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Rooted Jazz Dance: Africanist Aesthetics and Equity in the Twenty-First Century, Guarino Lindsay, Jones Carlos R. a., Oliver Wendy


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Автор: Guarino Lindsay, Jones Carlos R. a., Oliver Wendy
Название:  Rooted Jazz Dance: Africanist Aesthetics and Equity in the Twenty-First Century
ISBN: 9780813069111
Издательство: Mare Nostrum (Eurospan)
Классификация:


ISBN-10: 0813069114
Обложка/Формат: Hardback
Страницы: 336
Вес: 0.69 кг.
Дата издания: 30.01.2022
Язык: English
Иллюстрации: 34 b&w illustrations, 11 tables
Размер: 163 x 359 x 28
Ключевые слова: Dance,History of the Americas,Jazz, PERFORMING ARTS / Dance / History & Criticism,PERFORMING ARTS / Dance / Jazz
Подзаголовок: Africanist aesthetics and equity in the twenty-first century
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Поставляется из: Англии
Описание: An African American art form, jazz dance has an inaccurate historical narrative that often sets Euro-American aesthetics and values at the inception of the jazz dance genealogy. The roots were systemically erased and remain widely marginalized and untaught, and the devaluation of its Africanist origins and lineage has largely gone unchallenged. Decolonizing contemporary jazz dance practice, this book examines the state of jazz dance theory, pedagogy, and choreography in the twenty-first century, recovering and affirming the lifeblood of jazz in Africanist aesthetics and Black American culture.Rooted Jazz Dance brings together jazz dance scholars, practitioners, choreographers, and educators from across the United States and Canada with the goal of changing the course of practice in future generations. Contributors delve into the Africanist elements within jazz dance and discuss the role of Whiteness, including Eurocentric technique and ideology, in marginalizing African American vernacular dance, which has resulted in the prominence of Eurocentric jazz styles and the systemic erosion of the roots. These chapters offer strategies for teaching rooted jazz dance, examples for changing dance curriculums, and artist perspectives on choreographing and performing jazz. Above all, they emphasize the importance of centering Africanist and African American principles, aesthetics, and values.Arguing that the history of jazz dance is closely tied to the history of racism in the United States, these essays challenge a century of misappropriation and lean in to difficult conversations of reparations for jazz dance. This volume overcomes a major roadblock to racial justice in the dance field by amplifying the people and culture responsible for the jazz language.
Дополнительное описание: Popular music|History of the Americas|Dance



From Here to Equality: Reparations for Black Americans in the Twenty-First Century

Автор: William Darity Jr., A. Kirsten Mullen
Название: From Here to Equality: Reparations for Black Americans in the Twenty-First Century
ISBN: 1469654970 ISBN-13(EAN): 9781469654973
Издательство: Mare Nostrum (Eurospan)
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Цена: 4297.00 р.
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Описание: Racism and discrimination have choked economic opportunity for African Americans at nearly every turn. At several historic moments, the trajectory of racial inequality could have been altered dramatically. Perhaps no moment was more opportune than the early days of Reconstruction, when the U.S. government temporarily implemented a major redistribution of land from former slaveholders to the newly emancipated enslaved. But neither Reconstruction nor the New Deal nor the civil rights struggle led to an economically just and fair nation. Today, systematic inequality persists in the form of housing discrimination, unequal education, police brutality, mass incarceration, employment discrimination, and massive wealth and opportunity gaps. Economic data indicates that for every dollar the average white household holds in wealth the average black household possesses a mere ten cents.

In From Here to Equality, William Darity Jr. and A. Kirsten Mullen confront these injustices head-on and make the most comprehensive case to date for economic reparations for U.S. descendants of slavery. After opening the book with a stark assessment of the intergenerational effects of white supremacy on black economic well-being, Darity and Mullen look to both the past and the present to measure the inequalities borne of slavery. Using innovative methods that link monetary values to historical wrongs, they next assess the literal and figurative costs of justice denied in the 155 years since the end of the Civil War. Finally, Darity and Mullen offer a detailed roadmap for an effective reparations program, including a substantial payment to each documented U.S. black descendant of slavery. Taken individually, any one of the three eras of injustice outlined by Darity and Mullen-slavery, Jim Crow, and modern-day discrimination-makes a powerful case for black reparations. Taken collectively, they are impossible to ignore.

