Women in the Picture: What Culture Does with Female Bodies, McCormack Catherine
Автор: Tupera Tupera Название: What Does Baby Want? ISBN: 0714874078 ISBN-13(EAN): 9780714874074 Издательство: Phaidon Press Ltd. Рейтинг: Цена: 1418.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This baby is not comforted by a teddy bear or toy. This baby wants only one thing: milk!
Автор: Frances Flannery, Rodney A. Werline Название: The Bible in Political Debate: What Does it Really Say? ISBN: 0567666611 ISBN-13(EAN): 9780567666611 Издательство: Bloomsbury Academic Рейтинг: Цена: 12672.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Politicians and pundits regularly invoke the Bible in social and political debates on a host of controversial social and political issues, including: abortion, stem-cell research, gay marriage, the death penalty, separation of church and state, family values, climate change, income distribution, teaching evolution in schools, taxation, school prayer, aid for the poor, and immigration. But is the Bible often used out of context in these major debates? This book includes essays by fourteen biblical scholars who examine the use of the Bible in political debates, uncovering the original historical contexts and meanings of the biblical verses that are commonly cited. The contributors take a non-confessional approach, rooted in non-partisan scholarship, to show how specific texts have at times been distorted in order to support particular views. At the same time, they show how the Bible can sometimes make for unsettling reading in the modern day. The key questions remain: What does the Bible really say? Should the Bible be used to form public policy?
Автор: Frances Flannery, Rodney A. Werline Название: The Bible in Political Debate: What Does it Really Say? ISBN: 0567666573 ISBN-13(EAN): 9780567666574 Издательство: Bloomsbury Academic Рейтинг: Цена: 3800.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Politicians and pundits regularly invoke the Bible in social and political debates on a host of controversial social and political issues, including: abortion, stem-cell research, gay marriage, the death penalty, separation of church and state, family values, climate change, income distribution, teaching evolution in schools, taxation, school prayer, aid for the poor, and immigration. But is the Bible often used out of context in these major debates? This book includes essays by fourteen biblical scholars who examine the use of the Bible in political debates, uncovering the original historical contexts and meanings of the biblical verses that are commonly cited. The contributors take a non-confessional approach, rooted in non-partisan scholarship, to show how specific texts have at times been distorted in order to support particular views. At the same time, they show how the Bible can sometimes make for unsettling reading in the modern day. The key questions remain: What does the Bible really say? Should the Bible be used to form public policy?
Автор: Diangelo, Robin Название: What does it mean to be white? ISBN: 1433131102 ISBN-13(EAN): 9781433131103 Издательство: Peter Lang Рейтинг: Цена: 6514.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: What does it mean to be white in a society that proclaims race meaningless, yet is deeply divided by race? In the face of pervasive racial inequality and segregation, most white people cannot answer that question. In the second edition of this seminal text, Robin DiAngelo reveals the factors that make this question so difficult: mis-education about what racism is; ideologies such as individualism and colorblindness; segregation; and the belief that to be complicit in racism is to be an immoral person. These factors contribute to what she terms white racial illiteracy. Speaking as a white person to other white people, DiAngelo clearly and compellingly takes readers through an analysis of white socialization. Weaving research, analysis, stories, images, and familiar examples, she provides the framework needed to develop white racial literacy. She describes how race shapes the lives of white people, explains what makes racism so hard to see, identifies common white racial patterns, and speaks back to popular narratives that work to deny racism. Written as an accessible overview on white identity from an anti-racist framework, What Does It Mean to Be White? is an invaluable resource for members of diversity and anti-racism programs and study groups, and students of sociology, psychology, education, and other disciplines. This revised edition features two new chapters, including one on DiAngelo’s influential concept of white fragility. Written to be accessible both within and without academia, this revised edition also features discussion questions, an index, and a glossary.
Описание: These essays explore new methods and overlooked traditions that appear to shed light on how the founders of the Christian movement understood the older sacred tradition and sought new and creative ways to let it speak to their own times. Gurtner discusses the Matthean version of the temptation narrative. Chandler investigates the exhortation to 'love your neighbour as yourself' from Lev. 19.18b. Talbot re-examines Jesus' offer of rest in Mt. 11.28-30. Myers explores the ways Matthew's appeal to Isa. 42.1-4 in Mt. 12.17-21 affects the characterization of Jesus in his Gospel. Hamilton explores 1 Enoch 6-11 as a retelling of Genesis 3-6. Herzer seeks to explain varuiys aspects of Mt. 27.51b-53. McWhirter explores the citation of Exod 23.20, Mal. 3.1, and Isa. 40.3 in Mk 1.2-3. Hopkins investigates the manner in which Jesus engages questions and persons regarding purity and impurity. Miller notes that victory songs are a generally acknowledges category of Hebrew poetry. Gregerman argues that studies of early Christian proselytism to Gentiles are largely focussed on missionary methods of converts.
