Описание: In this intellectual history, Minkah Makalani reveals how early-twentieth-century black radicals organized an international movement centered on ending racial oppression, colonialism, class exploitation, and global white supremacy. Focused primarily on two organizations, the Harlem-based African Blood Brotherhood, whose members became the first black Communists in the United States, and the International African Service Bureau, the major black anticolonial group in 1930s London, In the Cause of Freedom examines the ideas, initiatives, and networks of interwar black radicals, as well as how they communicated across continents.Through a detailed analysis of black radical periodicals and extensive research in U.S., English, Dutch, and Soviet archives, Makalani explores how black radicals thought about race; understood the ties between African diasporic, Asian, and international workers' struggles; theorized the connections between colonialism and racial oppression; and confronted the limitations of international leftist organizations. Considering black radicals of Harlem and London together for the first time, In the Cause of Freedom reorients the story of blacks and Communism from questions of autonomy and the Kremlin's reach to show the emergence of radical black internationalism separate from, and independent of, the white Left.
Описание: This collection of essays stems from the conference 'Internationalism and the Arts: Anglo-European Cultural Exchange at the Fin de Si cle' held at Magdalene College, Cambridge, in July 2006. The growth of internationalism in Europe at the fin de si cle encouraged confidence in the possibility of peace. A wartorn century later, it is easy to forget such optimism. Flanked by the Franco-Prussian war and the First World War, the late nineteenth and early twentieth centuries were marked by rising militarism. Themes of national consolidation and aggression have become key to any analysis of the period. Yet despite the drive towards political and cultural isolation, transnational networks gathered increasing support. This book examines the role played by artists, writers, musicians and intellectuals in promoting internationalism. It explores the range of individuals, media and movements involved, from cosmopolitan characters such as Walter Sickert and Henri La Fontaine, through internationalist art societies, to periodicals, performance, and the mobility of the Arts and Crafts Movement. The discussion takes in the geographical breadth of Europe, incorporating Belgium, Bohemia, Britain, France, Germany, Hungary, Italy, Norway, Poland, Russia and Slovakia. Drawing on the work of scholars from across Europe and America, the collection makes a statement about the complexity of European identities at the fin de si cle, as well as about the possibilities for interdisciplinary research in our own era.
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