Описание: Create the flower arrangements of your dreams to keep at home, take to the office, or display on any special occasion using the simple tips and tricks and masterful techniques taught by Executive Director and professor Calvert Crary and the master florists at FlowerSchool New York. FlowerSchool New York is one of the world's premiere institutes for floral design and artistry, offering career development courses certified by the New York State Board of Education, and exclusive master class programs taught by celebrated master florists including Kiana Underwood, Remco Van Vliet, Lewis Miller, Emily Thompson, and Ingrid Carozzi. Now, for the first time, FlowerSchool Executive Director Calvert Crary is publishing a book that will make it possible for even the greenest at-home arrangers to create gorgeous, Instagram worthy bouquets. This hands-on, comprehensive guide provides readers with step-by-step instructions that cover all the most crucial aspects of flower arranging, including:
How to buy the best flowers and how to get the best prices
Selecting your flowers based on texture, color, and seasonality
Conditioning your flowers to ensure they last as long as possible
Pairing your flowers with the right vase
Creating arrangements in a wide variety of styles that will work for any occasion
Including advice from the school's well-respected master florists, and featuring beautiful color photographs of each unique arrangement, Flower School offers invaluable, insider tips and tricks that can only be gained through years of experience, providing readers with the fundamental tools and education they need to create homemade floral arrangements that are on par with any professional design.
Автор: Barnett Richard Bright Sheena Calvert Na Название: The Art of Science: The Interwoven History of Two Disciplines ISBN: 1787394565 ISBN-13(EAN): 9781787394568 Издательство: Carlton Books Рейтинг: Цена: 4752.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The Art of Science explores the work of forty artists and artist-scientists whose work has furthered and made visible the relationship between these fields.
Описание: Conceptual Modeling for NoSQL Data Stores (CoMoNoS) 2021.- Mapping Multidimensional Schemas to Property Graph Models.- Designing Document Databases: A Comprehensive Requirements Perspective.- An integrated approach for column-oriented database application evolution using conceptual models.- Athena: A Database-Independent Schema Definition Language.- Empirical Methods in Conceptual Modeling (EmpER) 2021.- Articulating Conceptual Modeling Research Contributions.- Inter-Generational Family Reconstitution with Enriched Ontologies.- Towards AI Assisted Domain Modeling.- Conceptual Modeling for Life Sciences (CMLS) 2021.- The Notion of "System" as a Core Conceptual Modeling Construct for Life Sciences.- Characterization and Treatment of the Temporal Dimension of Genomic Variations: a Conceptual Model-based approach.- Extension of the Genomic Conceptual Model to integrate Genome-Wide Association Studies.- Design of an Adaptable mHealth System Supporting a Psycho-Educational Program for Pregnant Women with SGA Foetuses.
Автор: Shazia Gurgani, Suhail Mohd Jogi Название: Fundamentals of Clinical Nursing ISBN: 9389776783 ISBN-13(EAN): 9789389776782 Издательство: JayPee Brothers India Рейтинг: Цена: 3637.00 р. Наличие на складе: Нет в наличии.
Описание: Designed to help students to perform effectively and efficiently in clinical settings. The goal of the publication is to provide the student with tools for record keeping in nursing profession. The contents and procedures in this book are designed for clinical purposes only.
Автор: Calvert-davies, Shazia Название: Breast cancer smiles ISBN: 1528907760 ISBN-13(EAN): 9781528907767 Издательство: Неизвестно Рейтинг: Цена: 3166.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: On a cold day in February, 2018, Shazia goes from a tennis court in the morning to a hospital in the afternoon where she is diagnosed with an aggressive form of breast cancer. As her journey unfolds, humour becomes her crutch, writing becomes her tool and a powerful connection to her South Asian roots becomes her purpose. This isn't a tale of cancer and the devastation it undoubtedly brings. It's the story of a life-altering journey enriched by time. Shazia tells a tale of re-birth swathed in love, humour and pain. She unveils the shame of breast cancer in her birth culture that is killing women before their time. In her birthplace, Pakistan, cancer is casually known as 'the kiss of death'. For Shazia, it is quite the opposite. This is life through a different lens and a questioning of the status quo. Her musings provoke debate and challenge existing beliefs, holding up a different mirror to society. These chronicles are written during 18 months of chemotherapy, sepsis, surgery and radiotherapy. They are written with hope and an intermittent smile.
While news reports about Pakistan tend to cover Taliban attacks and bombings, and academics focus on security issues, the environment often takes a backseat in media reportage and scholarship. In particular, Pakistani women’s attachment to their environment and their environmental concerns are almost always ignored. Shazia Rahman traces the ways in which Pakistani women explore alternative, environmental modes of belonging, examines the vitality of place-based identities within Pakistani culture, and thereby contributes to evolving understandings of Pakistani women—in relation to both their environment and to various discourses of nation and patriarchy.
Through an astute analysis of such works as Sabiha Sumar’s Khamosh Pani (2003), Mehreen Jabbar’s Ramchand Pakistani (2008), Sorayya Khan’s Noor (2006), Uzma Aslam Khan’s Trespassing (2003), and Kamila Shamsie’s Burnt Shadows (2009), Rahman illuminates how Pakistani women’s creative works portray how people live with one another, deal with their environment, and intuit their relationship with the spiritual. She considers how literary and cinematic documentation of place-based identities simultaneously critiques and counters stereotypes of Pakistan as a country of religious nationalism and oppressive patriarchy. Rahman’s analysis discloses fresh perspectives for thinking about the relationship between social and environmental justice.
While news reports about Pakistan tend to cover Taliban attacks and bombings, and academics focus on security issues, the environment often takes a backseat in media reportage and scholarship. In particular, Pakistani women’s attachment to their environment and their environmental concerns are almost always ignored. Shazia Rahman traces the ways in which Pakistani women explore alternative, environmental modes of belonging, examines the vitality of place-based identities within Pakistani culture, and thereby contributes to evolving understandings of Pakistani women—in relation to both their environment and to various discourses of nation and patriarchy.
Through an astute analysis of such works as Sabiha Sumar’s Khamosh Pani (2003), Mehreen Jabbar’s Ramchand Pakistani (2008), Sorayya Khan’s Noor (2006), Uzma Aslam Khan’s Trespassing (2003), and Kamila Shamsie’s Burnt Shadows (2009), Rahman illuminates how Pakistani women’s creative works portray how people live with one another, deal with their environment, and intuit their relationship with the spiritual. She considers how literary and cinematic documentation of place-based identities simultaneously critiques and counters stereotypes of Pakistan as a country of religious nationalism and oppressive patriarchy. Rahman’s analysis discloses fresh perspectives for thinking about the relationship between social and environmental justice.
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