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Artificial Generation: Photogenic French Literature and the Prehistory of Cinematic Modernity, Parker-Flynn Christina


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Автор: Parker-Flynn Christina
Название:  Artificial Generation: Photogenic French Literature and the Prehistory of Cinematic Modernity
ISBN: 9781978825062
Издательство: Mare Nostrum (Eurospan)
Классификация:


ISBN-10: 1978825064
Обложка/Формат: Paperback
Страницы: 260
Вес: 0.36 кг.
Дата издания: 30.11.2021
Язык: English
Иллюстрации: 20 b-w images
Размер: 23.37 x 15.49 x 1.78 cm
Ключевые слова: Film theory & criticism,Literary companions, book reviews & guides,Literary studies: general, LITERARY CRITICISM / European / French,LITERARY CRITICISM / Feminist,PERFORMING ARTS / Film & Video / History & Criticism
Подзаголовок: Photogenic french literature and the prehistory of cinematic modernity
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Поставляется из: Англии
Описание: Artificial Generation: Photogenic French Literature and the Prehistory of Cinematic Modernity looks at nineteenth-century literary representation and film theory, arguing that the depth of amalgamation that occurred within literary representation during this era is a key aesthetic tradition that continues to inform movies and contemporary culture today. A key part of this evolution in representation, a wide-scale artistic subjectivity around the re-emergence of the “artificial woman”—a notion that harkens back to longstanding expressions of mythological masculine subjectivity through the figure of the woman, refashioning important female figures that symbolize or problematize man’s origins, including Eve and the Venus de Milo. This quest for masculine artistic subjectivity becomes a photographic and filmic drive by the turn of the century. The book explores the perpetuation of the myth of Pygmalion and Galatea in nineteenth-century literature. It then begins at the beginning of film history, with Georges MÉliÈs in the 1890s and other “silent” filmmakers, moving through Alfred Hitchcock’s Vertigo (1958) and Bladerunner 2049 (2017), analyzing these twentieth-century films to illustrate how these film texts are structured around mythic and literary principles from the prior century that serve as the basis for film as medium—a phantom form for life’s representation. The book provides a crucial reassessment of the longstanding, mutual exchange between cinematic and literary representation, offering a fresh perspective on the proto-cinematic imperative of simulation within nineteenth-century literary symbolism.
Дополнительное описание: Film history, theory or criticism|Literature: history and criticism|Feminism and feminist theory



Artificial Generation: Photogenic French Literature and the Prehistory of Cinematic Modernity

Автор: Christina Parker-Flynn
Название: Artificial Generation: Photogenic French Literature and the Prehistory of Cinematic Modernity
ISBN: 1978825072 ISBN-13(EAN): 9781978825079
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 18810.00 р.
Наличие на складе: Нет в наличии.

Описание: Artificial Generation: Photogenic French Literature and the Prehistory of Cinematic Modernity looks at nineteenth-century literary representation and film theory, arguing that the depth of amalgamation that occurred within literary representation during this era is a key aesthetic tradition that continues to inform movies and contemporary culture today. A key part of this evolution in representation, a wide-scale artistic subjectivity around the re-emergence of the “artificial woman”—a notion that harkens back to longstanding expressions of mythological masculine subjectivity through the figure of the woman, refashioning important female figures that symbolize or problematize man’s origins, including Eve and the Venus de Milo. This quest for masculine artistic subjectivity becomes a photographic and filmic drive by the turn of the century. The book explores the perpetuation of the myth of Pygmalion and Galatea in nineteenth-century literature. It then begins at the beginning of film history, with Georges MÉliÈs in the 1890s and other “silent” filmmakers, moving through Alfred Hitchcock’s Vertigo (1958) and Bladerunner 2049 (2017), analyzing these twentieth-century films to illustrate how these film texts are structured around mythic and literary principles from the prior century that serve as the basis for film as medium—a phantom form for life’s representation. The book provides a crucial reassessment of the longstanding, mutual exchange between cinematic and literary representation, offering a fresh perspective on the proto-cinematic imperative of simulation within nineteenth-century literary symbolism.

The Artificial Paradises in French Literature

Автор: Emanuel J. Mickel Jr.
Название: The Artificial Paradises in French Literature
ISBN: 0807890847 ISBN-13(EAN): 9780807890844
Издательство: Mare Nostrum (Eurospan)
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Цена: 5821.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: This is a study that traces the influence of drugs on French literature. The first three chapters acquaint the reader with various aspects of the use and effect of opium and hashish. Later chapters analyze the influence on the works of various writers of the period, particularly Baudelaire.


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