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New hollywood cinema, King, Geoff (professor Of Film Studies, Brunel University London, Uk)


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Автор: King, Geoff (professor Of Film Studies, Brunel University London, Uk)
Название:  New hollywood cinema
ISBN: 9781860647505
Издательство: Bloomsbury
Классификация:
ISBN-10: 1860647502
Обложка/Формат: Paperback
Страницы: 304
Вес: 0.42 кг.
Дата издания: 29.03.2002
Язык: English
Иллюстрации: 14 b/w illustrations + 5 line
Размер: 234 x 157 x 21
Читательская аудитория: Postgraduate, research & scholarly
Подзаголовок: An introduction
Рейтинг:
Поставляется из: Англии
Описание: This title looks at Hollywood from the Renaissance of the 1960s to the current dominance of the corporate blockbuster. It discusses diverse films, focusing on the interactions between different levels - including the impact on Hollywood of television and advertising.


Positioning art cinema

Автор: King, Geoff (professor Of Film Studies, Brunel University London, Uk)
Название: Positioning art cinema
ISBN: 1350260061 ISBN-13(EAN): 9781350260061
Издательство: Bloomsbury
Рейтинг:
Цена: 3860.00 р.
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Описание: From films that claim the status of harsh realism to others which embody aspects of the tradition of modernism or the poetic, art cinema encompasses a variety of work from across the globe. But how is art cinema positioned in the film marketplace, or by critics and in academic analysis? Exactly what kinds of cultural value are attributed to films of this type and how can this be explained? This book offers a unique analysis of how such processes work, including the broader cultural basis of the appeal of art cinema to particular audiences. Geoff King argues that there is no single definition of art cinema, but a number of distinct and recurrent tendencies are identified.

At one end of the spectrum are films accorded the most 'heavyweight' status, offering the greatest challenges to viewers. Others mix aspects of art cinema with more accessible dimensions such as uses of popular genre frameworks and 'exploitation' elements involving explicit sex and violence. Including case studies of key figures such as Michael Haneke, Pedro Almodovar and Jean-Pierre and Luc Dardenne, this is a crucial contribution to understanding both art cinema itself and the discourses through which its value is established.


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