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Colour films in britain, Street, Sarah (university Of Bristol, Uk) Johnston, Keith M. (university Of East Anglia, Uk) Frith, Paul (university Of East Anglia, Uk) Rickards, Car


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Автор: Street, Sarah (university Of Bristol, Uk) Johnston, Keith M. (university Of East Anglia, Uk) Frith, Paul (university Of East Anglia, Uk) Rickards, Car
Название:  Colour films in britain
ISBN: 9781911239574
Издательство: Bloomsbury
Классификация:


ISBN-10: 1911239570
Обложка/Формат: Paperback
Страницы: 384
Вес: 1.05 кг.
Дата издания: 16.12.2021
Серия: Arts
Язык: English
Иллюстрации: 153 colour illus; 153 colour illus
Размер: 157 x 233 x 18
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: Cinema industry,Cinematography, television camerawork,Films, cinema, PERFORMING ARTS / Film & Video / Direction & Production,PERFORMING ARTS / Film & Video / General,PERFORMING ARTS / Film & Video / History & Criticism
Подзаголовок: The eastmancolor revolution
Рейтинг:
Поставляется из: Англии
Описание: The story of Eastmancolors arrival on the British filmmaking scene is one of intermittent trial and error, intense debate and speculation before gradual acceptance. This book traces the journey of its adoption in British Film and considers its lasting significance as one of the most important technical innovations in film history. Through original archival research and interviews with key figures within the industry, the authors examine the role of Eastmancolor in relation to key areas of British cinema since the 1950s; including its economic and structural histories, different studio and industrial strategies, and the wider aesthetic changes that took place with the mass adoption of colour. Their analysis of British cinema through the lens of colour produces new interpretations of key British film genres including social realism, historical and costume drama, science fiction, horror, crime, documentary and even sex films. They explore how colour communicated meaning in films ranging from the Carry On series to Monty Pythons Life of Brian (1979), from Lawrence of Arabia (1962) to A Passage to India (1984), and from Goldfinger (1964) to 1984 (1984), and in the work of key directors and cinematographers of both popular and art cinema including Nicolas Roeg, Ken Russell, Ridley Scott, Peter Greenaway and Chris Menges.



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