Has censorship always been a threat to authorship and artistic production? How did the mass market, the reading public, political or economic concerns influence authors’ creativity and literary production in the late nineteenth century? Was self-censorship an individual choice based on voluntary action or fear in the period? How and to what extent did censorship have an impact on the content, form and structure of the novel genre? This book addresses these pivotal questions and examines the transforming notion of authorship, literary production and censorship with a particular focus on England, Norway and the Ottoman Empire. In the novel genre, George Gissing’s New Grub Street (1891), Knut Hamsun’s Sult (1890) and Halit Ziya Us?akl?gil’s Mai ve Siyah (1898) portray the changing conditions of art and the artist and draws attention to the pressing need for artistic autonomy, self-expression and creativity in the period.
Описание: Animals, Museum Culture and Children’s Literature in Nineteenth-Century Britain: Curious Beasties explores the relationship between the zoological and palaeontological specimens brought back from around the world in the long nineteenth century—be they alive, stuffed or fossilised—and the development of children’s literature at this time. Children’s literature emerged as dizzying numbers of new species flooded into Britain with scientific expeditions, from giraffes and hippopotami to kangaroos, wombats, platypuses or sloths. As the book argues, late Georgian, Victorian and Edwardian children’s writers took part in the urge for mass education and presented the world and its curious creatures to children, often borrowing from their museum culture and its objects to map out that world. This original exploration illuminates how children’s literature dealt with the new ordering of the world, offering a unique viewpoint on the construction of science in the long nineteenth century.
Описание: Using the U.S. as a case study, Literature in the Making examines the public life of literature between the late eighteenth century and the early twentieth century.
Описание: In this engaging new study, Claire White reveals how representations of work and leisure became the vehicle for anxieties and fantasies about class and alienation, affecting, in turn, the ways in which writers and artists understood their own cultural work.
Автор: White Claire Название: Work and Leisure in Late Nineteenth-century French Literatur ISBN: 1137373067 ISBN-13(EAN): 9781137373069 Издательство: Springer Рейтинг: Цена: 12577.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In this engaging new study, Claire White reveals how representations of work and leisure became the vehicle for anxieties and fantasies about class and alienation, affecting, in turn, the ways in which writers and artists understood their own cultural work.
Описание: No Place in Time: The Hebraic Myth in Late-Nineteenth-Century American Literature examines how the Hebraic myth, in which Jewishness became a metaphor for an ancient, pre-Christian past, was reimagined in nineteenth-century American realism. The Hebraic myth, while integral to a Protestant understanding of time, was incapable of addressing modern Jewishness, especially in the context of the growing social and national concern around the ""Jewish problem."" Sharon B. Oster shows how realist authors consequently cast Jews as caught between a distant past and a promising American future. In either case, whether creating or disrupting temporal continuity, Jewishness existed outside of time. No Place in Time complicates the debates over Eastern European immigration in the 1880s and questions of assimilation to a Protestant American culture. The first chapter begins in the world of periodicals, an interconnected literary culture, out of which Abraham Cahan emerged as a literary voice of Jewish immigrants caught between nostalgia and a messianic future outside of linear progression. Moving from the margins to the center of literary realism, the second chapter revolves around Henry James's modernization of the ""noble Hebrew"" as a figure of mediation and reconciliation. The third chapter extends this analysis into the naturalism of Edith Wharton, who takes up questions of intimacy and intermarriage, and places ""the Jew"" at the nexus of competing futures shaped by uncertainty and risk. A number of Jewish female perspectives are included in the fourth chapter that recasts plots of cultural assimilation through intermarriage in terms of time: if a Jewish past exists in tension with an American future, these writers recuperate the ""Hebraic myth"" for themselves to imagine a viable Jewish future. No Place in Time ends with a brief look at poet Emma Lazarus, whose understanding of Jewishness was distinctly modern, not nostalgic, mythical, or dead. No Place in Time highlights a significant shift in how Jewishness was represented in American literature, and, as such, raises questions of identity, immigration, and religion. This volume will be of interest to scholars of nineteenth- and turn-of-the-century American literature, American Jewish literature, and literature as it intersects with immigration, religion, or temporality, as well as anyone interested in Jewish studies.
