Описание: An examination of the imperial period in Russia, encompassing political, economic, cultural, diplomatic, and military history. It addresses issues such as major Russian social groups, women, the Orthodox Church and the police. No other single volume in any language offers such a comprehensive analysis of Russian history in this period.
Описание: In October 1875, two months after the takeover of the Somali coastal town of Zeila, an Egyptian force numbering 1,200 soldiers departed from the city to occupy Harar, a prominent Muslim hub in the Horn of Africa. In doing so, they turned this sovereign emirate into an Egyptian colony that became a focal meeting point of geopolitical interests, with interactions between Muslim Africans, European powers, and Christian Ethiopians.In Emirate, Egyptian, Ethiopian, Ben-Dror tells the story of Turco-Egyptian colonial ambitions and the processes that integrated Harar into the global system of commerce that had begun enveloping the Red Sea. This new colonial era in the city’s history inaugurated new standards of government, society, and religion. Drawing on previously untapped Egyptian, Harari, Ethiopian, and European archival sources, Ben-Dror reconstructs the political, social, economic, religious, and cultural history of the occupation, which included building roads, reorganizing the political structure, and converting many to Islam. He portrays the complexity of colonial interactions as an influx of European merchants and missionaries settled in Harar. By shedding light on the dynamic historical processes, Ben-Dror provides new perspectives on the important role of non-European imperialists in shaping the history of these regions.
Описание: In October 1875, two months after the takeover of the Somali coastal town of Zeila, an Egyptian force numbering 1,200 soldiers departed from the city to occupy Harar, a prominent Muslim hub in the Horn of Africa. In doing so, they turned this sovereign emirate into an Egyptian colony that became a focal meeting point of geopolitical interests, with interactions between Muslim Africans, European powers, and Christian Ethiopians.In Emirate, Egyptian, Ethiopian, Ben-Dror tells the story of Turco-Egyptian colonial ambitions and the processes that integrated Harar into the global system of commerce that had begun enveloping the Red Sea. This new colonial era in the city’s history inaugurated new standards of government, society, and religion. Drawing on previously untapped Egyptian, Harari, Ethiopian, and European archival sources, Ben-Dror reconstructs the political, social, economic, religious, and cultural history of the occupation, which included building roads, reorganizing the political structure, and converting many to Islam. He portrays the complexity of colonial interactions as an influx of European merchants and missionaries settled in Harar. By shedding light on the dynamic historical processes, Ben-Dror provides new perspectives on the important role of non-European imperialists in shaping the history of these regions.
Описание: Even though there were relatively few people of colour in postrevolutionary France, images of and discussions about black women appeared regularly in a variety of French cultural sectors and social milieus. Robin Mitchell shows how these literary and visual depictions of black women helped to shape the country`s postrevolutionary national identity.
Описание: Even though there were relatively few people of colour in post-revolutionary France, images of and discussions about black women in particular appeared repeatedly in a variety of French cultural sectors and social milieus. In Vénus Noire , Robin Mitchell shows how these literary and visual depictions of black women helped to shape the country’s post-revolutionary national identity, particularly in response to the trauma of the French defeat in the Haitian Revolution. Vénus Noire explores the ramifications of this defeat by examining visual and literary representations of three black women who achieved fame in the years that followed. Sarah Baartmann, popularly known as the Hottentot Venus, represented distorted memories of Haiti in the French imagination, and Mitchell shows how her display, treatment, and representation embodied residual anger harboured by the French. Ourika, a young Senegalese girl brought to live in France by the Maréchal Prince de Beauvau, inspired plays, poems, and clothing and jewellery fads, and Mitchell examines how the French appropriated black female identity through these representations while at the same time perpetuating stereotypes of the hypersexual black woman. Finally, Mitchell shows how demonizations of Jeanne Duval, long-time lover of the poet Charles Baudelaire, expressed France’s need to rid itself of black bodies even as images and discourses about these bodies proliferated. The stories of these women, carefully contextualized by Mitchell and put into dialogue with one another, reveal a blind spot about race in French national identity that persists in the postcolonial present.
Описание: Peter B. Lavelle uses the life and career of the statesman Zuo Zongtang as a lens to explore the environmental history of nineteenth-century China. The Profits of Nature offers a new approach to understanding the dynamic relationship between imperial crisis, natural resources, and colonial development during a critical juncture in Chinese history.
Автор: Gramlich-Oka Bettina, Walthall Anne, Miyazaki Fumiko Название: Women and Networks in Nineteenth Century Japan, Volume 90 ISBN: 0472054694 ISBN-13(EAN): 9780472054695 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 3881.00 р. Наличие на складе: Поставка под заказ.
Описание: The first book to tackle the importance of women`s networks for civil society in Japan in th nineteenth century. The essays traverse the divide when Japan started transforming itself from a decentralized to a centralized government, and from legally imposed restrictions on movement to the breakdown of travel barriers.
Автор: Meir Litvak Название: Shi`i Scholars of Nineteenth-Century Iraq ISBN: 0521892961 ISBN-13(EAN): 9780521892964 Издательство: Cambridge Academ Рейтинг: Цена: 8395.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Explores the social and political dynamics of nineteenth-century Shi`ism and through this sheds light on modern debates.
Описание: On the surface, the case itself seems a minor one at best. William Marbury, a last-minute judicial appointee of outgoing Federalist president John Adams, demanded redress from the Supreme Court when his commission was not delivered. But Chief Justice John Marshall could clearly see the danger his demand posed for a weak court filled with Federalist judges. Wary of the Court’s standing with the new Republican administration of Thomas Jefferson, Marshall hit upon a solution that was both principled and pragmatic. He determined that while Marbury was justified in his suit, the law on which his claim was based was in conflict with the Constitution. It was the first time that the Court struck down an act of Congress as unconstitutional, thus establishing the doctrine of judicial review that designates the Court as chief interpreter of the Constitution.Nelson relates the story behind Marbury and explains why it is a foundational case for understanding the Supreme Court. He reveals how Marshall deftly avoided a dangerous political confrontation between the executive and judicial branches by upholding the rule of law. Nelson also shows how Marshall managed to shore up the Court’s prestige and power rather than have it serve partisan political agendas.
Описание: In the decades leading up to the end of U.S. slavery, many free Blacks sat for daguerreotypes decorated in fine garments to document their self-possession. People pictured in these early photographs used portraiture to seize control over representation of the free Black body and reimagine Black visuality divorced from the cultural logics of slavery. In Picture Freedom, Jasmine Nichole Cobb analyzes the ways in which the circulation of various images prepared free Blacks and free Whites for the emancipation of formerly unfree people of African descent. She traces the emergence of Black freedom as both an idea and as an image during the early nineteenth century. Through an analysis of popular culture of the period—including amateur portraiture, racial caricatures, joke books, antislavery newspapers, abolitionist materials, runaway advertisements, ladies’ magazines, and scrapbooks, as well as scenic wallpaper—Cobb explores the earliest illustrations of free Blacks and reveals the complicated route through visual culture toward a vision of African American citizenship. Picture Freedom reveals how these depictions contributed to public understandings of nationhood, among both domestic eyes and the larger Atlantic world.
