What Is Life?: The Intellectual Pertinence of Erwin Schrцdinger, Gumbrecht Hans Ulrich, Harrison Robert Pogue, Laughlin Robert B.
Автор: Gumbrecht Hans Ulrich, Harrison Robert Pogue, Laughlin Robert B. Название: What Is Life?: The Intellectual Pertinence of Erwin Schradinger ISBN: 080476915X ISBN-13(EAN): 9780804769150 Издательство: Wiley EDC Рейтинг: Цена: 9953.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Erwin Schr?dinger (1887–1961) is best known as a co-recipient of the 1933 Nobel Prize in Physics for his development of a mathematical description of quantum mechanics. Today, many experts also consider him the father of bioengineering, and philosophers grant him an important role in the development of an ecological philosophy of nature. Here, four leading scientists and humanists reveal the ongoing contributions of Schr?dinger's thought and unfold its controversial potential. They remind us that, in addition to being a great scientist, Schr?dinger was also a great thinker whose intellectual provocations far exceed his historical impact. Their insights will be valued by biologists, philosophers, physicists—and a wide range of the scientifically curious alike.
Автор: Gumbrecht Hans Ulrich Название: Prose of the World: Denis Diderot and the Periphery of Enlightenment ISBN: 1503615251 ISBN-13(EAN): 9781503615250 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4389.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
A lively examination of the life and work of one of the great Enlightenment intellectuals
Philosopher, translator, novelist, art critic, and editor of the Encyclopedie, Denis Diderot was one of the liveliest figures of the Enlightenment. But how might we delineate the contours of his diverse oeuvre, which, unlike the works of his contemporaries, Voltaire, Rousseau, Schiller, Kant, or Hume, is clearly characterized by a centrifugal dynamic?
Taking Hegel's fascinated irritation with Diderot's work as a starting point, Hans Ulrich Gumbrecht explores the question of this extraordinary intellectual's place in the legacy of the eighteenth century. While Diderot shared most of the concerns typically attributed to his time, the ways in which he coped with them do not fully correspond to what we consider Enlightenment thought. Conjuring scenes from Diderot's by turns turbulent and quiet life, offering close readings of several key books, and probing the motif of a tension between physical perception and conceptual experience, Gumbrecht demonstrates how Diderot belonged to a vivid intellectual periphery that included protagonists such as Lichtenberg, Goya, and Mozart. With this provocative and elegant work, he elaborates the existential preoccupations of this periphery, revealing the way they speak to us today.
Автор: Gumbrecht Hans Ulrich Название: Crowds: The Stadium as a Ritual of Intensity ISBN: 1503628833 ISBN-13(EAN): 9781503628830 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 1756.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Anyone who has ever experienced a sporting event in a large stadium knows the energy that emanates from stands full of fans cheering on their teams. Although "the masses" have long held a thoroughly bad reputation in politics and culture, literary critic and avid sports fan Hans Ulrich Gumbrecht finds powerful, as yet unexplored reasons to sing the praises of crowds. Drawing on his experiences as a spectator in the stadiums of South America, Germany, and the US, Gumbrecht presents the stadium as "a ritual of intensity," thereby offering a different lens through which we might capture and even appreciate the dynamicof the masses.
In presenting this alternate view, Gumbrecht enters into conversation with thinkers who were more critical of the potential of the masses, such as Gustave Le Bon, Friedrich Nietzsche, Sigmund Freud, Jos Ortega y Gasset, Elias Canetti, Siegfried Kracauer, T. W. Adorno, or Max Horkheimer. A preface explores college crowds as a uniquely specific phenomenon of American culture.
Pairing philosophical rigor with the enthusiasm of a true fan, Gumbrecht writes from the inside and suggests that being part of a crowd opens us up to an experience beyond ourselves.
Автор: Gumbrecht Hans Ulrich Название: After 1945: Latency as Origin of the Present ISBN: 080478518X ISBN-13(EAN): 9780804785181 Издательство: Wiley EDC Рейтинг: Цена: 5491.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: What is it the legacy that humankind has been living with since 1945? We were once convinced that time was the agent of change. But in the past decade or two, our experience of time has been transformed. Technology preserves and inundates us with the past, and we perceive our future as a set of converging and threatening inevitabilities: nuclear annihilation, global warming, overpopulation. Overwhelmed by these horizons, we live in an ever broadening present. In identifying the prevailing mood of the post-World War II decade as that of "latency," Gumbrecht returns to the era when this change in the pace and structure of time emerged and shows how it shaped the trajectory of his own postwar generation. Those born after 1945, and especially those born in Germany, would have liked nothing more than to put the catastrophic events and explosions of the past behind them, but that possibility remained foreclosed or just out of reach. World literatures and cultures of the postwar years reveal this to have been a broadly shared predicament: they hint at promises unfulfilled and obsess over dishonesty and bad faith; they transmit the sensation of confinement and the inability to advance. After 1945 belies its theme of entrapment. Gumbrecht has never been limited by narrow disciplinary boundaries, and his latest inquiry is both far-ranging and experimental. It combines autobiography with German history and world-historical analysis, offering insightful reflections on Samuel Beckett and Paul Celan, detailed exegesis of the thought of Martin Heidegger and Jean Paul Sartre, and surprising reflections on cultural phenomena ranging from Edith Piaf to the Kinsey Report. This personal and philosophical take on the last century is of immediate relevance to our identity today.
Автор: Gumbrecht Hans Ulrich Название: Atmosphere, Mood, Stimmung ISBN: 0804781222 ISBN-13(EAN): 9780804781220 Издательство: Wiley EDC Рейтинг: Цена: 3087.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
What are the various atmospheres or moods that the reading of literary works can trigger? Hans Ulrich Gumbrecht has long argued that the function of literature is not so much to describe, or to re-present, as to make present. Here, he goes one step further, exploring the substance and reality of language as a material component of the world—impalpable hints, tones, and airs that, as much as they may be elusive, are no less matters of actual fact.
Reading, we discover, is an experiencing of specific moods and atmospheres, or Stimmung. These moods are on a continuum akin to a musical scale. They present themselves as nuances that challenge our powers of discernment and description, as well as language's potential to capture them. Perhaps the best we can do is to point in their direction. Conveying personal encounters with poetry, song, painting, and the novel, this book thus gestures toward the intangible and in the process, constitutes a bold defense of the subjective experience of the arts.
Автор: Gumbrecht Hans Ulrich Название: Atmosphere, Mood, Stimmung ISBN: 0804781214 ISBN-13(EAN): 9780804781213 Издательство: Wiley EDC Рейтинг: Цена: 9953.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
What are the various atmospheres or moods that the reading of literary works can trigger? Hans Ulrich Gumbrecht has long argued that the function of literature is not so much to describe, or to re-present, as to make present. Here, he goes one step further, exploring the substance and reality of language as a material component of the world—impalpable hints, tones, and airs that, as much as they may be elusive, are no less matters of actual fact.
Reading, we discover, is an experiencing of specific moods and atmospheres, or Stimmung. These moods are on a continuum akin to a musical scale. They present themselves as nuances that challenge our powers of discernment and description, as well as language's potential to capture them. Perhaps the best we can do is to point in their direction. Conveying personal encounters with poetry, song, painting, and the novel, this book thus gestures toward the intangible and in the process, constitutes a bold defense of the subjective experience of the arts.
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