Описание: This book examines the intersections among literary works by Elizabeth Barrett Browning, Mary Shelley and Wilkie Collins, journalism, parliamentary records and pamphlets, to establish Britain`s imaginative investment in the seismic geopolitical realignment of Italian unification.
Автор: Sanders Название: The Brother-Sister Culture in Nineteenth-Century Literature ISBN: 0333749308 ISBN-13(EAN): 9780333749302 Издательство: Springer Рейтинг: Цена: 13974.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This text argues that brother sister relationships, idealized by the Romantics, intensified in 19th-century English domestic culture, and is a neglected key to understanding Victorian gender relations. The final chapter shows how the brother sister bond was changed by the the First World War.
Автор: Adelman, Richard (university Of Sussex) Название: Cambridge studies in nineteenth-century literature and culture ISBN: 1108424139 ISBN-13(EAN): 9781108424134 Издательство: Cambridge Academ Рейтинг: Цена: 14256.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book explores the failure of the Romantic critique of political economy by following changing conceptions of idleness and aesthetic consciousness from Shelley to Freud. Richard Adelman delivers an innovative study of cultural politics between 1815 and 1900 that shines new light on the complex legacy of Romantic thought.
Описание: Reimagines the American 19th century through a sweeping interdisciplinary engagement with oceans, genres, and time Emergent Worlds re-locates nineteenth-century America from the land to the oceans and seas that surrounded it. Edward Sugden argues that these ocean spaces existed in a unique historical fold between the transformations that inaugurated the modern era—colonialism to nationalism, mercantilism to capitalism, slavery to freedom, and deferent subject to free citizen. As travellers, workers, and writers journeyed across the Pacific, Atlantic, and Caribbean Sea, they had to adapt their political expectations to the interstitial social realities that they saw before them while also feeling their very consciousness, particularly their perception of time, mutate. These four domains—oceanic geography, historical folds, emergent politics, and dissonant times—in turn, provided the conditions for the development of three previously unnamed genres of the 1850s: the Pacific elegy, the black counterfactual, and the immigrant gothic. In telling the history of these emergent worlds and their importance to the development of the literary cultures of the US Americas, Sugden proposes narratives that alter some of the most enduring myths of the field, including the westward spread of US imperialism, the redemptionist trajectory of black historiography, and the notion that the US Americas constituted a new world. Introducing a new generic vocabulary for describing the literature of the 1850s and crossing over oceans and languages, Emergent Worlds invokes an alternative nineteenth-century America that provides nothing less than a new way to read the era.
Автор: S. Malton Название: Forgery in Nineteenth-Century Literature and Culture ISBN: 1349376965 ISBN-13(EAN): 9781349376964 Издательство: Springer Рейтинг: Цена: 10760.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Malton examines the literary and cultural representation of the financial crime of forgery from the time of massive executions of forgers during the early nineteenth century to the forger`s emergence as the ultimate criminal aesthete at the fin-de-siecle.
A transnational approach to Risorgimento culture's contentious and exhilarating nation-building enterprise
Key Features
Re-imagines the parameters and duration of the relationship between the Risorgimento and British culture to revitalise critical engagement with the political dimension of nineteenth-century Anglo-Italian studies
Maps the emergence and evolution of major nineteenth-century forms and genres according to the reverberations of Italian politics that shaped the literary landscape
Covers a wide range of diverse sources, including fiction, poetry and polemical and journalistic non-fiction prose, adding to an existing critical debate focused on poetry
Rethinks nineteenth-century British political debates surrounding liberalism, the nation and the rights of citizens and refugees in light of the seismic geopolitical shift of Italian unification
Crossing borders, political divides and genres, this book examines the intersections among literary works by Elizabeth Barrett Browning, Mary Shelley and Wilkie Collins, journalism, parliamentary records and pamphlets, to establish Britain's imaginative investment in the seismic geopolitical realignment of Italian unification.
Revitalising critical narratives surrounding the mutually constitutive Anglo-Italian relationship, Cove argues that forging a new state demands both making and unmaking; as the Risorgimento re-mapped Europe's geopolitical reality, it also reframed how the British saw themselves, their politics and their place within Europe.
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