Counter memories in iranian cinema, Wittmann Matthias
Название: Horror Cinema (Bibliotheca Universalis) ISBN: 3836561859 ISBN-13(EAN): 9783836561853 Издательство: Taschen Рейтинг: Цена: 2657.00 р. Наличие на складе: Ожидается поступление.
Описание: Get ready to quake in fear with this revised and expanded edition of our history of horror cinema. From serial killers to satanists, The Shining to Scream, some 600 pages explore the genre`s favorite themes, mythologies, and motifs, and get up close and trembling to 50 top horror masterworks from the 1920s to the 2000s.
Автор: Tarkovsky, Andrei, Jr. Название: Sculpting in Time : Reflections on the Cinema ISBN: 0292776241 ISBN-13(EAN): 9780292776241 Издательство: ORCA BOOK SERVICES Рейтинг: Цена: 5173.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Tarkovsky sets down his thoughts and his memories, revealing for the first time the original inspirations for his extraordinary films.
Автор: Rubin Steven Jay Название: The James Bond Movie Encyclopedia ISBN: 1641600829 ISBN-13(EAN): 9781641600828 Издательство: Gazelle Book Services Рейтинг: Цена: 6647.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
"Nobody does 007 encyclopedias better than Bond historian Steven Jay Rubin. Buy this one. M's orders." --George Lazenby, James Bond in On Her Majesty's Secret Service
Packed with behind-the-scenes information, fascinating facts, trivia, bloopers, classic quotes, character bios, cast and filmmaker bios, and hundreds of rare and unusual photographs of those in front of and behind the camera Ian Fleming's James Bond character has entertained motion picture audiences for nearly sixty years, and the filmmakers have come a long way since they spent $1 million producing the very first James Bond movie, Dr. No, in 1962. The 2015 Bond title, Spectre, cost $250 million and grossed $881 million worldwide--and 2021's No Time to Die is certain to become another global blockbuster. The James Bond Movie Encyclopedia is the completely up-to-date edition of author Steven Jay Rubin's seminal work on the James Bond film series. It covers the entire series through No Time to Die and showcases the type of exhaustive research that has been a hallmark of Rubin's work in film history. From the bios of Bond girls in front of the camera to rare and unusual photographs of those behind it, no detail of the Bond legacy is left uncovered.
Hamid Naficy is one of the world’s leading authorities on Iranian film, and A Social History of Iranian Cinema is his magnum opus. Covering the late nineteenth century to the early twenty-first and addressing documentaries, popular genres, and art films, it explains Iran’s peculiar cinematic production modes, as well as the role of cinema and media in shaping modernity and a modern national identity in Iran. This comprehensive social history unfolds across four volumes, each of which can be appreciated on its own.
Volume 1 depicts and analyzes the early years of Iranian cinema. Film was introduced in Iran in 1900, three years after the country’s first commercial film exhibitor saw the new medium in Great Britain. An artisanal cinema industry sponsored by the ruling shahs and other elites soon emerged. The presence of women, both on the screen and in movie houses, proved controversial until 1925, when Reza Shah Pahlavi dissolved the Qajar dynasty. Ruling until 1941, Reza Shah implemented a Westernization program intended to unite, modernize, and secularize his multicultural, multilingual, and multiethnic country. Cinematic representations of a fast-modernizing Iran were encouraged, the veil was outlawed, and dandies flourished. At the same time, photography, movie production, and movie houses were tightly controlled. Film production ultimately proved marginal to state formation. Only four silent feature films were produced in Iran; of the five Persian-language sound features shown in the country before 1941, four were made by an Iranian expatriate in India.
A Social History of Iranian Cinema Volume 1: The Artisanal Era, 1897–1941 Volume 2: The Industrializing Years, 1941–1978 Volume 3: The Islamicate Period, 1978–1984 Volume 4: The Globalizing Era, 1984–2010
Автор: Bracke, Peter M. Название: Crystal lake memories ISBN: 1845763432 ISBN-13(EAN): 9781845763435 Издательство: Titan books ltd. Рейтинг: Цена: 5429.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: When "Friday the 13th" premiered in 1980, the film introduced moviegoers to a new kind of cinematic terror - shocking, visceral, and graphic. Spawning ten popular sequels, the series has become the most successful horror franchise. Illustrated with nearly 600 photos, archives and production materials, this volume is a visual memoir of the series.
Автор: Erfani Название: Iranian Cinema and Philosophy ISBN: 0230339115 ISBN-13(EAN): 9780230339118 Издательство: Springer Рейтинг: Цена: 12577.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In film studies, Iranian films are kept at a distance, as `other,` different, and exotic. In reponse, this book takes these films as philosophically relevant and innovative. Each chapter of this book is devoted to analyzing a single film, and each chapter focuses on one philosopher and one particular aesthetic question.
Автор: Naficy Hamid Название: Social History of Iranian Cinema ISBN: 0822348780 ISBN-13(EAN): 9780822348788 Издательство: Wiley EDC Рейтинг: Цена: 5663.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Hamid Naficy is one of the world's leading authorities on Iranian film, and A Social History of Iranian Cinema is his magnum opus. Covering the late nineteenth century to the early twenty-first and addressing documentaries, popular genres, and art films, it explains Iran's peculiar cinematic production modes, as well as the role of cinema and media in shaping modernity and a modern national identity in Iran. This comprehensive social history unfolds across four volumes, each of which can be appreciated on its own.
