In Portrait of a Young Painter, the distinguished historian Mary Kay Vaughan adopts a biographical approach to understanding the culture surrounding the Mexico City youth rebellion of the 1960s. Her chronicle of the life of painter Pepe Zúñiga counters a literature that portrays post-1940 Mexican history as a series of uprisings against state repression, injustice, and social neglect that culminated in the student protests of 1968. Rendering Zúñiga's coming of age on the margins of formal politics, Vaughan depicts midcentury Mexico City as a culture of growing prosperity, state largesse, and a vibrant, transnationally-informed public life that produced a multifaceted youth movement brimming with creativity and criticism of convention. In an analysis encompassing the mass media, schools, politics, family, sexuality, neighborhoods, and friendships, she subtly invokes theories of discourse, phenomenology, and affect to examine the formation of Zúñiga's persona in the decades leading up to 1968. By discussing the influences that shaped his worldview, she historicizes the process of subject formation and shows how doing so offers new perspectives on the events of 1968.
In Routes of Compromise Michael K. Bess studies the social, economic, and political implications of road building and state formation in Mexico through a comparative analysis of Nuevo León and Veracruz from the 1920s to the 1950s. He examines how both foreign and domestic actors, working at local, national, and transnational levels, helped determine how Mexico would build and finance its roadways.
While Veracruz offered a radical model for regional construction that empowered agrarian communities, national consensus would solidify around policies championed by Nuevo León’s political and commercial elites. Bess shows that no single political figure or central agency dominated the process of determining Mexico's road-building policies. Instead, provincial road-building efforts highlight the contingent nature of power and state formation in midcentury Mexico.
In Portrait of a Young Painter, the distinguished historian Mary Kay Vaughan adopts a biographical approach to understanding the culture surrounding the Mexico City youth rebellion of the 1960s. Her chronicle of the life of painter Pepe Zúñiga counters a literature that portrays post-1940 Mexican history as a series of uprisings against state repression, injustice, and social neglect that culminated in the student protests of 1968. Rendering Zúñiga's coming of age on the margins of formal politics, Vaughan depicts midcentury Mexico City as a culture of growing prosperity, state largesse, and a vibrant, transnationally-informed public life that produced a multifaceted youth movement brimming with creativity and criticism of convention. In an analysis encompassing the mass media, schools, politics, family, sexuality, neighborhoods, and friendships, she subtly invokes theories of discourse, phenomenology, and affect to examine the formation of Zúñiga's persona in the decades leading up to 1968. By discussing the influences that shaped his worldview, she historicizes the process of subject formation and shows how doing so offers new perspectives on the events of 1968.
Автор: Nicholson James C. Название: 1968: A Pivotal Moment in American Sports ISBN: 1621904997 ISBN-13(EAN): 9781621904991 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4383.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Opening with Vince Lombardi's last win as coach of the Packers in Super Bowl II and closing with Joe Namath's Super Bowl III guarantee, James Nicholson delivers an original portrait of a sensational closing decade in American culture. Controversies on the field and in the ring reflected broader political and social turmoil in the late-sixties United States. With one of the most contentious presidential elections in US history, the ongoing civil rights movement, and the Vietnam War all storming in the background, Nicholson charts a course through the oddly unsettled waters of American sports in 1968: the Masters golf tournament decided by the strict enforcement of an arcane rule to the detriment of a foreign player; the winner of the Kentucky Derby disqualified for a drug violation; Muhammad Ali waiting in sports exile while he appealed a criminal conviction for draft evasion; an unorthodox rendition of the national anthem at the World Series nearly overshadowing the game it preceded; and the silent gesture at the Mexico City Olympics made by Tommie Smith and John Carlos that shocked the nation
Mexican leaders eagerly anticipated the attention that hosting the world's most visible sporting event would bring, yet they could not have predicted the array of conflicts that would play out before the eyes of the world during the notorious 1968 Mexico City Olympics. Following twenty years of economic growth and political stability—known as the "Mexican miracle"—Mexican policy makers escaped their prior image of being economically underdeveloped to successfully craft an image of a nation that was both modern and cosmopolitan but also steeped in culture and tradition. Buoyed by this new image, they set their sights on the Olympic bid, and they not only won but also prepared impressive facilities.
Prior to the opening ceremonies, several controversies emerged, the most glaring of which was a student protest movement that culminated in a public massacre, leaving several hundred students dead. Less dramatic were concerns that athletes would suffer harm in the high elevation and thin air, debates over the nature of amateurism, threats by nations opposing apartheid to boycott if South Africa was allowed to compete, and the introduction of drug and gender testing. Additionally the Olympics provided a forum for the United States and the Soviet Union to carry their Cold War rivalry to the playing field—a way to achieve victory without world destruction at stake.
During the Games, one of the most significant controversies occurred when two African American athletes, Tommie Smith and John Carlos, raised their fists in the Black Power salute while on the medal stand. This gesture brought worldwide attention to racism within the United States and remains a lasting image of both the Mexico City Olympics and the Civil Rights movement. Although the Olympics are intended to bring athletes of the world together for harmonious competition, the 1968 Games will long be remembered as fraught with discord. This ambitious and comprehensive study will appeal to those interested in US history, Latin American history, sports history, and Olympic history.
In Routes of Compromise Michael K. Bess studies the social, economic, and political implications of road building and state formation in Mexico through a comparative analysis of Nuevo León and Veracruz from the 1920s to the 1950s. He examines how both foreign and domestic actors, working at local, national, and transnational levels, helped determine how Mexico would build and finance its roadways.
While Veracruz offered a radical model for regional construction that empowered agrarian communities, national consensus would solidify around policies championed by Nuevo León’s political and commercial elites. Bess shows that no single political figure or central agency dominated the process of determining Mexico's road-building policies. Instead, provincial road-building efforts highlight the contingent nature of power and state formation in midcentury Mexico.
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