Torchbearers Of Democracy

Автор: Williams
Название: Torchbearers Of Democracy
ISBN: 1469609851 ISBN-13(EAN): 9781469609850
Издательство: Mare Nostrum (Eurospan)
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Цена: 5405.00 р.
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Описание: On April 2, 1917, Woodrow Wilson thrust the United States into World War I by declaring, ""The world must be made safe for democracy."" For the 380,000 African American soldiers who fought and labored in the global conflict, these words carried life or death meaning. Relating stories bridging the war and postwar years, spanning the streets of Chicago and the streets of Harlem, from the battlefields of the American South to the battlefields of the Western Front, Chad L. Williams reveals the central role of African American soldiers in World War I and how they, along with race activists and ordinary citizens alike, committed to fighting for democracy at home and beyond. Using a diverse range of sources, Williams connects the history of African American soldiers and veterans to issues such as the obligations of citizenship, combat and labor, diaspora and internationalism, homecoming and racial violence, ""New Negro"" militancy, and African American historical memories of the war. Democracy may have been distant from the everyday lives of African Americans at the dawn of the war, but it nevertheless remained a powerful ideal that sparked the hopes of black people throughout the country for societal change. Torchbearers of Democracy reclaims the legacy of black soldiers and establishes the World War I era as a defining moment in the history of African Americans and peoples of African descent more broadly. |Williams reveals the central role of African American soldiers in World War I and how they, along with race activists and ordinary citizens alike, committed to fighting for democracy at home and beyond. Using a diverse range of sources, Williams connects the history of African American soldiers and veterans to issues such as the obligations of citizenship, combat and labor, diaspora and internationalism, homecoming and racial violence, ""New Negro"" militancy, and African American historical memories of the war.

Jazz Transatlantic, Volume I: The African Undercurrent in Twentieth-Century Jazz Culture

Автор: Gerhard Kubik
Название: Jazz Transatlantic, Volume I: The African Undercurrent in Twentieth-Century Jazz Culture
ISBN: 1496825683 ISBN-13(EAN): 9781496825681
Издательство: Mare Nostrum (Eurospan)
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Цена: 4389.00 р.
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Описание: A CHOICE 2018 Outstanding Academic Title.In Jazz Transatlantic, Volume I, renowned scholar Gerhard Kubik takes the reader across the Atlantic from Africa to the Americas and then back in pursuit of the music we call jazz. This first volume explores the term itself and how jazz has been defined and redefined. It also celebrates the phenomena of jazz performance and uncovers hidden gems of jazz history. The volume offers insights gathered during Kubik's extensive field work and based on in-depth interviews with jazz musicians around the Atlantic world. Languages, world views, beliefs, experiences, attitudes, and commodities all play a role. Kubik reveals what is most important--the expertise of individual musical innovators on both sides of the Atlantic, and hidden relationships in their thoughts.Besides the common African origins of much vocabulary and structure, all the expressions of jazz in Africa share transatlantic family relationships. Within that framework, musicians are creating and re-creating jazz in never-ending Contacts and exchanges. The first of two volumes, Jazz Transatlantic, Volume I examines this transatlantic history, sociolinguistics, musicology, and the biographical study of personalities in jazz during the twentieth century. This volume traces the African and African American influences on the creation of the jazz sound and traces specific African traditions as they transform into American jazz. Kubik seeks to describe the constant mixing of sources and traditions, so he includes influences of European music in both volumes. These works will become essential and indelible parts of jazz history.

Jazz Transatlantic, Volume I: The African Undercurrent in Twentieth-Century Jazz Culture

Автор: Kubik Gerhard
Название: Jazz Transatlantic, Volume I: The African Undercurrent in Twentieth-Century Jazz Culture
ISBN: 1628462302 ISBN-13(EAN): 9781628462302
Издательство: Mare Nostrum (Eurospan)
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Цена: 13794.00 р.
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Описание:

In Jazz Transatlantic, Volume I, renowned scholar Gerhard Kubik takes the reader across the Atlantic from Africa to the Americas and then back in pursuit of the music we call jazz. This first volume explores the term itself and how jazz has been defined and redefined. It also celebrates the phenomena of jazz performance and uncovers hidden gems of jazz history. The volume offers insights gathered during Kubik's extensive field work and based on in-depth interviews with jazz musicians around the Atlantic world. Languages, world views, beliefs, experiences, attitudes, and commodities all play a role. Kubik reveals what is most important--the expertise of individual musical innovators on both sides of the Atlantic, and hidden relationships in their thoughts.

Besides the common African origins of much vocabulary and structure, all the expressions of jazz in Africa share transatlantic family relationships. Within that framework, musicians are creating and re-creating jazz in never-ending contacts and exchanges. The first of two volumes, Jazz Transatlantic, Volume I examines this transatlantic history, sociolinguistics, musicology, and the biographical study of personalities in jazz during the twentieth century. This volume traces the African and African American influences on the creation of the jazz sound and traces specific African traditions as they transform into American jazz. Kubik seeks to describe the constant mixing of sources and traditions, so he includes influences of European music in both volumes. These works will become essential and indelible parts of jazz history.


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