Still Modernism: Photography, Literature, Film, Hornby Louise
Автор: Hornby Louise Название: Still Modernism: Photography, Literature, Film ISBN: 0190661224 ISBN-13(EAN): 9780190661229 Издательство: Oxford Academ Рейтинг: Цена: 27301.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Casting new light on the relationship between photography and film, Still Modernism articulates the struggle between the still and the kinetic at the center of modernist culture.
Описание: The American Roadside in ?migr? Literature, Film, and Photography: 1955–1985 traces the origin of a postmodern iconography of mobile consumption equating roadside America with an authentic experience of the United States through the postwar road narrative, a narrative which, Elsa Court argues, has been shaped by and through white male ?migr? narratives of the American road, in both literature and visual culture. While stressing that these narratives are limited in their understanding of the processes of exclusion and unequal flux in experiences of modern automobility, the book works through four case studies in the American works of European-born authors Vladimir Nabokov, Robert Frank, Alfred Hitchcock, and Wim Wenders to unveil an early phenomenology of the postwar American highway, one that anticipates the works of late-twentieth-century spatial theorists Jean Baudrillard, Michel Foucault, and Marc Aug? and sketches a postmodern aesthetic of western mobility and consumption that has become synonymous with contemporary America.
Popular Modernism and Its Legacies reconfigures modernist studies to investigate how modernist concepts, figures, and aesthetics continue to play essential--though often undetected--roles across an array of contemporary works, genres, and mediums.
Featuring both established and emerging scholars, each of the book's three sections offers a distinct perspective on popular modernism. The first section considers popular modernism in periods historically associated with the movement, discovering hidden connections between traditional forms of modernist literature and popular culture. The second section traces modernist genealogies from the past to the contemporary era, ultimately revealing that immensely popular contemporary works, artists, and genres continue to engage and thereby renew modernist aesthetics and values. The final section moves into the 21st century, discovering how popular works invoke modernist techniques, texts, and artists to explore social and existential quandaries in the contemporary world.
Concluding with an afterword from noted scholar Faye Hammill, Popular Modernism and Its Legacies reshapes the study of modernism and provides new perspectives on important works at the center of our cultural imagination.
Описание: Textual Exposures: Photography in Twentieth Century Spanish American Narrative Fiction examines how twentieth-century Spanish American literature has registered photographys powers and limitations, and the creative ways in which writers of this region of the Americas have elaborated in fictional form the conventions and assumptions of this medium. While the book is essentially a study of literary criticism, it also aims to show how texts critically reflect upon the media environment in which they were created. The writings analyzed enter a dialogic relation with visual technologies such as the x-ray, cinema, illustrated journalism, and television. The study examines how these technologies, historically and aesthetically linked to the photographic medium, inform the works of some of the most important writers in Latin America. Methodologically, the close readings of the texts centre on the figure of ekphrasis (defined as the verbal representation of a visual representation). The book is concerned with the thematic, symbolic, structural and cultural imprints photography leaves in narrative texts. The author relies on an immanent approach, reading the selected texts according to their own specificities and making the relevant thematic and structural connections between them drawing from a variety of sources in the fields of literary criticism and theory and history of photography.
Chapter One: Introduction By the Way: The Roadside as Other Space.- Chapter Two: "Stationary Trivialities" Life on the Margins in Vladimir Nabokov's Lolita (1955).- Chapter Three: "Roadside Eye" Accidents and Epiphanies in Robert Frank's The Americans (1958).- Chapter Four: "We're all in our private traps" Alfred Hitchcock's Psycho (1960) and the Decline of the American Motel.- Chapter Five: Roadside Chronicles: Wim Wenders' Paris, Texas (1984).- Chapter Six: Conclusion: America Revisited.
Popular Modernism and Its Legacies reconfigures modernist studies to investigate how modernist concepts, figures, and aesthetics continue to play essential--though often undetected--roles across an array of contemporary works, genres, and mediums.
Featuring both established and emerging scholars, each of the book's three sections offers a distinct perspective on popular modernism. The first section considers popular modernism in periods historically associated with the movement, discovering hidden connections between traditional forms of modernist literature and popular culture. The second section traces modernist genealogies from the past to the contemporary era, ultimately revealing that immensely popular contemporary works, artists, and genres continue to engage and thereby renew modernist aesthetics and values. The final section moves into the 21st century, discovering how popular works invoke modernist techniques, texts, and artists to explore social and existential quandaries in the contemporary world.
Concluding with an afterword from noted scholar Faye Hammill, Popular Modernism and Its Legacies reshapes the study of modernism and provides new perspectives on important works at the center of our cultural imagination.
