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The Dark Side of G.K. Chesterton: Gargoyles and Grotesques, Tibbetts John C.


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Автор: Tibbetts John C.
Название:  The Dark Side of G.K. Chesterton: Gargoyles and Grotesques
ISBN: 9781476684970
Издательство: Mare Nostrum (Eurospan)
Классификация:

ISBN-10: 1476684979
Обложка/Формат: Paperback
Страницы: 188
Вес: 0.42 кг.
Дата издания: 30.09.2021
Серия: Literature/Literary Studies
Язык: English
Иллюстрации: 50 photos
Размер: 22.86 x 15.24 x 0.81 cm
Читательская аудитория: General (us: trade)
Ключевые слова: Literary companions, book reviews & guides,Literary studies: general, LITERARY CRITICISM / European / English, Irish, Scottish, Welsh,LITERARY CRITICISM / Mystery & Detective
Подзаголовок: Gargoyles and grotesques
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Поставляется из: Англии
Описание: Provides a critical study of the great British man of letters, G.K. Chesterton, with chapters devoted to the novels, stories, and essays that explore the darker fringes of his wild imagination. Everything is different in the dark, wrote Chesterton, perhaps you don`t know how terrible a truth that is.


Dickens and the Grotesque (Routledge Revivals)

Автор: Hollington Michael
Название: Dickens and the Grotesque (Routledge Revivals)
ISBN: 1138804460 ISBN-13(EAN): 9781138804463
Издательство: Taylor&Francis
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Цена: 6123.00 р.
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Описание:

First published in 1984, this title examines the development of a special rhetoric in Dickens' work, which, by using grotesque effects, challenged the complacency of his middle-class Victorian readers. The study begins by exploring definitions of the grotesque and moves on to look at three key aspects that particularly impacted on Dickens' imagination: popular theatre (especially pantomime), caricature, and the tradition of the Gothic novel. Michael Hollington traces the development of Dickens' application of the grotesque from his early work to his late novels, showing how its use becomes more subtle. Hollington's title greatly enhances our appreciation of Dickens' technique, showing the skill with which he used the grotesque to undermine stereotyped responses and encourage his readership to challenge their context.

The Grotesque in Contemporary British Fiction

Автор: Duggan Robert
Название: The Grotesque in Contemporary British Fiction
ISBN: 1526127172 ISBN-13(EAN): 9781526127174
Издательство: NBN International
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Цена: 4950.00 р.
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Описание: This book shows how the grotesque continues to be a powerful force in contemporary British writing and provides an illuminating picture of often controversial aspects of recent fiction. -- .

Chuck Palahniuk and the Comic Grotesque: Subversion of Ideology in the Fiction

Автор: David McCracken
Название: Chuck Palahniuk and the Comic Grotesque: Subversion of Ideology in the Fiction
ISBN: 1476678170 ISBN-13(EAN): 9781476678177
Издательство: Mare Nostrum (Eurospan)
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Цена: 6930.00 р.
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Описание: With his cynicism and skepticism, Chuck Palahniuk satirizes and points out the manipulative aspects of ideologies, values and beliefs pushing society`s understanding of the norm. In this work, Palahniuk`s writing is examined closely and his characters are analysed as people who rebel against the systems in control.

Grotesque Visions: The Science of Berlin Dada

Автор: Thomas O. Haakenson
Название: Grotesque Visions: The Science of Berlin Dada
ISBN: 1501369903 ISBN-13(EAN): 9781501369902
Издательство: Bloomsbury Academic
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Цена: 15048.00 р.
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Описание: Grotesque Visions focuses on the radical avant-garde interventions of Salomo Friedlander (aka Mynona), Til Brugman, and Hannah Hoch as they challenged the questionable practices and evidentiary claims of late-19th- and early-20th-century science. Demonstrating the often excessive measures that pathologists, anthropologists, sexologists, and medical professionals went to present their research in a seemingly unambiguous way, this volume shows how Friedlander/Mynona, Brugman, Hoch, and other Berlin-based artists used the artistic grotesque to criticize, satirize, and subvert a variety of forms of supposed scientific objectivity. The volume concludes by examining the exhibition Grotesk!: 130 Jahre Kunst der Frechheit/Comic Grotesque: Wit and Mockery in German Arts, 1870-1940. In contrast to the ahistorical and amorphous concept informing the exhibition, Thomas O. Haakenson reveals a unique deployment of the artistic grotesque that targeted specific established and emerging scientific discourses at the turn of the last fin-de-siecle.


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