The extraordinary efflorescence in Iranian film, TV, and the new media since the consolidation of the Islamic Revolution animates Volume 4. During this time, documentary films proliferated. Many filmmakers took as their subject the revolution and the bloody eight-year war with Iraq; others critiqued postrevolution society. The strong presence of women on screen and behind the camera led to a dynamic women's cinema. A dissident art-house cinema—involving some of the best Pahlavi-era new-wave directors and a younger generation of innovative postrevolution directors—placed Iranian cinema on the map of world cinemas, bringing prestige to Iranians at home and abroad. A struggle over cinema, media, culture, and, ultimately, the legitimacy of the Islamic Republic, emerged and intensified. The media became a contested site of public diplomacy as the Islamic Republic regime as well as foreign governments antagonistic to it sought to harness Iranian popular culture and media toward their own ends, within and outside of Iran. The broad international circulation of films made in Iran and its diaspora, the vast dispersion of media-savvy filmmakers abroad, and new filmmaking and communication technologies helped to globalize Iranian cinema.
A Social History of Iranian Cinema Volume 1: The Artisanal Era, 1897–1941 Volume 2: The Industrializing Years, 1941–1978 Volume 3: The Islamicate Period, 1978–1984 Volume 4: The Globalizing Era, 1984–2010
Автор: Susan Aasman, Andreas Fickers, Joseph Wachelder Название: Materializing Memories: Dispositifs, Generations, Amateurs ISBN: 1501333232 ISBN-13(EAN): 9781501333231 Издательство: Bloomsbury Academic Рейтинг: Цена: 19008.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
A multitude of devices and technological tools now exist to make, share, and store memories and moments with family, friends, and even strangers. Memory practices such as home movies, which originated as the privilege of a few, well-to-do families, have now emerged as ubiquitous and immediate cultures of sharing. Departing from the history of home movies, this volume offers a sophisticated understanding of technologically mediated, mostly ritualized memory practices, from early beginnings in the fin-de-si cle to today.
Departing from a longue dur e perspective on home movie practices, Materializing Memories moves beyond a strict historical study to grapple with highly theorized fields, such as media studies, memory studies, and science and technology studies (STS). The contributors to this volume reflect on these different intellectual backgrounds and perspectives, but all chapters share a common framework by addressing practices of use, user configurations, and relevant media landscapes. Grasping the cultural dynamics of such multi-faceted practices requires a multidimensional conceptual approach, here achieved by centering around three concepts as central analytical lenses: dispositifs, generations, and amateurs.
Название: Materializing Memories ISBN: 1501362224 ISBN-13(EAN): 9781501362224 Издательство: Bloomsbury Academic Рейтинг: Цена: 5226.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: A multitude of devices and technological tools now exist to make, share, and store memories and moments with family, friends, and even strangers. Memory practices such as home movies, which originated as the privilege of a few, well-to-do families, have now emerged as ubiquitous and immediate cultures of sharing. Departing from the history of home movies, this volume offers a sophisticated understanding of technologically mediated, mostly ritualized memory practices, from early beginnings in the fin-de-siecle to today.Departing from a longue duree perspective on home movie practices, Materializing Memories moves beyond a strict historical study to grapple with highly theorized fields, such as media studies, memory studies, and science and technology studies (STS). The contributors to this volume reflect on these different intellectual backgrounds and perspectives, but all chapters share a common framework by addressing practices of use, user configurations, and relevant media landscapes. Grasping the cultural dynamics of such multi-faceted practices requires a multidimensional conceptual approach, here achieved by centering around three concepts as central analytical lenses: dispositifs, generations, and amateurs.
Автор: Catherine O`Rawe, Daniela Treveri Gennari, Danielle Hipkins, Sarah Culhane, Silvia Dibeltulo Название: Italian Cinema Audiences: Histories and Memories of Cinema-going in Post-war Italy ISBN: 1501347683 ISBN-13(EAN): 9781501347689 Издательство: Bloomsbury Academic Рейтинг: Цена: 15206.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: We know a lot about the directors and stars of Italian cinema’s heyday, from Roberto Rossellini to Sophia Loren. But what do we know about the Italian audiences that went to see their films? Based on the AHRC-funded project ‘Italian Cinema Audiences 1945-60’, Italian Cinema Audiences: Histories and Memories of Cinema-going in Post-war Italy draws upon the rich data collected by the project team (160 video interviews and 1000+ written questionnaires gathered from Italians aged 65 and over; archival material related to cinema distribution, exhibition and programming, box-office figures, and critical discussions of cinema from film journals and popular magazines of the period). For the first time, cinema’s role in everyday Italian life, and its affective meaning when remembered by older people, are enriched with industrial analyses of the booming Italian film sector of the period, as well as contextual data from popular and specialized magazines.
Автор: Abel Marco Название: Counter-Cinema of the Berlin School ISBN: 1571139419 ISBN-13(EAN): 9781571139412 Издательство: Boydell & Brewer Рейтинг: Цена: 5226.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The first book-length study in any language of the "Berlin School," the most significant filmmaking movement to come out of Germany since the 1970s.
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