Ancient and medieval labyrinths embody paradox, according to Penelope Reed Doob. Their structure allows a double perspective—the baffling, fragmented prospect confronting the maze-treader within, and the comprehensive vision available to those without. Mazes simultaneously assert order and chaos, artistry and confusion, articulated clarity and bewildering complexity, perfected pattern and hesitant process. In this handsomely illustrated book, Doob reconstructs from a variety of literary and visual sources the idea of the labyrinth from the classical period through the Middle Ages.
Doob first examines several complementary traditions of the maze topos, showing how ancient historical and geographical writings generate metaphors in which the labyrinth signifies admirable complexity, while poetic texts tend to suggest that the labyrinth is a sign of moral duplicity. She then describes two common models of the labyrinth and explores their formal implications: the unicursal model, with no false turnings, found almost universally in the visual arts; and the multicursal model, with blind alleys and dead ends, characteristic of literary texts. This paradigmatic clash between the labyrinths of art and of literature becomes a key to the metaphorical potential of the maze, as Doob's examination of a vast array of materials from the classical period through the Middle Ages suggests. She concludes with linked readings of four "labyrinths of words": Virgil's Aeneid, Boethius' Consolation of Philosophy, Dante's Divine Comedy, and Chaucer's House of Fame, each of which plays with and transforms received ideas of the labyrinth as well as reflecting and responding to aspects of the texts that influenced it.
Doob not only provides fresh theoretical and historical perspectives on the labyrinth tradition, but also portrays a complex medieval aesthetic that helps us to approach structurally elaborate early works. Readers in such fields as Classical literature, Medieval Studies, Renaissance Studies, comparative literature, literary theory, art history, and intellectual history will welcome this wide-ranging and illuminating book.
Описание: This book will interest anyone who wants to better understand the period spanning the end of the Roman Empire and the birth of medieval civilization. It is a unique, far-reaching study that goes beyond synthesis to propose a new paradigm for urban evolution across the Roman world.
Описание: Apocalypse and Reform from Late Antiquity to the Middle Ages provides the ideal introduction to what reformist apocalypticism meant for the formation of Medieval Europe, from the Fall of Rome to the twelfth century.
Millennium transcends boundaries – between epochs and regions, and between disciplines. Like the Millennium-Jahrbuch, the journal Millennium-Studien pursues an international, interdisciplinary approach that cuts across historical eras. Composed of scholars from various disciplines, the editorial and advisory boards welcome submissions from a range of fields, including history, literary studies, art history, theology, and philosophy. Millennium-Studien also accepts manuscripts on Latin, Greek, and Oriental cultures.
In addition to offering a forum for monographs and edited collections on diverse topics, Millennium-Studien publishes commentaries and editions. The journal primary accepts publications in German and English, but also considers submissions in French, Italian, and Spanish.
If you want to submit a manuscript please send it to the editor from the most relevant discipline:
Wolfram Brandes, Frankfurt (Byzantine Studies and Early Middle Ages): brandes@rg.mpg.de
Описание: Research on early medieval Cyprus has focused on the late antique `golden age` (late fourth/early fifth to seventh century) and the so-called Byzantine `reconquista` (post-965 AD) while overlooking the intervening period. This phase was characterized, supposedly, by the division of the political sovereignty between the Umayyads and the Byzantine
Автор: Matthew Gabriele, James T. Palmer Название: Apocalypse and Reform from Late Antiquity to the Middle Ages ISBN: 113868404X ISBN-13(EAN): 9781138684041 Издательство: Taylor&Francis Рейтинг: Цена: 6123.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Apocalypse and Reform from Late Antiquity to the Middle Ages provides the ideal introduction to what reformist apocalypticism meant for the formation of Medieval Europe, from the Fall of Rome to the twelfth century.
Описание: A high-level scholarly collection of articles on the transmission of knowledge and culture from a Mediterranean world politically fragmented by the fall of the western Roman empire and Islamic expansion into Latin Europe, 400-800 AD.
Автор: Murnaghan Sheila Название: Disguise and Recognition in the Odyssey ISBN: 0739129538 ISBN-13(EAN): 9780739129531 Издательство: Bloomsbury Рейтинг: Цена: 12920.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book is a comprehensive study of the Odyssey`s plot, which shows how the motifs of disguise and recognition are used to articulate the central values of Homeric society. The story of Odysseus` homecoming is discussed in relation to family dynamics, heroic competition, the social institutions of marriage and hospitality, gender relations, and the enduring power of song.
