Описание: Revolutionary Subjects demonstrates that East and West German literary interests in Latin America coincided with debates about the political relevance of literature in the Cold War.
Over the course of the twentieth and twenty-first centuries, Mexican American and African American cultural productions have seen a proliferation of upward mobility narratives: plotlines that describe desires for financial solvency, middle-class status, and social incorporation. Yet the terms "middle class" and "upward mobility"--often associated with assimilation, selling out, or political conservatism--can hold negative connotations in literary and cultural studies. Surveying literature, film, and television from the 1940s to the 2000s, Elda Mar a Rom n brings forth these narratives, untangling how they present the intertwined effects of capitalism and white supremacy.
Race and Upward Mobility examines how class and ethnicity serve as forms of currency in American literature, affording people of color material and symbolic wages as they traverse class divisions. Identifying four recurring character types--status seekers, conflicted artists, mediators, and gatekeepers--that appear across genres, Rom n traces how each models a distinct strategy for negotiating race and class. Her comparative analysis sheds light on the overlaps and misalignments, the shared narrative strategies, and the historical trajectories of Mexican American and African American texts, bringing both groups' works into sharper relief. Her study advances both a new approach to ethnic literary studies and a more nuanced understanding of the class-based complexities of racial identity.
Автор: Douglas Dowland Название: Weak Nationalisms: Affect and Nonfiction in Postwar America ISBN: 1496200500 ISBN-13(EAN): 9781496200501 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 6897.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Weak Nationalisms explores the complex and dynamic ways in which emotions shape the post–World War II writing of the United States and argues that reading these narratives for their affects is to read for the emotional work that takes place between the part and the whole. Douglas Dowland employs a methodology that combines innovations in affect theory with traditional close reading practices to examine nonfiction texts by Simone de Beauvoir, John Steinbeck, Charles Kuralt, and Sarah Vowell and present the ways these writers negotiate nationalism in the United States. By reading these texts for their affects, Dowland makes visible the otherwise unseen rhetorical strategies that buttress the literary construction of the United States in contemporary nonfiction and articulates the function of synecdoche in establishing "weak nationalisms." Dowland examines how, as they write about otherwise plain objects in order to evoke and describe the entire nation, these authors both embrace core tenets of liberalism in the United States and resist the hierarchies often associated with nationalism.
In showcasing how synecdoche creates affective intensities, Weak Nationalisms challenges a popular conception in literary history that nonfiction narratives of the United States merely reflect the period of their production, renews questions literary criticism asks of texts, and offers new ways in which close reading answers these questions. Further, Dowland broadens the scope of close reading with affect theory and thereby enlivens the study of texts that literary criticism might otherwise dismiss as mere receptacles of strong nationalism. In the end, this book calls upon criticism to deal more attentively to the affects of texts, regardless of their genre, and to do so in a way that appreciates the open-ended, plural, analogic nature of the emotions.
Автор: Douglas Dowland Название: Weak Nationalisms: Affect and Nonfiction in Postwar America ISBN: 1496215486 ISBN-13(EAN): 9781496215482 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 3762.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Weak Nationalisms explores the complex and dynamic ways in which emotions shape the post–World War II writing of the United States and argues that reading these narratives for their affects is to read for the emotional work that takes place between the part and the whole. Douglas Dowland employs a methodology that combines innovations in affect theory with traditional close reading practices to examine nonfiction texts by Simone de Beauvoir, John Steinbeck, Charles Kuralt, and Sarah Vowell and present the ways these writers negotiate nationalism in the United States. By reading these texts for their affects, Dowland makes visible the otherwise unseen rhetorical strategies that buttress the literary construction of the United States in contemporary nonfiction and articulates the function of synecdoche in establishing "weak nationalisms." Dowland examines how, as they write about otherwise plain objects in order to evoke and describe the entire nation, these authors both embrace core tenets of liberalism in the United States and resist the hierarchies often associated with nationalism.
