzsche`s naturalism and his understanding of normativity. Proposing specific historical reasons for Nietzsche adopting the views that he did, Emden argues that Nietzsche asked questions about naturalism and normativity that are still relevant today.
Описание: "England may with justice claim to be the native land of transfusion," wrote one European physician in 1877, acknowledging Great Britain’s crucial role in developing and promoting human-to-human transfusion as treatment for life-threatening blood loss. As news of this revolutionary medical technique spread from professional publications to popular journals and newspapers, the operation invaded the Victorian imagination. Transfusion is the first extended study of this intersection between medical and literary history. It examines the medical discourse that surrounded the real nineteenth-century practice of transfusion, which focused on women suffering from uterine haemorrhage, alongside literary works that exploited the operation’s sentimental, satirical, sensational, and gothic potentials. In the eighteenth century, the term 'transfusion' was used to figure aesthetic and religious inspiration as well as erotic and romantic commingling — associations that persisted into the nineteenth century and informed attitudes toward the medical practice of blood transfer and the cultural conception of sympathetic exchange. Exploring transfusion’s role in canonical works such as Wells’s The Island of Dr. Moreau and Stoker’s Dracula , as well as a surprising array of lesser-known short stories and novels, Kibbie demonstrates the tangled, mutually informing relationship between science and culture. This innovative study traces the creation of a new fluid economy between persons, one that could be seen to forge new forms of intimacy between donors and recipients or to threaten the very idea of personal identity.
Описание: "England may with justice claim to be the native land of transfusion," wrote one European physician in 1877, acknowledging Great Britain’s crucial role in developing and promoting human-to-human transfusion as treatment for life-threatening blood loss. As news of this revolutionary medical technique spread from professional publications to popular journals and newspapers, the operation invaded the Victorian imagination. Transfusion is the first extended study of this intersection between medical and literary history. It examines the medical discourse that surrounded the real nineteenth-century practice of transfusion, which focused on women suffering from uterine haemorrhage, alongside literary works that exploited the operation’s sentimental, satirical, sensational, and gothic potentials.In the eighteenth century, the term 'transfusion' was used to figure aesthetic and religious inspiration as well as erotic and romantic commingling — associations that persisted into the nineteenth century and informed attitudes toward the medical practice of blood transfer and the cultural conception of sympathetic exchange. Exploring transfusion’s role in canonical works such as Wells’s The Island of Dr. Moreau and Stoker’s Dracula, as well as a surprising array of lesser-known short stories and novels, Kibbie demonstrates the tangled, mutually informing relationship between science and culture. This innovative study traces the creation of a new fluid economy between persons, one that could be seen to forge new forms of intimacy between donors and recipients or to threaten the very idea of personal identity.
Описание: Reflecting a growing interest in the history of knowledge, this book explores the importance of scholarly virtues during the late nineteenth century.
Автор: Haralson Eric Название: Encyclopedia of American Poetry: The Nineteenth Century ISBN: 0415890764 ISBN-13(EAN): 9780415890762 Издательство: Taylor&Francis Рейтинг: Цена: 8573.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: With contributions from over 100 scholars, this encyclopedia provides essays on the careers, works, and backgrounds of more than 100 nineteenth-century poets.
Автор: OBrien Lee Christine Название: Romance of the Lyric in Nineteenth-Century Women`s Poetry ISBN: 1611493919 ISBN-13(EAN): 9781611493917 Издательство: Rowman & Littlefield Publishers Рейтинг: Цена: 19430.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The Romance of the Lyric in Nineteenth-Century Women's Poetry: Experiments in Form offers a new account of the nature of the lyric as nineteenth-century women poets developed the form. It offers fresh assessments of the imaginative and aesthetic complexity of women's poetry. The monograph seeks to redefine the range and cultural significance of women's writing using the work of poets who have not, heretofore, been part of critical accounts of nineteenth-century lyric poetry. These new voices are set beside new readings of the poetry of established figures: for example, Christina Rossetti's Goblin Market and Augusta Webster's "Medea in Athens" and "Circe." The monograph draws substantially on the poetry of Rosamund Marriott Watson - who was lost to literary history before the restoration of her oeuvre through the scholarly and critical work of Professor Linda K. Hughes - to make the case that once neglected and lost voices provide new ways of determining the cultural centrality of women and the poetry they produced in one of the richest periods of poetic experimentation in the Western literary tradition. This monograph contends that Watson's poetry and prose provide new ways of analyzing the complex and frequently transgressive nature of the lyric engagement of women with folklore and myth and with the growing understanding in the nineteenth century of the fragmented, fluid self in general and of the writer in particular.
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