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Larger than an orange, Burns, Lucy


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Цена: 1451.00р.
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При оформлении заказа до: 2025-08-04
Ориентировочная дата поставки: Август-начало Сентября
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Автор: Burns, Lucy
Название:  Larger than an orange
ISBN: 9781784744410
Издательство: Random House - Penguin
Классификация:



ISBN-10: 1784744417
Обложка/Формат: Hardback
Страницы: 240
Вес: 0.50 кг.
Дата издания: 23.09.2021
Серия: Salt modern fiction
Язык: English
Издание: 2nd ed.
Иллюстрации: No
Размер: 204 x 138 x 25
Читательская аудитория: Tertiary education (us: college)
Подзаголовок: Bilingual (english / filipino) (ingles / filipino) a newborn black & white baby book (high-contrast design & patterns) (panda, koala, sloth, monkey, kangaroo, giraffe, elephant, lion, tiger, chameleon, shark, dolphin, turtle, penguin, polar bear, and
Рейтинг:
Поставляется из: Англии
Описание: She finds herself compulsively telling people about the abortion (and counting those who know), struggling at work and researching the procedure. She feels alone in her pain and confusion. Part diary, part prose poem, part literary collage, Larger than an Orange is an uncompromising, intimate and original memoir.


Puro Arte: Filipinos on the Stages of Empire

Автор: Burns Lucy Mae San Pablo
Название: Puro Arte: Filipinos on the Stages of Empire
ISBN: 0814744435 ISBN-13(EAN): 9780814744437
Издательство: Wiley EDC
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Цена: 11154.00 р.
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Описание:

Winner of the 2012 Outstanding Book Award in Cultural Studies, Association for Asian American Studies
Puro Arte explores the emergence of Filipino American theater and performance from the early 20th century to the present. It stresses the Filipino performing body's location as it conjoins colonial histories of the Philippines with U.S. race relations and discourses of globalization.
Puro arte, translated from Spanish into English, simply means “pure art.” In Filipino, puro arte however performs a much more ironic function, gesturing rather to the labor of over-acting, histrionics, playfulness, and purely over-the-top dramatics. In this book, puro arte functions as an episteme, a way of approaching the Filipino/a performing body at key moments in U.S.-Philippine imperial relations, from the 1904 St. Louis World’s Fair, early American plays about the Philippines, Filipino patrons in U.S. taxi dance halls to the phenomenon of Filipino/a actors in Miss Saigon. Using this varied archive, Puro Arte turns to performance as an object of study and as a way of understanding complex historical processes of racialization in relation to empire and colonialism.

DNA Techniques to Verify Food Authenticity: Applications in Food Fraud

Автор: Burns Malcolm, Foster Lucy, Walker Michael
Название: DNA Techniques to Verify Food Authenticity: Applications in Food Fraud
ISBN: 1788011783 ISBN-13(EAN): 9781788011785
Издательство: Royal Society of Chemistry
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Цена: 31469.00 р.
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Описание: Providing the most comprehensive and timely collection of material from those working at the forefront of DNA techniques applied to food authenticity, this book will appeal to food testing laboratories worldwide and food policy professionals and regulatory organisations who will be using these techniques to back up legislation and regulation.

Puro Arte: On the Filipino/A Performing Body

Автор: Burns Lucy Mae San Pablo
Название: Puro Arte: On the Filipino/A Performing Body
ISBN: 0814725457 ISBN-13(EAN): 9780814725450
Издательство: Wiley EDC
Рейтинг:
Цена: 3773.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание:

Winner of the 2012 Outstanding Book Award in Cultural Studies, Association for Asian American Studies
Puro Arte explores the emergence of Filipino American theater and performance from the early 20th century to the present. It stresses the Filipino performing body's location as it conjoins colonial histories of the Philippines with U.S. race relations and discourses of globalization.
Puro arte, translated from Spanish into English, simply means “pure art.” In Filipino, puro arte however performs a much more ironic function, gesturing rather to the labor of over-acting, histrionics, playfulness, and purely over-the-top dramatics. In this book, puro arte functions as an episteme, a way of approaching the Filipino/a performing body at key moments in U.S.-Philippine imperial relations, from the 1904 St. Louis World’s Fair, early American plays about the Philippines, Filipino patrons in U.S. taxi dance halls to the phenomenon of Filipino/a actors in Miss Saigon. Using this varied archive, Puro Arte turns to performance as an object of study and as a way of understanding complex historical processes of racialization in relation to empire and colonialism.


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