In showcasing how synecdoche creates affective intensities, Weak Nationalisms challenges a popular conception in literary history that nonfiction narratives of the United States merely reflect the period of their production, renews questions literary criticism asks of texts, and offers new ways in which close reading answers these questions. Further, Dowland broadens the scope of close reading with affect theory and thereby enlivens the study of texts that literary criticism might otherwise dismiss as mere receptacles of strong nationalism. In the end, this book calls upon criticism to deal more attentively to the affects of texts, regardless of their genre, and to do so in a way that appreciates the open-ended, plural, analogic nature of the emotions.
Автор: Rampell, Palmer Название: Genres of privacy in postwar america ISBN: 1503631893 ISBN-13(EAN): 9781503631892 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4389.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
With this incisive work, Palmer Rampell reveals the surprising role genre fiction played in redefining the category of the private person in the postwar period. Especially after the Supreme Court established a constitutional right to privacy in 1965, legal scholars, judges, and the public scrambled to understand the scope of that right. Before and after the Court's ruling, authors of genre fiction and film reformulated their aliens, androids, and monsters to engage in debates about personal privacy as it pertained to issues like abortion, police surveillance, and euthanasia.
Triangulating novels and films with original archival discoveries and historical and legal research, Rampell provides new readings of Patricia Highsmith, Dorothy B. Hughes, Philip K. Dick, Octavia Butler, Chester Himes, Stephen King, Cormac McCarthy, and others. The book pairs the right of privacy for heterosexual sex with queer and proto-feminist crime fiction; racialized police surveillance at midcentury with Black crime fiction; Roe v. Wade (1973) with 1960s and 1970s science fiction; the Child Abuse Prevention and Treatment Act (1974) with horror; and the right to die with westerns. While we are accustomed to defenses of fiction for its capacity to represent fully rendered private life, Rampell suggests that we might value a certain strand of genre fiction for its capacity to theorize the meaning of the protean concept of privacy.
Описание: Abandoning the Black Hero is the first book to examine the postwar African American white-life novel—novels with white protagonists written by African Americans. These fascinating works have been understudied despite having been written by such defining figures in the tradition as Richard Wright, Zora Neale Hurston, James Baldwin, Ann Petry, and Chester Himes, as well as lesser known but formerly best-selling authors Willard Motley and Frank Yerby.John C. Charles argues that these fictions have been overlooked because they deviate from two critical suppositions: that black literature is always about black life and that when it represents whiteness, it must attack white supremacy. The authors are, however, quite sympathetic in the treatment of their white protagonists, which Charles contends should be read not as a failure of racial pride but instead as a strategy for claiming creative freedom, expansive moral authority, and critical agency.In an era when “Negro writers” were expected to protest, their sympathetic treatment of white suffering grants these authors a degree of racial privacy previously unavailable to them. White writers, after all, have the privilege of racial privacy because they are never pressured to write only about white life. Charles reveals that the freedom to abandon the “Negro problem” encouraged these authors to explore a range of new genres and themes, generating a strikingly diverse body of novels that significantly revise our understanding of mid-twentieth-century black writing.
Japan’s postwar urban imagination through the Metabolism architecture movement and visionary science fiction authors
The devastation of the Second World War gave rise to imaginations both utopian and apocalyptic. In Japan, a fascinating confluence of architects and science fiction writers took advantage of this space to begin remaking urban design. In The Metabolist Imagination, William O. Gardner explores the unique Metabolism movement, which allied with science fiction authors to foresee the global cities that would emerge in the postwar era.
This first comparative study of postwar Japanese architecture and science fiction builds on the resurgence of interest in Metabolist architecture while establishing new directions for exploration. Gardner focuses on how these innovators created unique versions of shared concepts—including futurity, megastructures, capsules, and cybercities—making lasting contributions that resonate with contemporary conversations around cyberpunk, climate change, anime, and more.
The Metabolist Imagination features original documentation of collaborations between giants of postwar Japanese art and architecture, such as the landmark 1970 Osaka Expo. It also provides the most sustained English-language discussion to date of the work of Komatsu Sakyo, considered one of the “big three” authors of postwar Japanese science fiction. These studies are underscored by Gardner’s insightful approach—treating architecture as a form of speculative fiction while positioning science fiction as an intervention into urban design—making it a necessary read for today’s visionaries.
