Cybernetic-Existentialism: Freedom, Systems, and Being-for-Others in Contemporary Arts and Performance, Dixon Steve
Автор: Greil Mariella Название: Being in Contact: Encountering a Bare Body ISBN: 3110739399 ISBN-13(EAN): 9783110739398 Издательство: Walter de Gruyter Рейтинг: Цена: 7429.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Dieses choreografierte Buch widmet sich dem Ph nomen des blo en K rpers in der zeitgen ssischen Performance. Die k nstlerische Forschung st tzt sich dabei auf einen philosophischen, biopolitischen und ethischen Diskurs, der f r die Erscheinung blo er K rper in der choreografischen Arbeit relevant ist und der einen Rahmen setzt f r eine reflexive Bewegung zwischen Affekt und Ethik, sinnlicher Ansprache und Response.
Entbl ungs- und Verschleierungshandlungen werden dabei kulturell verankert und in ihrer methodischen und nanopolitischen Bedeutung untersucht. Die Konzepte anarchische Verantwortung und Choreo-Ethik f hren zu einer Neubewertung von Kontakt, Beziehung und Solidarit t. Choreografie wird so als komplexes Feld von Offenbarungen verstanden, das auf kologien von Wahrnehmung und Handlungsfreiheit beruht.
Автор: Dixon, Steve Название: Cybernetic-existentialism ISBN: 036714249X ISBN-13(EAN): 9780367142490 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Поставка под заказ.
Описание: Cybernetic-Existentialism: Freedom, Systems, and Being-for-Others in Contemporary Art and Performance offers a unique discourse and an original aesthetic theory.
Автор: Maria Chatzichristodoulou Название: Live Art in the UK: Contemporary Performances of Precarity ISBN: 1474257712 ISBN-13(EAN): 9781474257718 Издательство: Bloomsbury Academic Рейтинг: Цена: 3958.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Since entering the performance lexicon in the 1970s, the term Live Art has been used to describe a diverse but interrelated array of performance practices and approaches. This volume offers a contextual and critical introduction to the scene of contemporary Live Art in Britain. Focusing on the key artists, companies and organisations with a prolific body of work and which have been vital to the development of contemporary practice, this edited volume maps the landscape, illuminating the origins, concerns and aesthetics of Live Art in the UK today. In their Introduction to the volume, the editor situate Live Art in relation to other related areas of artistic practice such as Performance Art and Body Art, and explore Live Art as a British phenomenon, considering questions of cultural specificity, financial and institutional support, and social engagement. A Prologue further maps the context by tracing the work and impact of key organisations and frameworks on the Live Art scene in the UK, in particular the Live Art Development Agency, besides Artsadmin, Arts Catalyst and Spill festival. Across three sections leading scholars offer case studies exploring the practice of key artists: *Section One: Experiments In Life / Experiments In Art Anne Bean, Marisa Carnesky, and Julia Bardsley *Section Two: Performances Of Conflict And Resolution, Hurt And Healing Adrian Howells, Alastair MacLennan, and Kira O’Reilly *Section Three: Camp, Comedy And Laughs David Hoyle, Duckie Performance Collective, and Marcia Farquhar
Автор: Maria Chatzichristodoulou Название: Live Art in the UK: Contemporary Performances of Precarity ISBN: 1474257704 ISBN-13(EAN): 9781474257701 Издательство: Bloomsbury Academic Рейтинг: Цена: 12672.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Since entering the performance lexicon in the 1970s, the term Live Art has been used to describe a diverse but interrelated array of performance practices and approaches. This volume offers a contextual and critical introduction to the scene of contemporary Live Art in Britain. Focusing on the key artists, companies and organisations with a prolific body of work and which have been vital to the development of contemporary practice, this edited volume maps the landscape, illuminating the origins, concerns and aesthetics of Live Art in the UK today. In their Introduction to the volume, the editor situate Live Art in relation to other related areas of artistic practice such as Performance Art and Body Art, and explore Live Art as a British phenomenon, considering questions of cultural specificity, financial and institutional support, and social engagement. A Prologue further maps the context by tracing the work and impact of key organisations and frameworks on the Live Art scene in the UK, in particular the Live Art Development Agency, besides Artsadmin, Arts Catalyst and Spill festival. Across three sections leading scholars offer case studies exploring the practice of key artists: *Section One: Experiments In Life / Experiments In Art Anne Bean, Marisa Carnesky, and Julia Bardsley *Section Two: Performances Of Conflict And Resolution, Hurt And Healing Adrian Howells, Alastair MacLennan, and Kira O’Reilly *Section Three: Camp, Comedy And Laughs David Hoyle, Duckie Performance Collective, and Marcia Farquhar
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