Автор: Glowinski, Michal Название: Myths in disguise ISBN: 3631674309 ISBN-13(EAN): 9783631674307 Издательство: Peter Lang Рейтинг: Цена: 9511.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
This book presents a collection of essays discussing a history of the five myths of Dionysus, Narcissus, Prometheus, Marcolf, and Labyrinth in twentieth-century literature. The author traces their transformations against the wider backdrop of Polish and European literature. The book is an excellent, thought-provoking lesson in understanding the signs of contemporary culture and a fascinating journey through its complex trails.
This important book [...] is a helpful guide to thinking with things and teaching with things. Each entry challenges the reader to approach objects as historical actors that can speak to the changes and continuities of life in the late antique and early medieval world. ? Early Medieval Europe
Fifty Early Medieval Things introduces readers to the material culture of late antique and early medieval Europe, north Africa, and western Asia. Ranging from Iran to Ireland and from Sweden to Tunisia, Deborah Deliyannis, Hendrik Dey, and Paolo Squatriti present fifty objects—artifacts, structures, and archaeological features—created between the fourth and eleventh centuries, an ostensibly "Dark Age" whose cultural richness and complexity is often underappreciated. Each thing introduces important themes in the social, political, cultural, religious, and economic history of the postclassical era.
Some of the things, like a simple ard (plow) unearthed in Germany, illustrate changing cultural and technological horizons in the immediate aftermath of Rome's collapse; others, like the Arabic coin found in a Viking burial mound, indicate the interconnectedness of cultures in this period. Objects such as the Book of Kells and the palace-city of Anjar in present-day Jordan represent significant artistic and cultural achievements; more quotidian items (a bone comb, an oil lamp, a handful of chestnuts) belong to the material culture of everyday life. In their thing-by-thing descriptions, the authors connect each object to both specific local conditions and to the broader influences that shaped the first millennium AD, and also explore their use in modern scholarly interpretations, with suggestions for further reading.
Lavishly illustrated and engagingly written, Fifty Early Medieval Things demonstrates how to read objects in ways that make the distant past understandable and approachable.
Автор: Garipzanov, Ildar (professor Of Medieval History, Department Of Archaeology, Conservation And History University Of Oslo) Название: Graphic signs of authority in late antiquity and the early middle ages, 300-900 ISBN: 0198815018 ISBN-13(EAN): 9780198815013 Издательство: Oxford Academ Рейтинг: Цена: 18216.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Graphic Signs of Authority in Late Antiquity and the Early Middle Ages offers a cultural history of the graphic monogrammatic tools from antiquity to the Middle Ages. It examines the sign of the cross, christograms, monograms, and other similar devices, and how they were used during a time of great socio-political and religious change.
Описание: Our imagination reveals our experience of ourselves and our world. The late philosopher of science and poetry Gaston Bachelard introduced the notion that each image that comes to mind spontaneously is a visual representation of the cognitive and affective pattern that is moving us at the time - often unconsciously. When such a mental image inspires a picture or text, it evokes in the mind of the reader or beholder a replication of the internal pattern that originally inspired the artist or writer. Thus mental images are rarely empty phantasies. Whereas intellectual concepts are conscious constructions of abstracted relations, mental images evoked by texts and pictures often point - like dreams - to pre-verbal experience that patterns itself through multiplying associations and analogies. These mental images can also manifest their own limits, pointing indirectly to experiences beyond what can be expressed and communicated. The six essays in this volume seek to uncover the dynamic patterns in verbal and pictorial images and to evaluate their potentialities and limitations. Thematically ordered according to their specific focus, the essays begin with material images and move on to increasing degrees of immateriality. The subjects treated are: verbal descriptions of an icon and of a statue; imaginative visions and auditions evoked by material depictions; verbal imagery describing imagined sculptures and scenes as compared with drawings of a moving historical pageant; drawings of symbolic figures representing subtle relationships between verbal expositions that cannot be syntactically represented; dream images that precipitate actual healing; and aural patterns in a sounded text that are experienced as 'images' of affective dynamisms.
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