Описание: The supernatural has become extraordinarily popular in literature, television, and film. Vampires, zombies, werewolves, witches, and wizard have become staples of entertainment industries, and many of these figures have received extensive critical attention. But one figure has remained in the shadows – the female ghost. Inherently liminal, often literally invisible, the female ghost has nevertheless appeared in all genres. Subversive Spirits: The Female Ghost in British and American Popular Culture brings this figure into the light, exploring her cultural significance in a variety of media from 1926 to 2014. Robin Roberts argues that the female ghost is well worth studying for what she can tell us about feminine subjectivity in cultural contexts. Subversive Spirits examines appearances of the female ghost in heritage sites, theater, Hollywood film, literature, and television in the United States and the United Kingdom. What holds these disparate female ghosts together is their uncanny ability to disrupt, illuminate, and challenge gendered assumptions. As with other supernatural figures, the female ghost changes over time, especially responding to changes in gender roles. Roberts’s analysis begins with comedic female ghosts in literature and film and moves into horror by examining the successful play The Woman in Black and the legend of the weeping woman, La Llorona. Roberts then situates the canonical works of Maxine Hong Kingston and Toni Morrison in the tradition of the female ghost to explore how the ghost is used to portray the struggle and pain of women of color. Roberts further analyzes heritage sites that use the female ghost as the friendly and inviting narrator for tourists. The book concludes with a comparison of the British and American versions of the television hit Being Human, where the female ghost expands her influence to become a mother and savior to all humanity.
Описание: This book examines female material culture during the Late Roman, Byzantine, and Post-Byzantine eras, in order to better understand the lives of humble women during this period. It will appeal to scholars and students of Byzantine history, art and archaeology, as well as those interested in gender and material culture studies.
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Presenting a fresh examination of women writers and prewar ideology, this book breaks new ground in its investigation of love as a critical aspect of Japanese culture during the early to mid-twentieth century. As a literary and cultural history of love and female identity, Becoming Modern Women focuses on same-sex love, love marriage, and maternal love—new terms at that time; in doing so, it shows how the idea of "woman," within the context of a vibrant print culture, was constructed through the modern experience of love. Author Michiko Suzuki's work complements current scholarship on female identities such as "Modern Girl" and "New Woman," and interprets women's fiction in conjunction with nonfiction from a range of media—early feminist writing, sexology books, newspapers, bestselling love treatises, native ethnology, and historiography. While illuminating the ways in which women used and challenged ideas about love, Suzuki explores the historical and ideological shifts of the period, underscoring the broader connections between gender, modernity, and nationhood.
Описание: In a series of absorbing case studies, this book focuses on the portrayal of Pakistani women in the global media. Analyzing Hollywood films, British documentaries, newspapers and mainstream U.S. magazines, this book traces sensational female figures of Pakistan - all of whom have been subject to patriarchal violence - highlighting the imagery of exploitation and eroticism. The authors' examination of these images addresses questions of spectatorship and fetishism in the age of globalization and the racial and imperial politics of liberal feminism.
Автор: Nora Doyle Название: Maternal Bodies: Redefining Motherhood in Early America ISBN: 1469637189 ISBN-13(EAN): 9781469637181 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 12415.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In the second half of the eighteenth century, motherhood came to be viewed as women's most important social role, and the figure of the good mother was celebrated as a moral force in American society. Nora Doyle shows that depictions of motherhood in American culture began to define the ideal mother by her emotional and spiritual roles rather than by her physical work as a mother. As a result of this new vision, lower-class women and non-white women came to be excluded from the identity of the good mother because American culture defined them in terms of their physical labor.
However, Doyle also shows that childbearing women contradicted the ideal of the disembodied mother in their personal accounts and instead perceived motherhood as fundamentally defined by the work of their bodies. Enslaved women were keenly aware that their reproductive bodies carried a literal price, while middle-class and elite white women dwelled on the physical sensations of childbearing and childrearing. Thus motherhood in this period was marked by tension between the lived experience of the maternal body and the increasingly ethereal vision of the ideal mother that permeated American print culture.
Описание: Bollywood's New Woman examines Bollywood's construction and presentation of the Indian Woman since the 1990s. The groundbreaking collection illuminates the contexts and contours of this contemporary figure that has been identified in sociological and historical discourses as the 'New Woman.' On the one hand, this figure is a variant of the fin de siÈcle phenomenon of the 'New Woman' in the United Kingdom and the United States. In the Indian context, the New Woman is a distinct articulation resulting from the nation's tryst with neoliberal reform, consolidation of the middle class, and the ascendency of aggressive Hindu Right politics.
The emergence and popularization of the New Woman trope is intimately tied to Bollywood's countless iterations of this figure. She is as much a creation of the film industry's post-liberalization overhaul - the 'Bollywoodization of Hindi cinema' - as she is its prized subject of representation and investigation. Whether it is films from the 1990s such as Hum Aapke Hain Koun, Dilwale Dulhania Le Jayenge, Damini, and Kuch Kuch Hota Hai or films from the last decade like Cocktail, Tanu Weds Manu, Revolver Rani, and Dear Zindagi, what is obvious in each case is Bollywood's fascination, and endless experimentation, with the many avatars of the New Woman. Sometimes derided as a whittled down remnant of the old filmic 'vamp,' at other times lauded for her 'glocal' mobility and chic capacity to juggle contradictions, the New Woman is an enigmatic figure and Bollywood is consumed by a desire to trace her fate.
This edited volume brings together scholarship on the 'making of neoliberal India' with research on new trends in the Hindi film industry, locating the cinematic New Woman at the intersections between the two.
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