Автор: Farebrother, Rachel Название: History of the harlem renaissance ISBN: 1108493572 ISBN-13(EAN): 9781108493574 Издательство: Cambridge Academ Рейтинг: Цена: 6653.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book presents original essays that provide comprehensive analysis of the dynamism of Harlem Renaissance literature and culture. An authoritative collection on the major writers and issues of the period, it takes stock of nearly a hundred years of Harlem Renaissance studies.
Автор: Sherman Название: From Subjects to Citizens ISBN: 1107064279 ISBN-13(EAN): 9781107064270 Издательство: Cambridge Academ Рейтинг: Цена: 12038.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book explores the shift from colonial rule to independence in India and Pakistan, with the aim of unravelling the explicit meaning and relevance of `independence` for the new citizens of India and Pakistan during the two decades post 1947.
Описание: Placing a distinct focus on the role of the sending state, this book examines the history of postwar Japan’s migration policy, linking it to the larger question of statehood and nation-building in the postwar era. Pedro Iacobelli delves into the role of states in shaping migration flows by exploring the genesis of the state-led emigration from Japan and the US-administered Ryukyu Islands to South America in the mid-20th century. The study proposes an alternative political perspective on migration history to analyze the rationale and mechanisms behind the establishment of migration programs by the sending state. To develop this perspective, the book examines the state’s emigration policies, their determinants and their execution for the Japanese and Okinawan migration programs to Bolivia in the 1950s. It argues that the post-war migration policies that established those migration flows were a result of the political cost-benefit calculations, rather than only economic factors, of the three governments involved. With its unique focus on the role of the sending state and the relationship between Japan, Okinawa and the United States, this is a valuable study for students and scholars of postwar Japan and migration history.
Описание: Revolutionary Subjects explores the literary and cultural significance of Cold War solidarities and offers insight into a substantial and under-analyzed body of German literature concerned with Latin American thought and action. It shows how literary interest in Latin America was vital for understanding oppositional agency and engaged literature in East and West Germany, where authors developed aesthetic solidarities that anticipated conceptual reorganizations of the world connoted by the transnational or the global. Through a combination of close readings, contextual analysis, and careful theoretical work, Revolutionary Subjects traces the historicity and contingency of aesthetic practices, as well as the geocultural grounds against which they unfolded, in case studies of Volker Braun, F.C. Delius, Hans Magnus Enzensberger and Heiner Muller. The book’s cultural and comparative approach offers an antidote to imprecise engagements with the transnational, historicizing critical impulses that accompany the production of disciplinary boundaries. It paves the way for more reflexive debate on the content and method of German Studies as part of a broader landscape of world literature, comparative literature and Latin American Studies.
Over the course of the twentieth and twenty-first centuries, Mexican American and African American cultural productions have seen a proliferation of upward mobility narratives: plotlines that describe desires for financial solvency, middle-class status, and social incorporation. Yet the terms "middle class" and "upward mobility"—often associated with assimilation, selling out, or political conservatism—can hold negative connotations in literary and cultural studies. Surveying literature, film, and television from the 1940s to the 2000s, Elda Mar?a Rom?n brings forth these narratives, untangling how they present the intertwined effects of capitalism and white supremacy.
Race and Upward Mobility examines how class and ethnicity serve as forms of currency in American literature, affording people of color material and symbolic wages as they traverse class divisions. Identifying four recurring character types—status seekers, conflicted artists, mediators, and gatekeepers—that appear across genres, Rom?n traces how each models a distinct strategy for negotiating race and class. Her comparative analysis sheds light on the overlaps and misalignments, the shared narrative strategies, and the historical trajectories of Mexican American and African American texts, bringing both groups' works into sharper relief. Her study advances both a new approach to ethnic literary studies and a more nuanced understanding of the class-based complexities of racial identity.
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