Описание: This interdisciplinary study examines the interrelations between the documentary poetics of "Objectivism" in the United States during the 1930s. Focusing on three volumes published by the Objectivist Press in 1934--Charles Reznikoff's Testimony, George Oppen's Discrete Series, and William Carlos William's Collected Poems, 1921-1931--the book examines both photographic and linguistic images, along with criticism, correspondence, transcripts of interviews and lectures, contemporary periodicals and other documentary sources from these years. Reznikoff, Oppen, and Williams each constructed textual objects that aspired to the condition of the photograph, and the successes as well as the failures of that aspiration are the subject of this book. Juxtaposing selected works by these three poets with the camera work of Walker Evans, Lewis Hine, and Alfred Stieglitz, Depression Glass also exposes some of the fundamental affinities between documentary photography and modern poetry as forms of expression. This study challenges some of the critical commonplaces of American modernism by demonstrating how these poets comprised an alternative "tradition" dedicated to a project of social realism that would later become the exclusive territory of prose.
Автор: Lorraine Sim Название: Ordinary Matters: Modernist Women`s Literature and Photography ISBN: 1501314300 ISBN-13(EAN): 9781501314308 Издательство: Bloomsbury Academic Рейтинг: Цена: 20592.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Shortlisted for the 2017 AUHE Prize for Literary Scholarship Ordinary Matters is the first major interdisciplinary study of the ordinary in modernist women’s literature and photography. It examines how women photographers and writers including Helen Levitt, Lee Miller, Virginia Woolf and Dorothy Richardson envision the sphere of ordinary life in light of the social and cultural transformations of the period that shaped and often radically re-shaped it: for example, urbanism, instrumentalism, the Great Depression and war. Through a series of case studies that explore such topics as the street, domestic things, gesture and the face, Sim contends that the paradigmatic shifts that define early twentieth-century modernity not only inform modernist women’s aesthetics of the everyday, but their artistic and ethical investments in that sphere. The everyday has been noted as a “keynote of the New Modernist Studies” (Todd Avery). Ordinary Matters comprises a vital contribution to recent scholarship on the topic and will be of value to scholars working in British and American modernism, multimedia modernisms, photography, twentieth-century literature, and critical and cultural histories of the everyday.
Автор: Lorraine Sim Название: Ordinary Matters: Modernist Women`s Literature and Photography ISBN: 1501346458 ISBN-13(EAN): 9781501346453 Издательство: Bloomsbury Academic Рейтинг: Цена: 5542.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Shortlisted for the 2017 AUHE Prize for Literary Scholarship Ordinary Matters is the first major interdisciplinary study of the ordinary in modernist women's literature and photography. It examines how women photographers and writers including Helen Levitt, Lee Miller, Virginia Woolf and Dorothy Richardson envision the sphere of ordinary life in light of the social and cultural transformations of the period that shaped and often radically re-shaped it: for example, urbanism, instrumentalism, the Great Depression and war. Through a series of case studies that explore such topics as the street, domestic things, gesture and the face, Sim contends that the paradigmatic shifts that define early twentieth-century modernity not only inform modernist women's aesthetics of the everyday, but their artistic and ethical investments in that sphere.
The everyday has been noted as a "keynote of the New Modernist Studies+? (Todd Avery). Ordinary Matters comprises a vital contribution to recent scholarship on the topic and will be of value to scholars working in British and American modernism, multimedia modernisms, photography, twentieth-century literature, and critical and cultural histories of the everyday.
Snapshots of the Soulconsiders how photography has shaped Russian poetry from the early twentieth century to the present day. Drawing on theories of the lyric and the elegy, the social history of technology, and little-known archival materials, Molly Thomasy Blasing offers close readings of poems by Boris Pasternak, Marina Tsvetaeva, Joseph Brodsky, and Bella Akhmadulina, as well as by the late and post-Soviet poets Andrei Sen-Sen'kov, Arkadii Dragomoshchenko, and Kirill Medvedev, to understand their fascination with the visual language, representational power, and metaphorical possibilities offered by the camera and the photographic image.
Within the context of long-standing anxieties about the threat that visual media pose to literary culture, Blasing finds that these poets were attracted to the affinities and tensions that exist between the lyric or elegy and the snapshot. Snapshots of the Soul reveals that at the core of each poet's approach to "writing the photograph" is the urge to demonstrate the superior ability of poetic language to capture and convey human experience.
Автор: Fisk Gloria Название: Orhan Pamuk and the Good of World Literature ISBN: 0231183267 ISBN-13(EAN): 9780231183260 Издательство: Wiley Рейтинг: Цена: 8712.00 р. Наличие на складе: Поставка под заказ.
Описание: Gloria Fisk traces the terms of Orhan Pamuk`s engagement with a literary market dominated by the tastes of its Anglophone publics and the instrumental use of literature as a source of crosscultural understanding. She proposes a new way to think about the uneven processes of translation that carry contemporary literature to its readers.
Описание: Explores dramatic and filmic adaptations of the Faust legend from Marlowe`s Doctor Faustus and Goethe`s Faust to lesser known works. With detailed comparison and analysis tracing the development of the Faust topos, it will appeal to students of early modern drama, eighteenth- and nineteenth-century German literature, and film studies.
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